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Show B notes g music tihmmm j C"7i, the i?lc for wrdeh -P; . bt made In .H tj umed during the past wk. "e rrclta.s b RuMn rly In May. Bait I-nk-rs have forward to In the way of .'tear the semi-weekly organ re-r, re-r, rnnn In popularity, 'ho peo-apd peo-apd more appreciating them JToratlonal standpoint, a well w?ploa.ur derived Mr MeClet-. MeClet-. how o programme!, that SSTrtunfty of becoming famlMar fflrinaoj otl. wa; afforded rho have attended the evmph'ny WUI regret that the one to te widneldoy evening Is th -ion. Earn and every -no of tort B g-n.iln treat, each seem-r seem-r Xn the last each being bet-hslast bet-hslast for there Is no ques- p. tl I find com eri of th. I R lb th-.n it),,,- rut ' i ' Li brrci . A bliMi. P li Ffo' l( Hi II ftf Cathi Truml o McG ibn i ' 1 1 bin Ooldmark Coming Again f i .i - h' hearing 1 Irl "'' I Ha i H api tft B f ' ri v kkl S --. and ii grand piano which handed t-.M tlx sl ir- of Richard K music drama, "Parsifal, at the tan opera-hoiife yesterday aftor-jvcr aftor-jvcr eat In Ihe rapacious the-Jrllled the-Jrllled with im audience that gave tlr Hi Hii , ii 'fa! e- li pj In. ii S 4 n I Srn Jj SinTii-i sympathy with the theme t n Hum I I li i In i k i a meiiinjoiiK - ar, M fa. Ki- r t v. . . 1 . i - i 1 vh l full I j Bind t hi i , rapi 1 I Bd situations of tbla munlr drama, I In! r i ted upon ' Barn S nlfs1 r i i I Dr''' waa his exposition of thll dr ii I Hblg 01 i'e dominant l,irmis that I coiH-e,t ton if the true Inward ii If 1 1 ' ntal wort PP' " 'II I I ' ' nt i with n?i mdtlvei I Khla rru. i (iPreinR manner the Kreaented the entire mul- drama I ip Inng v i aered lo Ba reuth I be ndrn ! 1 1 I Ihfl I he ve ) . I iivl'1 rmd Insllng Imprfsslon Of th.. boh ai'hievement of this monarch o bi 1 dra ma " nWill Gire Pupils' Recital. lAlherU Deraham i.vipraaa ru a I Br rrrl"'l 'I'm. I H flrat t'ongi. ga (up in m bi Kate K , f Sli.ii i !. i i.i M's-. . 9 ipanlal Following n the Bmo for tin in . I C. tfrur haiulK) 'avhart'ni ad W arh irti Bntjli... Bonm cliiK Spirit- I MNs Kal ,, pi-.l.M , i i'lt-x Mar!.. W'ii r 1 . n i i . n I RV1 ,r"n - In i:h Morart BWrln? ey K Miss Ka 1 1 S"i laon on v ?': Mendelsaohn hlBf';. Er Mis Mane Warhurton. . Ernat Mlaa Chloe Sharp iHerr.qu(. (two pianos, four , Hoist IKate Nelson and Mis. Snod-from Snod-from Sonata No r-MaJor Ilavdn MI-b Mnrle Warhurton f Paderewskl Mi!" Kate Neiaon fp. 175. No. 1 (two pianos, four ML OufUtt Marie Warburton and Mrs. BIM Ha (four handsi Touri Kat Nelson and Miss Marie burton I The Opera in New York. Interesting; and valuable articles hv UI Swift on oper.i It; N.w rr( w(h Jete statlsti. ,.f n ,-,poras Ki- . nirnher of , .r, fnrmanres since the p ',f ,h" M. troi oiitan 1 app mtL MR'",, "n,l prll mimbers ,.f the M p1"' " ,; m thli tnrr "''Ohengrin" .m.-.s flrat. with K:"rn ' ' ' ' I. with 129 t s ' v 1 1 h 1M ; V , L;; n ' ira ,uia sh u - n. n''r. 1 1 i i lrf''' t' ' i . . en..i- iy r 1 9 . w"h 1 1 i- PlRr" " Minis half of the m p nu.st fr-fuentlv Rive,, ,,pers .,( li l''"' ' ' ,v letropoll- Id Ef" t" "e t Deligh,B Butt? Audion. e. 'm" ; - t " ... T"'i." laal bj .! ,i Mi 1 'h i City, or .-, . , I fi?,,"1' Mi . - View I I? ' ., ' -pal rhurel ora mist k MH " " S I la v 5 BiiJ 1 ' Mcflellan 1 1 It ' aaaaaalrtrnQ1'' "rKr" tmpi i.u.ti- I I, '. V. iv fj LaaJt P1"11' 1 ttl fcti''.'. BSl M?rlellan l an a i KLlva 1ox'" i.i aaaK?L'A' 1 at K " '"d f'me . f th. C k pK"lo"s WM B revelaUon to K EaZu2 ttondM Usl venlnK's n . Ita! J Btv "x- l'r"f 1 F thl l notlciRbly larklnn tt. 'r ! 1 1 . ' 'J ;-k 5 L Mrs. Catherine Trumbo McGurrin. Hnrp Soloist nt Salt Lake Symphony Orchestra Concert on Wednesday Evening. some of the most talented musicians In the i-niintrv He Is graceful. There Im nothing jiffeited in Met 'l. llan'a action and nothing strained. So BMllj unci gracefully grace-fully did the Salt I-akc artist perform laflt evening that one could .