Show I PW li I I r rI T H Ej E S I I 1 AG G 1 E EI I I 1 r 1 1 I I II it 1 1 i it iL i I t I L I LULU GLASeR IN i THE SPRIGHTLY Y YS I S SWEET Je T RO ANNE PAGE i Of MARSAC II u 1 J gIo eo 10 far as I mini 1111 aware up to the time that thaI she hf b br I rime a star had never Mr had Im but a ai 1 i professional fn engagement and I single le that was wat In the Ule company of Franck She was at an any rate a valued member of for tor a number ot of yeah though I must confess that during that time t 1 never 11 pretty la pink link shoes hoe It H she ware wre given givena heh a geed opera she hI would be certain to Jump Int into national Ion be before before fore the end or of her first season alOft It is III stating the case a f In the possible manner to say that Sweet line nDe Page Pae le I not a rood good oolitic opera The libretto harp lla p been written HIn by or It may mar line have been i J tc r N tl t tr te I i r e r 1 I I i V t I j e I ur jj t t Ni Nit t f f i ot i greatly admired l the young oun ladyn work Viewed In the light of recent events It ItIs Iti i Is s probable that this somewhat unfavorable opinion of Miss IIII Glaser was largely duo to the tact fact that ohe ehe was not nott given Ien the opportunity by Mr Ir Wilson to tot t t demonstrate what she watt really I ble of doIng It la III well known that Mr ot Wilson does doel not lie awake nights try tryIng tryIng Ing to plans whereby the mum r hers bers of his company be enabled t to make mako greater hits than himself In Indeed Int t deed there are arc unkind persona who are rude enough to aver that Mr r fondness for the center of the tho stage us as asI I well us IlS for the tat fat of the amounts almost to monomania and now that I have seen n Lulu OIlIer Ill as a unhampered 11 hy by the of ofa n a superior I am Inclined to think there t is hi something In the allegations of 1111 sons lions limelight monopolizing tendencies Lulu OIa Glaser er has surprised ever every one by her work In Sweet Anne at atthe 1 the Manhattan theater Barring 1 a habit of going booing her character far fer fert t the sake of getting Ii a little cheap applause ap applause from the professional portion ot of I the work In the title role leaves nothing to be desired She has hall the verve and go 0 which are or orr r absent In Amerlean comIc op opera era ora white she will 11 r never eclipse she ex well ell Not ot a word uttered by Mies Glaser by the reasonably attentive auditor and withal Ih she II III as LN ARBUCKLE t J tAs 1 J A As r ARSAC t slapped together lit In a day 01 or two for Cor use nt at t a gambol of the lambl Lambe but It Is Impossible ll le to It as the Well con considered effort or of two mn men who have at ar rived It at the age of oe dl True there al ll it good many laughs In Sweet Anne Inge but they the are all produced I Iby by references to matters connected with the stage and the they alt all come worn from thOle In the audience who are allied with the theatrical s these thee people are invariably admitted free frN the tact fact th that tone one Is IR affording them le III of little import I ly on MI salary r dy day The la lay fellow who pays his money mony to see th the not understand moat of these antI and secretly ri the Inter of matter which I is unintelligible save Ave to A select few In other words word no C comic opera that I know of h has ever when It wM ed down by shop bop talk which made the actors laugh and a as 8 put fut Into the work simply Imply for tor the purpose ot of p pleasing any manager to whom the piece might be Kt submitted 1 I The tAt cast of Sweet Anne Page was Willi com competent tnt and Alexander I Clark a a was wa good This Thi actor is I bound to bt be a I shin I r t i iy r tr I y J Jf JA i 10 I A f fi fitI J r t tI tIt t 3 bra r t Ti ar t I r G u ut 1 t 1 i 1 1 t t n ut S t q t r rI rI rj I I I j fl J f h r j I Cup ti I II 11 j I it a S f DANNY I itI MAHER A FAVORITE IN ENGLAND N tI t Manny r Maher Is one of the few American Jockeys k who have ridden n tn fn rug E t land Who t I popular with the big mn men of the turf a sad It Is III that hen the nut next seasons leMon are distributed Ma Win wilt be the one 1 t of tM American contingent to be I f I tit some day when ht he happens to torl strike rl k exactly the right t role time Inn Lh Ilus a t I rd Freer t sibs tanh l a k I d Ina o p t A I 1 t 1 n Mil t In Art lr t Ileo t 11 III ml l 11 Hh I f 4 I i nn in I Th Timm Thum t I hilL d I tUI rl Iii alo lou Lad Lay 1 I Ir It Air r I raz to y Clerk Ifill of t furry W t of II Arm Anon u k 11 1 a n W d far I I I II 1 Clemson TIlt ot of llamo a Comedy In three tJaN acts CUI by f Molly Seawell and William Youn Young which Is III the currant At the In this eft city is 18 one or of the bright Ht eat tittle N New Yorkers for some Until It Is hy by no means a aI I work Rill and It lite pretend