Show I i r MUSIC FOR E EVERYBODY 1 Quarter Tone in Music Now Used Ian han Ii n V a Russian musical I well 11 known n sod nd Since alnee line the re revolution resolution describes 8 a musical evolution i e In the use u of qu quarter tones In la N In Lh Age ge At gerbe first tir t concert of q quarter quarter- quartertone quarter Ion tone music nus In Berlin IM wa an in I not only In Berlins Berlin 9 II musical life but In n the th mule inu ic of ot the tir world Admission Ad mission lon was os limited to members of I the musical circle circles I of the Berlin preM press men mn of representative of orl ministries trl and nd id SQ forth such euch uch a measure was a deemed necessary to the Of otherwise el nu ei o and nd noises from UT I lInc enee log listeners a lair fair chance thine and nd 00 to to give listen t the haen and nd audi I audi ence an 1 al afire the performance The 0 tone quaver music has h been discussed In Europe Eurol for tor years er e r the question ln was tae n studied moat Dost in German h Stem Iem published In 1916 G Gt t leo 1 10 0 cell cello pieces where quart luul r tones were Here U used al u f lIi b m mU me He e hl o butt bust a a ton quarter le tone clarinet but his attempts t found no n In 1917 again I built a IL toni harmonium and na wrote rote n a Cabout about aboul It and nd th the flit e small places les 0 of ton tons tone music for tor the harmo- harmo harmo I He lie made road a concert rt and LInd lee lee-I lec l ture c-ture tur tour lour our of ol Germany German Similar work orl had been beet dons done doc at lit that tim time il I also o b bi bt the organist oi Mage Mager the pianist wrote role a pamphlet h Wherein n herein he be lo proposes i It a subtler divi division sion slon or of the octave but h he aho- aho rated rated thud tones fae ton Instead of ot qUa quarter quarter ter tones lonu which would ouM bg be b much more difficult In pa Uc theoretically U as a acceptable as quarte quarter quarter te ter tone I myself Lt wrote rote no small number of or piece pieces of quarter tone quarter music lc to fr for 1 piano violin vi cello and andt t olce The rhe coming c of ot the tone quarter andI I music seems em to o answer Aner a 1 nee In the th musicAl orl for tor It seems seem emi to bo be a result remit ot or I the crisis Is apparent In althe the blanche ot of o today toda s cultural all and social life |