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Show Friday, February 15. 1991 Plug-i- n by U The Daily Utah Chronicle - Page Fifteen magic students Diversified is the best way to describe both the works and the students at the Graduate School of Music who presented their works in Gardner Hall on Tuesday. Tracy Petersen is the instructor for the electronic music series at the University of Utah. And with him at the helm, U. students presented their original electronic compositions. Electronic music cannot be compared to any other form of music. It is a separate art form, created from sights, sounds and motions of what surrounds us, then combined with thought and emotion, and creatively transformed electronically. In the case of Les Rackl, a student in the class, the voice rhythm and tempo comes from mathematics. "My piece began as a mathematical piece and was transformed into a six dimensional one. It is a mechanically induced mystical piece," Rackl said. And mystical it was. It brought the vision of a horror movie. Not because the music was horrific mind you, but because it invoked a sort of suspenseful feeling; one of wonder as to what would happen next. Laurel Stucki, a member of the class, used a real voice in her piece. She recited, in French, a poem about little boy who loses his shadow, translated it to the audience, then let them listen. The poem is dispersed throughout the piece, coupled with a melody depicting the boy, a different sound for his shadow and climactic verses every time the boy finds his shadow. Charles Miller used metal objects beating together as his chosen voice in his piece called "THE Mistake." And although one could hear the voice of someone saying, "Exactly what it is meant to be," the voices in his piece were actually the metal first-quart- theatre from page thirteen males aren't extraordinarily positive, but at least they are more balanced and stable than the women. So much for the literature, on to the nitty gritty. The actors, well, perform I suppose. I won't say they are shining or sublime or stupendously fantastic because they aren't. The play doesn't lend itself to grandiose, g performances. It is more subdued. There are some great moments .centering around Del. The set was designed by the U.'s own Eddie Coe. Again, good, but nothing amazing. Again, attributable to the fact that this is such a earth-shatterin- straightforward play, there isn't much room to experiment. I will say this, to the show's derision, whoever chose the incidental music was out of their gourd. In the first scene change, we get something by Bobby McFerrin, or somebody who is trying to sound like him, singing the words "just so" in a variety of gut wrenching ways. Then they played something by Prince, which also had nothing to do with the play. Now I hate to pick on little details such as the incidental music, but to me, the magic of the theatre really occurs in those dark moments, when the audience is left ALL IN FAVOR OF GREAT FOOD, to contemplate and wonder and SAY HUNGRY await expectantly. Prince is not what I need during these critical moments. What can I say? Personally, I loved it. I understood it. I absorbed every LUNCH nuance of dialogue and subtle on it. CHICKEN SANDWICH MesQu'lf Wotted wtntf bes! ot eh ken served Tiinestione soup intonation. suppose it would be possible for anyone to love it if they are in the right frame