Show FANCIES AND FADS OF FASHION 4 F by lylia Bol N 4 J A V X 4 7 Z z afternoon frock of af taffeta one might believe that everything that can be done has been done so far as taffeta afternoon gowns arie are concerned they have had a tremendous vogue and it Is only by oddities in drapery or coloring or cut that any newcomer newcomer among them can hope for a seand second glance but designers are resourceful and they have seen to it that their last models in taffeta embody clever new touches to compel us to admire and envy their originality the gown pictured above manages to confine its fullness at the waist by means of narrow plaits laid close together at the right of the back a cascade drapery la Is placed made of platted plaited silk over a long hanging loop of a width of it the wide girdle ornamented namen ted with it a broad stripe of embroidery brol dery Is finished with a deep fringe on the bias end this lianes at the left balancing the drapery at the right the skeleton waist of slik silk Is worn over on an and sleeves of crepe the cape collar Is of crepe also A pretty of taffeta Is arade in one piece with the full blouse a and nd straight skirt shirred sherred over a narrow band at the waistline it fastens at the front with th three ree buttoned straps above afie the waistline and t two wo below the sleeves are cut in the regular fashion and widen toward the band where they me sherred shirred over a band forming a hanging puff at the elbow deep saddlebag ebah pockets are shirred sherred to the skirt at each side long ruwa rows of small silk covered buttons are set on the side seams scams of the skirt at the center of the pockets they outline the collar which opens in iii a IV V at the front and flares outward at the sides and back it is made of the taffeta Teta these small buttons are set in the bodice in close rows where the sleeves are lot let in the hot bottom tom of the skirt Is trim trimmed med with a band covered with shirred sherred silk |