Show Be F Fitch's RHe Jg g Play a ft wR r. r H. H f P. P ALLISON p probably th the greatt great great- 1 I play from r the tha pen of ot f Am Amer- Amer 8 most t dramatist pie Pi Pitch has been produced Lm 11 E Pictures Picta corporation t o with etar Madge Kennedy L L. I C. C the Prod production cUon of The rhe te Is experience on the the- stage stace of ot screen creen comedies has hasas as aa nt picture for lor Miss Hiss et Bf a. a picture Gaya Mr to b w ier or ce not DOt it makes an its ita tears team Clyde ii S two Bach Baeb een 3 In m The Theno no o a ce see Madge Ken Ren- Keen Keen- III p e will wm pay a a. d distinct ct altars trod fend Mr Fitch's Fitch s 's sto to to- to-Iet to get A Q or err ork k II W Ddom was Baa asked His honest seat laugh to to set Jet get It ft requires infinite care and andi 1 rte m i a light highs comedy scene that JOne One false tale step and acid I ID D laughing at you you yoo Tears are often I IDe De eyes rea o or people watching of a highly melodramatic i I Ii they are swept along by bT the i i lilts but in the course urse of ot a as w-o w wW wm always d the state more hitteL II a demand in the lot fer good light comedy on the I v e have hare been fed up with The They want genuine I at t One One- n acting and sad I know of I rho o more greatly deserves her le-b le 18 comedienne than Madge Madget I t I She became famous on the thee these se e and comedy and her screen I 8 shave have made her one of the thead ad 1 actresses of this genera are genera genera- j very every pout and gesture are he thousands of young girls i r and unconsciously imitate vO is Js fortunate a Ing- Ing Of of The rhe Truth It has bas as- as of f f the nest finest companies which the to direct The se se- Ida Sears to play the part is 13 especially happy originated the part when wrote The rhe Truth for the theone theone theone one who has seen the play her ber her performance This s' s even greater Importance t. t uvo In version Aversion Miss Sears Sears' acting note of comedy that the le cinema fans bera of at the cast are are Tom Tors TomM M lene je Greene Kenneth Hill mn fe e. e and Horace has produced seven ses es for the screen In the Jars are ars He says the directors director's s se le- le e a easy in n the transfer of I to the studio C ean all the scenes carefully Jin In the manuscript he exI exl ex- ex l I the essential dialogue has before an art audience The Ifor for the sets and the cos- cos n ll down in black and white things are the foundation the director builds bunds In we have increased the num- num for or sets from two to twelve Jery cry ery moderate number Many ire re plays have forty or fifty Clyde Fitch Bitch staged The room In New York ng g house in Baltimore The Theal I if al four act play Of course coursen i In n our screen production these e two sets e but i It J Is of the camera r to take e adof ad- ad i j of exteriors and out of the thet it t would be too expensive to toa a stage All the action and d dIa Ia fa stage dramatist can an only Jf r suggest the director can canh cant t t 1 fth h his actors and camera to a. a p. p around picture for the round will wm b be seen at the Casino Ing today Is with a sadly orbe as a result of ot her O latest Metro e arriag-e of William Ashe Ashes Ashes' peel vel by Mrs Humphrey a few days have hava passed as BS asked to Jump from a aLa ata ta La a manner as s to rip a 0 reparablY irreparably and more re- re or Edward Sloman called I de star to commit further I f Tide Ide by stepping out of ot a some very slimy mud The Tho greeting to the director u gowns owns do I ruin today ces ces ees are all right when you goa i large manufacturing g gr an automobile or out hen it comes to making dies of the stick slap-stick vae vare va- va re e out of ot place So says i Metro comedy star and d know Jn In n fact tact he does docs eres ere's wIty limping down the street Tn n a sling sUng and both eyes matter queried RosS Ros- Ros S for tor whom he formerly becoming a star Did accident H Buster Duster sadly Radl I r used ce e In one of my scenes |