of mind. Be prepared to hear some things which may offend you and be prepared to hear the word "poke" more in two hours than you ever have in your entire life. Also, go prepared to laugh. In today's political climate, this is all meaningless fluff, and it is a k welcome break from a non-sto- p CNN marathon. "White Man Dancing" is playing I grooved I ixwon from three different compositions he had done. One was a cut from a science fiction movie he created the music for. Petersen noted how exciting it has been for him and his students to be able to experiment by going out into the real world, record sounds and bring them back into the studio to transform them. 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BACON OR REGULAR BURGERS with Creek saUd m.rtronesxjp.ifHlchoeci fntn February 1 7th at the Salt Lake Acting Company. 168 't G'eefc Seved five-wee- Wednesdays-Friday- s i. Dean ,s proud to announce the opening of the second Dean's Hungry location in Foothitl Village Menu items at the new Hungry i are similar to those many have come to love at the original 2700 South State Street location They range from chxken and seafood to pasta, pizzas and of course. Creek speoatttes Let Dean put these words m youi moutn ONCE AROUND HOME ALONE (PG) (DOLBY) 1:00.1:50.3:00, 4:00,5:00, 6:00. 7:30, 8:00, 9:40, 9:55 DANCES WITH WOLVES ) (R) 1:45,4:15,7:10, 1:30, 3:30, 5:00, 7:00, 8:30, 10:15 NOT WITHOUT MY DAUGHTER (PG-1:15.3:45, 7:10, 9:50 ) NOTHING BUT TROUBLE 3:40. 5:40. 7:40, 9:45 FLIGHT OF THE INTRUDER (DOLBY) 2:10. 4:45, 7:05, 9:15 GOOD FELLAS (R) (DOLBY) mm AWAKENINGS R) (DOLBY) 2:00. 4 45. 7:30, 101)0 SLEEPING WITH THE ENEMY (DOLBY) 1 :30, 3:35, 5 40. 7 45, HAMLET (PG) (DOLBY) (DOLBY) 9:50 HOME ALONE (PG) (DOLBY) 2:00, 4:30, 7:00. 9:20 LA. STORY (DOLBY) R) Come KING RALPH (PG) (DOLBY) 1 and meet in 1:10.3:10,5:10,7:20,9:30 :40, NEVER ENDING STORY 2 (PG) (DOLBY) 1:20, 3:20, SLEEPING 5:20,7:30,9:40 1:45,4:45.8:15 KING RALPH (PG) (DOLBY) 1:10.3:20, 5:30,7:45.10:00 NEVER ENDING STORY 2 (PG) (DOLBY) 1:20.3:20,5:20, 7:20.9:20 GOOD FELLAS (R) 5:20. 8:30 NEVER ENDING STORY 2 (PG) (DOLBY) 5:00, 7:00. 9:00 NOT WITHOUT MY DAUGHTER ) 4:15, 7:30. 9:45 KINDERGARTEN mm ) DANCES WITH WOLVES 1:30. 5:00, 8:30 NOTHING BUT TROUBLE (PG) (DOLBY) formerly I. . I JI J,I1. JJ. 7VT SY.'W1 . of &VS600N6 of (normally $40 ) Men's haircuts half price THE RESCUERS DOWN UNDER (G) 2:1 5. 4:45 THIS IS NOT A DOUBLE FEATURE! OUIGLEY DOWN UNDER (R) 5 00. 7:25. 9:43 THIS IS NOT A DOUBLE FEATURE! NOTHING BUT TROUBLE MISERY (R) (STEREO) 2:30, 7:10 PLUS (DOLBY) 5:15, 7:30, 9:45 POSTCARDS FROM THE EDGE HOME ALONE (PG) (DOLBY) 4:30. 7:15, 9:25 9:20 4:50. (R) (STEREO) ) LA. STORY LOOK WHO'S TALKING TOO (DOLBY) 5:00, 7:20, 9:35 1:00,3:00, 9:50 ) KING RALPH (PG) THIS IS NOT A DOUBLE FEATURE! (DOLBY)4:20, 7:00, 9:15 ) 2:00, 4:30, 7:00, 9:30 GHOST J Women's Haircuts (London and Chicago) and 6ALON XAIQ( Beverlv Hills) NEVER ENDING STORY 2 (PG) 5:15, 7:15. 9:15 HOME ALONE (PG)(DOLBY) 4:30. 7:00. 9:30 SLEEPING WITH THE ENEMY (R) 5:30. 7:30. 9:40 1:25.3:25.5:25,7:25.9:20 NEVER ENDING STORY 2 (PG) (DOLBY) 1:15, 3:15. 5:15.7:15.9:15 SILENCE OF THE LAMBS (R) (DOLBY) 2:15. 4:45. 7:10. 9:30 KING RALPH (PG) (DOLBY) 1:00, 3:10. 5:20,7:40, 9:55 ) AWAKENINGS 1:00, 5:30, 10:00 THIS IS NOT A DOUBLE FEATURE! ONCE AROUND (R) 3:15,7:50 THIS IS NOT A DOUBLE FEATURE! 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