Show HEAR E R I J I I l is 9 ti 1 I f y Ma 1 I 0 e II J Jh tp IP Jj It L I y nn Sn t r e Kt h y 1 1 c terL r r 4 a J I T Tt t r r h ras f J j i f fI S I j J ti s sw Ih i J r I w a alt r I 1 I rl I V g Jr r til i v lt f I r roun fR 5 o o oI I n I I I to i A t I 1 e i A I fv r It 1 a i If r g x fl l t 1 t t I d B iL 0 f t q Ria m k t i f I I and n oun doli 1 f IJ I oM 4 I i t 1 7 4 i Kr r y I I II In I rd l r rr n V i r tj J ra I i t a 1 4 il 0 T IJ J c z T orn o I i t 1 J l I I 1 t t J 1 S r E HC 1 nn t 14 t he t lt tl q I r r 1 le r 1 I r a rt kv I l lI t r J iT I 0 1 t j I 2 d I the b bay 1 ay at as CJ I many monr more mora masterpieces a IO bare bavo been mode made of ot the Madonna t CHOUGH C and Child of ot tho Resurrection c cId Id aboa t lion tion some clDe of ot the most mo t h nger I times pictures of ot null modern times depict this Important and It qty dramatic episode Resides s treating tots hIs theme thome very Tery differently they touch on ons s flee Ile different Incidents of ot this tragedy Several painters both hath and nud mod modern t I e a ern have shown the Descent DC cent from tho cis Cross Cros Joseph nod and some of ot the Apostles Apo tle C ct k aro am taking the Christ down from the thea a r iii 4 cross crone Their faces ore nrc ns nil with pity pIt ns liS His Is with suffering while tho two ri Marys me standing close clo e by b sobbing bit hit bitterly bitterly z terly Every Incident is la treated such ns nR the pallor of or Ills III face tho I 1 o iA I wounds in to Ills illa arms and legs and the suffering buffering of or the tile throng thron The Tile somber comber col coloring colP P tt t oring ot or the environment make the windIng wind log Ing III sheet nod the wan wun countenance more colorless h 14 Tho next Incident In this dramatis dramatic dr n edit scene Brent la IA the entombment Inny of or tho the h heals 1 old Dutch end and Italian masters have bavo de do depleted lush ush i this hour but tho Dutch td rE t I painter Titian Is supposed to have Ilna sur lur surpassed t passed them nil The Apostles and Jo Joseph JoV V 3 seph are bearing with loving caro roro or ri p i from the cross to tho the tomb beyond Tho expression lon on their countenances shows Q air nI s R d that this lifeless form torm Is IB the most prized r li possession po lon In tho the world Jo to them Simi Similar I ore tar lar and still different le In the Entomb Entombment moot ment by b Hoffmann The Tho Apostles nod friends of o Christ are bearing him to the tho 1 t tomb Tho The limp body IK is so fiO heavy benS it In is the brought to tho the with difficulty f toa r culty cult Three aro are supporting the upper part of or tho to body bolly nod and three the tho lower t limbs The eldest of oC the helpers who Is bearing n torch looks look back ns nil though r be he wished l bed to t get Jet a last look of oC the sad char h but peaceful countenance Above the tho of tomb are three sorrowful Borrow Cui tearstained lh e of Mary Magdalene Mary the tho tb ward ard mother and Anno Anne Tho The moment Is 19 so II ills dramatic and still so much W t artistic restraint that it moves moes and thrills tH I J a ae e 0 I i f f y j tr x r cc ii J V i h Gj 4 t o r f t o i 1 1 r If Ift T TI t wJ J 5 t r rr r C i ie r e r N C f 1 ga Ct w w t tf I f b but does docs not Jar Hoffmann In 1521 lS t depicted depleted the next In Incident Incident In this thin story This Ibis picture Is In Ill Inthe Inthe the Sepulchre It shows Christ nt at re rest relit t tHIs HIs mother kneels 19 at His Ills side an as though b she fhe wished to glance glanco lovingly on her boy boytor for tor the lost last time Mary linn bUR Just jU t taken oft off the sheet covering Ills face and a n wonderful light radiating from Ills countenance Illumines their faces nod brightens the dark cavern While with without without out ont wilt n three of or the Apostles eager for Cor Cornn any nn news The steno scene depicts d lore lovo and devotion rather r than any outburst of ot un nn uncontrolled uncontrolled controlled emotion the tho French painter made mado the next nest link In this dramatic story In his bin painting the tho Holy no I Women nt at the Tomb They nrc are shrouded heavily In black except for tor their pallid feces faces Two are praying paying while ono one looks as ns though she caught n a glimpse of or the approaching angel who has baa come como to announce the Resurrection of or their Lord The expression expresIon Ion sion on these countenances countenance Is RO Ao ascetic that they tb y seem to realize something won wonderfully wonderfully on mysterious Is to happen This mystery IK Is made more