tend to toI tobe be but bul It to III lively or all as its title I enter Maclyn Arbuckle Is III 1 t 1 1 I LULU GLASER tiara glowing account ot of th the good fortune or of Fontaine the artist limo hll by the tho death ot of u a wealthy uncle In has In in inherited millions The r landlady has seen n the U hlll on re I Inore note tv to u lIy Y the matrImOnial ex P mil and I nr t being averse to lo being saddled with withe t t I II h rs I o Y ot of o A fortune f e s she hll t 1 a plan whereby she mn mummy lie be liet t rime I ml Mrs I rl Fontaine She accordingly ly otters to accept note It at 30 days for tit the Amount of the Indebted fleas tIa signs the paper pAIr which Is II really a to merry time the widow Gild and Manses name appended Is as aM wit wll mesa Naturally thIs vapor r later causes trouble I Meanwhile has hll lUC In himself that the I tal tale of hiM hla good food luck Is perhaps true after all and that he Is n a millionaire Marsao to him that thai he Is the theauthor author of time story In the Marsae Manno enjoins silence Fontaine pro taste They Thoy are oro interrupt ed ad hy by the arrival of oe from Crom tradesmen nil ail seeking the opportunity to serve lIre the man Inan whom but n a short time before they had b been en dun dunning dunning ning Good luck terns to pour In upon Ullon the pair and the only thing which noon oy ey can tn ue give that they do not have Is limo tho mono money itself This causes caUseR several amusing ng little episodes concern concerning InK the Ing of tips to walter and ald other sere ante with their last francs fwd and Fontaine moot n a stranger when the clouds again begin to lower lie He Is from th the United States and agrees to help them The They regard him himas as n a sharper but accept his aid nill All goes well for II a Urn time with the stranger as Uncle Maurice the gentleman lIy by whose death deRth In America Fontaine Is supposed to have hae become a 11 millionaire III It la n needless less to add that I this is the real Maurice who con Coals his identity up UI to the last mo and that he is III ly wealthy The Tho playwrights have very cry craftily In made II I It possible for tor the auditor to sympathize with Marsac by causing him to repudiate time the man from America when hI he imagines that the latter Is bent upon swindling Dupont his hili friend and the tho father of the fiancee of Fen Fon tame I ThIs does dols not rend sO well as It plays f Wr r time the very Iry manifest reason that the hits bits which cannot b be told withIn with it In time scope of a brief critique are Tf x r ti 1 I sou tw S SWEET ET ANNE PAGE PACt ACT II ByRON NY h 1 Y wI k t V l lr r b L i featured In this production and the UtI Im created In the principal role rolet t by this alwa always fx excellent farceur was nil favorable 1 Edward S Abeles to whom is III assigned the nOl none too grate I I tut ful part ot of Fontaine Is i one of oC th the few tew melt malt on the American stage tAIC who would i net ot this role offensive In hi his hands It was wal excessively I and appeared almost A bel i possesses th the rare ability to play a farcical roll role so seriously a as to Rake make I you laugh at It one moment and a with It the next be Sprightly of Ma lIc I was originally a piA then A novel and once more R a play The sole olt author of all but this last effort was Molly I oily Elliot Sea well who when h this II was wa AI ac accepted for tor production on the strength of the popularity or of the look book called to toheI her heI Mr Ir William Young Youn the who wrote wrol some Hunt plays 11 for Cur Harrett Barrett And made tb the Ira dra tn version vemon ot of r flen which has almost success The have hae lone dons their I work ork well II for there la II n drag I j gy moment In antI the repart par parI t I is particularly bright ani and snappy Th fh characters too art are well 1111 drawn iiI and the Impossible things they are arto tu to do appear to come so lURly that one Is hi almost d deluded udd Into ILl I Opting them as Quite natu natural The stor story of Time The Sprightly Romance of I Is not Of ellbo rate and nd Fontaine the former u IL suppressed literary era r genius and the h latter a 8 ed artistic marvel are companions In trouble The hAve with a Mme Plenty and 11 are nat naturally In A arrears for tor several months rent as funny men itten always art an In the sometimes outside or of them themAn An afternoon paper has IL a the very PI things which combine to make mak the success or of a Ilia play like The 1 Romance of t The ul cast ex excellent C with wHit only a couple of was n as follows tarr I an D 1 Ii 6 belll a i wealth brewer I J Lane Lewit Ilene Reary a slier Tula III I a Walter Jobe y r Lon I a h Jewels to i 1 I tare tl I 11 x New Lars greet I laus Maria hark IIla I Jully lIy Hole ant I leeak f fI J Nee e York or I |