Show simplicity replaces boyishness in brocky to seem boyish and reckless andt trifle hard has come to be recognized as abeln a bit passe old fashioned in fact but just bow old fashioned can only be appreciated when the froeli shown in the paris collect alons are contrasted with those of 1 few years ago writes a paris correspondent in the new york almey gentleness and sweet seriousness breathe throughout these new mashl ions lanvin started this change in sentiment with her extremely youth ful frocks in velvet cut as a young girls frock should be cut with the utmost simplicity of waist and cr cular skirt but brave in its round puritan collars and cuffs of corded silk then worth nent a step further and featured a frock of soft brown velvet inspired by the aarona it little girls wear to school a buttoned dovin the back though the buttons remain unfastened tor greated chic and smart in ita use of eatn wide collars and cuffs of creamy sll the froal calls up memories of golde curls shadowing earnest eyes and that Is exactly the vision the design era now are striving to convey jane ragny too has made channa ing use of this apron idea but instead of having her apron an all one as Is she patterns it after the bibbed style over a plain trod of navy crepe satin Is placed a bean less piece of the material which cor erang the waist ahle a bib proceed down to make a rounded and circular but short apron front tills Is tied TO with a bow in the back quite in th regulation manner the result ls give the skirt two circular tiers the front ajr As another example of this ne effort toward the young and gentle vivacious here Is the transformation that lanvin has wrought in the to merly stiff middle aged princess gown ahls designer Is confident that th six gored effect in such gowns ielli line for a pronounced vogue |