OCR Text |
Show ooooooooooooooo- CAPLIKE TOQUE FANCIED; DRAPING FOR FORMAL GOWNS 00XX000XXX0XXX0000000)X ri?iT 1 1 1 y . : fv-'.ALr -Hi r- I ; f, r- LA PETIT chapenu a & . s'2. x S la Parisian is with i ( ' ? , CX4 1 i ', ' us It Is already prov fr ' ' iug considerable of a t ' - " s , ' rival to the new poke " V (" cloches, which at this A "' f- N moment are being so " t ' widely featured. Judg t-h 4 t-8"-- leg from modes arriv- Vf.--.. ' s,ij.:.i?' lug from Paris hats '. i ' either have brims or .':-' A - 1 they haven't. If they '(Xw v bave they proclaim novelty every step of Chapeaux of Modish Design, the way, especially the LA PETIT chapenu a la Parisian is with us It Is already proving prov-ing considerable of a rival to the new poke cloches, which at this moment are being so widely featured. Judging Judg-ing from modes arriving arriv-ing from Paris hats either have brims or they haven't. If they bave they proclaim novelty every step of the way, especially the aforesaid poke cloches which frame the face, sometimes almost to the point of hiding it from view. If they bave no brims, well, they mos' assuredly as-suredly have not, for the tiew cap tonnes, as they are called, are not much more than tiny skull caps with clingiiig-to-the-head drapes. As Intimated before, these very little hats are considered tres chic In "Puree" and we Americans are beginning be-ginning to think so. too. Por these tight hats French modistes are em ploying every Interesting media, from wool and metal tricot to feathers and spangled effects, not forgetting vel vet. solell and supple felt. The tricot weaves contribute gen uine novelty to the list of hat media All sorts of mesh have been devised There is the wool tricot of yarn, and there Is the yarn and metal combination, combi-nation, metal with tloss. all metal and the combination of metal with color. These ooveltles are woven about four Inches wide Hnd they require the an of a reul milliner fur their draping. The petite chapeaux In this picture vary greatly as to the materials used In their making. The first model em ploys a metal and wand loose woven novelty which lias a knitted effect. Pelt forms the brim effect. Velvet with satin rihlmn describes the center hat at the top. To the right Is shown a smartly draped toque which is r 1 j 1 1 1 1 1 1 .v effective In the- new tricot. However, the original posed for this photograph was done In sheer beige velvet. All of cnrllene feat hers Is the close fitting toque In the tln oval to the loll. The cenler cap tuque Is ehilioraleil with hand em bioiilery ami spangle pal lonilim. The mode below to Cn- right show Inter J cstlng uianlpiiiiil i"ii of r II with vel j vel The la;' model Is ilecii!edl j '. i-etiehy." Spangled liTi-ul Is 11 .1 0 I for lis draping ami there Is u hii". I c"l"pJ peitll 01 11(11 lll'll I to one side. Fashlonists are launching a fascinating fas-cinating idea in connection with the evening mode tor autumn and winter lPtiS-l :-! that of styling decollete gowns of velvet or other luxurious fabric with transparent shawls or cnpelets or scarf drapes. So ponder no longer as to what to choose for dine-and-dance wear. There Is nothing more lovely shown than the new gowns, which arecaped. and scarfed and draped with ornate fantasies of tulle and net which have been elaborately worked with pail lenes or various forms of beguiling handwork. The model In the picture Is a charming exponent of the new evening eve-ning mode which veils fair shoulders so enchantingly. It was one of the many lovely frocks displayed at u recent Chicago style show. The shawl of brown tulle so handsomely patterned pat-terned with glittering paillettes Is incorporated Into the very making of the frock and Is not a separate accessory item. Note how a cunning cun-ning one-side effect Is achieved here, the scarf end falling over the right arm with exceeding ;race. This lovely expression given to sheer effects about the shoulders may or may not take the form of a wide scarf or shawl effect as defined in the picture. All sorts of fas-citin fas-citin 1 1 n treatments are growing out c , - N V "TIT a f ! cri ; v:;v w . (l -ri r , v ? f i t- 1 p ' v-i I (' ' J Latest in Gown Drapery. "4 '""-"- J ' - 5","5"5"!"5' -"!'-!"!" I of the Idea. One of the most eft'ee- I I tlve Is that of tue Iransparent shoul- i ji ! d(r cape, which Is Miibellished with j (' very benullful handworked design- . J lug done with paillettes, metal s I threadwork, chenille embroidery and J the like. r-ir""v . f llrowti tulle has entered very con ! "f. i V. VSj v splcuously Inlo the evening mode. "w.'vf,ifSl Not only Is It employed for diapha (.."-f?:. ... - , aS ni."'' nous effects' about fair shoulders n -"'"'i-i- " . nleinred tint It Is frequently posed of the Idea. One of the most eftec-tlve eftec-tlve Is that of tue Iransparent shoulder shoul-der cape, which Is Miibellished with very benullful hand-worked design-lug design-lug done with paillettes, metal threadwork, chenille embroidery and the like. Hrovn tulle has entered very con splcuously Inlo the evening mode. Not only Is It employed for diapha nous effects about fair shoulders n pictured but It Is frequently posed In Ihe form of huge bows with trull lug streamers, accompanying the bout flint side drapes which predominate throughout formal modes. Party frocks of brown tulle whose skirts are tiered and side plaited, have bodices ol coiiirasllng rich faoiics. Hull Is. com rust lug ns 10 weave, being brocade, or sheer vehet or satin. The color may be perfectly matched 01 otherwise. I'rown tulle with nisi 0I01 Is highly favored. .Itll.lA F.OTTnMI.KV. (tO. I M WfiiU'in Nvmu, 11. a..,, t |