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Show BOWS BO\V5 BO V5 \ AND PLEATSUy PLEATStry PLEATS Uy try y CIIfcHIL UlhlUL G11hlilL G11hlilLICIlOLAS , " ' \ MCHOLAS 'ICJtOLAS ICJtOLAS \ICIlOLAS ICIlOLAS ICIlOLASi ICIlOLASN ICIlOLASr i N r rl rl'v 'v v ' ' t . . . . - - . "itch itch " \ \ itui Ill.11 Ill11 . IJh.lt IJhlt pitathi picitsi . . , ; : " I IheaJy MieaJy \heaJy heaJy tlteu.1y tlteu1y \ . In Paris they theyare theyare theyare are enJo cnjojing enjosrng mg a big \ vogue ogue Many ot of otthe ofthe ofthe the most successful SUCle5sful C\ C Cenln evening \ enln gowns gownsespecially , especIally pastelehiflon those of at monotone paste pastel pastelchinon ) chilton ehiflon hivt lute h'l hl ' \ fa * skirts shirts which width whkh , are lire fine fineaccordIon fineaccordion fineaccordion accordIon or knlfe knife-pleited knife pleited knife-plc\ted plc ted - - ple ' \ tted tlie the whole wholenay wholev nay \ \ , ay round In the . Lanvin I.anvIn IanvIn gown to tothe tothe tothe the left In this sketch slcetch pleats plents are ure diserectly dIa dis dIacreetly discreetly creetly and nnd efft.ctlvelv efftctlvelv efflct1vel effcctlvely . treated 'lhe lhe the ' TheIdea 'lheIdea Idea of uslnt iisin usin . , ? wide pleats for the cape pleatedHounce pleatedtIounle pleatedflounce let capelet In contrast contrnst to the flnely finely pleated tIounle flounce on the < ; skirt sklrf hlrl Is very original originaland originaland originaland and ImpossIble Impos'Ylble darlni darlnh daring . And bows bowsl 1 ! It la Is Impos'Yl ImposYl Imposs Impos'YlI ' [ I ble FashionIs rasMonIs Cashionis to 0\ 0 overdo 0erllo oserdo \ erllo the how fad rasMon rasMonI Cashion I hourIn Is saving saing a ) Ing It ' ' with ho\\ ho hows hos bows \ \ s every hour In the dav day and nnd the night for far e\enlng e enlng evening \ eveningfrocks eenlngfrocks frocks fairly fnlrly revel re\el re el \ In bnvv bow trimmings trimmingsThe The big bohIch bow bo\\ bo \ \ . which hIch fastens fnstpns the lIttle lIttlecapelet littlecapelet littlecapelet capelet on the I 1 ( invin .nvln nvln . gown gOn gO\\ gO \ \ n Is one oneway oneway oneway way of Intirpreting Intupretlng Interpreting the bow move move- movement movement movement - - ment ment . , \ while hlle the conspicuous conSlIlcuo\ls conSlIlcuo ls \ green vel vellet vclvet let \ et bo\\ bo bows bos \ s \ which vshlch hIch distinguish the Patou cvenln evening Patouevening Patoucvenln bketche'to bketcheto < , ? O\\ O own On \ \ n of pink satin bletche sketche , ' differentimpression to thp thE > rifcht riftht rlbht gh gives glses es an entlioly enthcly entltely different Impression of bow how bo\\ bo bows bos \ \ s and bon bows s are "fetchingof fetchingof etchingot beIng beIngI arebeing I > omploied mplo mpio3 ) ed In the most "fetching fetching " [ etching ot of the scison SC'1S011 SC1S011 season ' s modes modea . . , |