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Show ITS YOUR NEXT JUMP, IF YOU'D FOLLOW COLLEEN r, "" ' nf-wm. -j-y. -S- jmr-r- y - "f V " "v. v "- L a. . V, V, - I .' . . . K . ' i,.- . -' e: r t j -w 'w I t 7 i . ;. I I ' .'. Colfen Moor, th traveling meteor. By JAMES W. DEAN. A moving im inline i in hack of Ihti" jilorj. It'; about i'i,li-n Mre. I Born A ukum 1 !. 1'Jt'l . i ti I 'on Huron.' I MUh.. th mtHrt.il to move at the uk? of; 4 :ind nil?' Irffil movi nti ever nincr. Kirwt utoo w.m Hillsdale, Mirh. Then j Atlant.t, 'la. She wan 7 then. At 10 h ' went to Warren, 1'a. A var there, thtii , She Mtuuinl music In Detroit when tthe ; Hjt l.'t. Nh. murted to . a concert j puniM, but 1 . W. iinffith ruw hr. Tnat.j was I n tin a no. i A week later Colleen and her mother, were hi i 'ahfornia. I'olleeii acted fur '.'riffilh, I'rmerscil. Seine, Kox, Christie 1 and Marvhiil Neilaii: Mie beliiK Mutrt-d by Neil. in now. j In her jump from studio to studio rhe ( pliived OJKmtle Kolhy JITOli, .Monro- Salisbury, Charlei Hay. Tom Mix and , t 'hie Sale?. 1 Asked where she would let like to i lie. fihe mm, "Where my lea pal lit." That wrnitrt ha Imn.t my p1:n-i fue-l her -hun in always with her. I Her t'huni im -Mrs. '. I'. A1orri.on. her , moiher. j The Point of View Thofe who condemn one or another tort Y ' movies ure no? alwan Uite fair in it This eem to iiulleate ihat t-ven at their worst tnovis seldom ure as tmd as often Ihev ait represented. Consider CharlrH M. Sheldon of Topeka. Kan:, who wrote a much diM-usm-d hook, "In His .Steps." and conducted a d.ul rormit to the prereplj u( i he New T-sia-ment." Sheldon, in a current magazine of l.ifih literary staiiiiit'K. t-IN tf koIhk rnoie theatre and seeing '"a trenieni'oij-l 'ilitar travestv of the Hible story of KiliK ll.rod and John the Jtaptist. Vulgar it may hae been, lii.t why did he not mention Salome.' W'a it Idealise Id-ealise the reTder might srw the movie was not a travesty of a Hihle story, but travesty of a well known xtage pln fiamed "Salome " or the Theda I tit r a movie "Sa iome" ? J The Filmograph SiHi (Juciitin PHMMl l tlif lx ulf tor a iiumliir .f Mfn in M iir.il.lmf nt. K.lu: I'niu lum rlriii-U from uli.i. Imhrrf hr IiIiiikI w-rnr for "Thr Snil of ! falan." "lo- lak it tnt tht "-"I "f S.itBIl i. :l lM.t11- . I.ut, NVvrr I Th:it tlie tit.e of :iiK iitul Mf'Jil. Ital.ii la-wis anil Milton Sll Hre in l-aiiliiir Ki.-.l. rl. k la-xt film. Kri.l-, l l.n.'' Minna 1MIH lli-WHl. in iM-iiiPt "-at iitnl pihtil. Movii'K have a rurnT on tlo- thatri-m.uki-t in S.m Aiil-ailo. no roail .howii iiinjE l.o.ik-il tlir thin eH!i"i'. Lillian Itnli ill P'av oi.iKin.tf frank M.io m "Th Truant." iiwii Moore i- rrwverinK from an al-t.o al-t.o k of iiiflantir.ttorv rlieuniat Ism. i ti.,t, i. .'V..,t '""' In b- fiini"! I ! I'.iih.- n 'h 'Willi. .in IVli.fit of i'lert The Calf of a Uuinlrert Sorroi. and 1 "Sol. Iters Three." , , "1'iickn mill lirnkfu.' marrlnc Itlif li.ini-l.. is rea.ly for relea-e. Kilwunl lle irn if Ruth Ito'aml lei.il- Ir.K man in "The AveriKHiK Arrow." fif- t en -ejniale thriller. The f.-reen hiiine of 'Tile AlmiKlnv lo.- Imi." riwrnii llitmilti.n'f novel. .ll l.e i"We.Tlth." Kth I riHvlon anil Herbert ! Kawlinruit will have leailinit rolff. ! Svlvla Hreanier will If Juliet In Will ! Roirern' "The Haeliful Itonie... ' I I'liiirf M. I lowell. who fUI'l.orte.1 IViiik ! Kairoankt in "T!.e Mark of .rro. ' in the 1 ?.:ar of "Mother.' Jiift .onil.lele.l, , Lew fo.K fiin.iun.-fi. he m to tour In , . ....l-v,!.- u I., a l .ill.lll. Ui.l l.f III. I lll. .i.i.l in. 'lire rt.ih Noroia T-ilnianKf j Max Hraii.!'-. noel. "I 'Inliiri 11 of Nnsht." 1 s to l.e r-itne.J l.v Kut l:.le. n l' r. a.M :iri. a.f a .rlnlt i n nVvil j in "The Tumi! I "A dreamer with liin hea.l .1 iniltion I mile awav from h't laL - tlial i. Hie Itvpe Atitiii Yeueryka waiiln for hero in j "HuiiKry Urartu." IltiimmaRf f'lle ill I p. m Snti:r.lny, M.iri h 12. Civic- C. liter, It.ueni sirf t i Ailv. i |