-:ircely Im- agim- that he w is rendering maaterplecea on perhaps tho most difficult Instrument in existence. "fjorvaso Green. Butte'a popular teror. aaslated Pr.if. .M.t'hllan during tin-SVenlngr. tin-SVenlngr. His work was of a very high order and was extremely pleasing to the audience. Mr. Green was encored each time he appeared." Easter Music at St. Mark's. Following is a synopsis of "The Resurrection," Resur-rection," by Charles Fonteyn Idanney. which will he sung at St. Mark's cathedral Easter night at 7 :: p. m., by a vested choir of forty voices. INTRODUCTION rgan Pn luda and Chorus ."He Is Risen:' PART t. THE BTMPTY TOMB. Heclt.. baritone "Upon the First Day Of the Week" Trio, woman's voices ...."Whu Shall Roll Away tho Stone?" Polo, alto "God Shall Wipe Away all Tears'" Reclt., Hai it ..'But When They Came to the Place" Solo, tenor "Why Seek Ve the Living Among the dead?" Chorus. ..."Angels, Roll the Rock Away!" PART II- MAR V MAGDALENE Reclt . baritone "And They Wont out Quickly" Quartette "Blessed Arc They that Mourn" Solo, soprano They Have Taken Away My Lord" Chorus.. "0, Death! Where Is Thy Sting "' FINALE. Chorus "UletitiB and Honor" Soloists: Miss nabel Osborn, Miss Amy Osborn, .Miss Fern Cmnillt C and MIms Winona Wi-nona Jones, sopranos; Mr- w. F. Adams, contralto; Harry Knowles. tenor; J. P. Curtis, baritone. A H P- abodv. organist: organ-ist: Karl A. Beheld, choirmaster No admittance will he charged, the public pub-lic being cordially Invited. Music Notes. The most extraordinary thing about some of the current criticisms of Pad-erewskl. Pad-erewskl. eays the Now York Post. Is that he Is abused for the very traits that Constitute Con-stitute his groat no. -a For example, ho refuses to follow the example of the me-dh me-dh critics (beloved In F.oKtont of running off a pier on the piano without a pause, a la sewing machine. He knows that the rhetorical pause at the proper place is one of the most powerful engines of emotion. emo-tion. In muelc as In oratory. Yet one of the Boston critics declares that Psder-ewskl's Psder-ewskl's pauses had "a singularly unpleasant unpleas-ant effect " on his nerve? Thnt may be; but tho suggestion is unavoidable that such a man could And more congenial em-plovment em-plovment outside the musical world than In it. The roncrrt which was to have been given at the Salt Iike Theater by S Molrneua Worthlncton on the evening of April y. bas been postponed until the evening of May R. at the HUM place. Assisting As-sisting Mr Worthlngton will be Mis Lillian Lil-lian Oliver, pianist: Will ml Fleishman, flutist; Mr. Schmidt of San Francisco, 'cellist, and Arthur Pedsrsen, violinist. Mis Agates Osborne has arranged with Charles F. Cartoon t Instruct a class at bet stuillo on Friday afternoon, at 6 o'clock, beginning April 21. Musical form. hatmoiii. anaLsls and mui'il history arc the subjects for Instruction. A Parisian dealer In autogrophs has I.. o fortunate enough to lav his hand upon the MS of Chopin's third Ballade. The Inscription on the title-page runs: "3nie Pall ol. pour I- pianoforte dedlee a Mile. Pauline tie Noallles par F. Cho-plli Cho-plli iKuv. 47. ' The lady wus one of the master's favorite pupils. m It Is stated that Mr. Theodore Dubois proposes to retire from the post of director direc-tor of I In Paris Conservatoire, which he has occuph-d lor the hist nine year. The I fUMIII K'el I " III.' I lid IIJ LCI1UB IV hls time tO Composition His predecessor nt the Conservatoire was Ambroisn Thomas, the composer of "Mlgnon," who lived to the age of 85. Auber. the previous occupier of the post, was close upon 90 when he passed away. In one of the two semi-detached villas In a London suburb occupied by a peculiarly pecu-liarly active musical family, the mother and daughter gave lessons on the piano and violin, and In singing, during seventeen seven-teen hours in each week. The son wa learning the cello in the evening, and a lodger, a professional vmalist. sometimes practiced singing in the house. Occasionally Occasion-ally tlu-ro wore musical parties. The neighbors finally complained to a magistrate, magis-trate, but were Informed that what had beep done did not go beyond the legitimate legiti-mate use of the house. Having heard that a young Lyons physician phy-sician named Vlelle has written a treatise trea-tise on the menial condition of Beethoven, the London Telepruph thinks "the same writer might consider the reason why so many Wagnerian artists end their days in a malson do sante. From the cause whatever It may be, not even the relatives rela-tives of these artists are entirely exempt. e have Jusl read thai Madame Hedwlgs Niemann, a famous actress In her day, and Wife of the Wagnerian tenor. Albert Niemann, ha been placed under restraint." re-straint." This is truly remarkable, says the New York Post. There can he no doubt that the reason Why Donizetti, Schumnr.n. Smotana and Hugo Wolf be-CamS be-CamS In -.mo is that they all belonged to the Wagner school. Miss Agatha Rerkhoel will sing tomorrow tomor-row night at the First M E church. "Sacrificed For Us." words by a native of India, but the music by Mrs R. J Csuskev ,of thW city. D Is said to be a beautiful |