moro solemn by tho the nn ellI s approach Though this picture Is full tull of or harmony and end spiritual effect tho the expression of or suffering on their faces and the wonderment at Rt tho angels approach ore are their chief charm The Tho bright light from the angel Is In marked contrast to tho the pallid faces and Bomber dress of or the tho y r at jV i LIe cc three women who are guarding the tho tomb The announcement of oC tho tiro Resurrection IB 19 depleted depicted much more happily In a I pic pie picture picture ture lure called collet Hester aster I Morning It shows the Virgin praying In her room In spite of ot the tho expression of o solemn devotion on her face race It la is lined with care and suffer suffering suffering ing An angel appears holding a n Illy lily In la ono one hand band with a n dove dore posed on her ber linger finger The room at nt her ber approach In la II hotbed bathed with rUh glorious light A few Cew artists have de oJe depleted the Resurrection without Introducing Introducing ing the figure O ure of or tho Saviour This Car Carlo Carlo lo 10 nn an early Italian painter did In Jn bis hia Portrait of oC St Cecilia She holds n nIlly lily Illy In her hand and tho the expression on her ber face tells tell that she Is made happy by bf bythe bythe the Easter lily Illy the symbol of oC purity and eternal l life lite But Dut Easter Morning with the Resurrection tion IB la the climax In the dramatic life lite of or Christ Many episodes In to His life ore arc sad Bomber end and tragic ll but hut the Resurrection like ills His Birth Is bright with hope Joy jO and a n fulfilment moro than that n a pledge plede for tor nu eternal life lire For l or the Resurrection n sur says lars that pain suffering and death are arc transitory There Thero Is n a 1 fuller Culler larger and eternal life lito beyond the portals of ot death and luel suffering and this the tho Resurrection has hils proven Though hough ancient and modern painters have given Interpretation to this sublime moment the later Inter artists ts have made willie this Incident more Interesting real and human hu human man though n modern painter gives hes a n conventionalized Interpretation to his story still the tho picture has ban splendid feeling aorl shows a u great rent musters masters skill Mary null and Mary Magdalene are seen walking toward the tomb They fled Ond nn In angels gels sweet and fair Calr guarding the holy bol sepulchre with crosses ero In III their hands An As Anthe the tho angels sec see the shadowy form Conn of ot their Saviour n 1 r their faces become Illumined with great Joy while the expression of ot Marys face Is II that of ot H governed by splendid Though the note Is Iii that of or Joy It Is handled with splendid artistic a reserve The Ibe Resurrection la Iii handled more In Interestingly by hy This 11 II II was painted In lS Mary Magdalene has hlll been watching and aud praying before the tomb when suddenly appears be he before before fore her ber lie doe docs not come corne na as n a rK r tiro Iho reality but na as 9 she ehe knew Him In life liCe Ills His form torm Ills Ilia fare face fn and even Ills His rat ral menu are arc the same Mme even coren to Ills His voice and smile Mary Magdalene ot Is thrilled with Joy Jor nt nl the th sight eight sl ht of ot seeing Him whom she thought wan mil gone gon j forever r Her Iler beau benu beautiful beautiful red tresses arc nrc hanging her ber arms are Aro uplifted an as R though she ulie he would touch her Savior she nho Is III so 10 carried carded away her hotly body looks look as ns though It worn were ready rendy to tolly toIly lly Ily II heavenward nut Hut Christ has hns Ills His hands raised tho the control expressed by br Ills His face tRee and figure would siy sn lOr I nm am of oC tho loo body bl ly hut but ut not the tho body hody I have hae come com cometo to show you yon that there la is no death suf suffering suffering fering Is transitory The real the worth worthwhile worthwhile while IH Is beyond This Is III the message your our Father In Heaven would leave leae you and nil all who weep Y ep for Cor the loved lored ones they have lost For this your our Father sent bent Me Ie to tl earth for tor this I suffered death and I nm am resurrected The Tho note noto of or spring Is sounded In too tho foliage growing from the lire rocks rock and the grasses springing Into new lIew life UCe Even more poetic Is the first arat Easter Elster Dawn Down by h J T i K Thomson The scene Is III early morning so early that the clouds ore Arc hardly broken Two angels nn arc boy bov ho In midair beneath them are arc hells In early earh bloom Through the breaking of or orthe the light they see per an nn Illumined form Corm half veiled ell oJ half bait revealed while their tine One and poetic countenance are radiant reliant with light Joy JO and hope In the distance arc are tho the three crosses crO S Hoffmann the tho great fIat Herman Berman painter has also ol o depleted depicted the Resurrection but hut his bin handling Is more mor conventional lie He shows Christ rising on clouds with two t wo angels In adoration They The look up to Him with hope Joy nod yearning while His IUs faeo and figure n lre cs cx e prods repose contentment and a n looking n greater sleater foil and fuller Culler life liCe A oem num number ber her of the rue old have made mado plon splendid did tild of ot the Ascension Including ing Ilia Rembrandt Titian etc None Sous olle are moro more than In It I Christ rising on n a amass mass of lIt hi How clouds Ills countenance IN Is sweet toil happy lie Ilu II Is I surrounded hy by II angels nud and trumpeter trumpeters t rounding their I rejoicing nil hallelujahs while below 1 la 1 Ilia mother Joseph Mary Magdalene some rome of DC Ills Apostles and followers dressed droe ed In gay ay garb garbe and nn with radiant faces u later Inter gave his hIli Interpretation lion tion of or tho Resurrection In his painting called the tho Re Moro Morn Though treated In the same name rather conventional nays taYI the work U is I ma masterly t outlined It shows Christ carrying nIB His banner op 01 peering before beCore His HIli mother nod and Mary IAry Meg Mag Magdalene Mn Megdalene dalene for tor the first time The theme thema la fo handled rI more dramatically In than nn moat of the 1 masters t have b handled It The Tho T two women appear to ho bo carried away corn com completely I piNel by Hl Ills coming neIl Besides this vivid representation of ot the Incident Do nereU Is a master of oC outline and ond hIs bis draperies hare havo within them themA A thoroughly German Germon conception of ot the tho Saviour Is la The rho Ascension by ty G Bier Bierman Bierman man Though the face tace IB Is thoroughly Teutonic It la loI nevertheless august and Impressive It lucks lacks nil all tho effeminate and sentimental creation of ot the th old ohl mos mae masters tors The Saviour with glory about His nl heed hend Is rising Into heaven he Ien looking had hack backon hadOn on the tho scene of or Ills 1119 suffering and ex extending extending tending His Ills hands In benediction ben over ocr tho the homes bomes of ot those thop who had hod slain Him The French painter Interpretation tation tn of lr the Resurrection la is Ii certainly more weird nod unusual It Is based on on the words wordA And when they th looked they ther saw naw that the stone was 08 rolled away awny for Cor forIt forit It was very rr great 0 And entering ent Into the sepulchre they saw a n young roun man pitting i ion Iii on the right rl bt side Ilde clothed clothe In a 1 white gar meat ment and they ther were ere affrighted The I t I women omen who have been watching In the tomb start to when Jesus robed In white And Illumined by hy His HIli own light top stop them thorn saying Be De not afraid go I k l J I Itell t tell thy brethren hr that they go to Into Galilee I and noli there they ther shall see Me Me Mf The snowy II white of oC His Hla robe the light from Ilia 1113 face I and hands bands make a charming contrast with I I Ithe the verdure of or the country and the rich oriental color of oC their c This scene leene though charming U is colorless s coot com compared pared with rho Resurrection n which shows the Saviour guarded by nn an angel angal s rUIng rising rl heavenward whit while all nil those who r fl I sinned against Him era aro suffering and I I groaning below tEven t j Fen Even more dramatic though less horn a r II I are Arc the tune two pictures showing Jesus ll H I 1 revealing Himself to Mary Magdalene ll llIn dl In the lint first when she II meets Him In the tho 5 a garden garlen she Is 15 to so frightened that she sho la Is 9 1 1 ready reads to Ice Dee f e But Christ t by bT Ills Hla calm manner And soft voice brings her ber hack back c She Sho Is 18 about to touch tonch HI Hie garments but butHe He lie warns her not to so she Elbe throws her ber herself herself the tho The 0 S self licit Instead on ground pros herself before Him Illustrates the iv words Jesus unto her ber Touch It i L iMe LIe Me Ie not for Cor I am nm not yet ascended to my r I Father but go 10 to my brethren and say unto them I ascend unto my mr Father Falber and I t your our Father rather and to my God and your yourd II III G God jd d I I |