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Show I NEW TRENDS IN THE BLOUSE line achieve the now-ao-modlsb pep-lum pep-lum silhouette. The plaid taffeta blouse below features fea-tures the surplice fastening which is now so popular. It also adopts a peplum about the hips but of rather conservative "lines." As to the handsome luce blouse In this group, this particular model happens to be mude of a cream-white cream-white wool mesh, although every type of lace Is favored from "sportsy" wool lace to lace of the filmiest sort, the latter of course for more formal wear with the dressy afternoon ensemble. Glittering Glit-tering buttons add charm to the lace blouse In most every Instance. Favor for sheer eyelet embroidered embroid-ered materials is expressed In the blouse realm. (Si. 1JS1 Western Newspaper Union.) IT'S TO be a "blouse season." There's no doubt of It Wherefore Where-fore In planning the wardrobe for spring, fashion bids you to consider consid-er the blouse in its every phase, for its program promises to be fascinating. fas-cinating. Even at this very moment the vogue Is under way, for a bright blouse with a smart velvet or cloth skirt under the midwinter coat is the lutest message from headquarters. headquar-ters. However, its colorful appear ance in mldseason Is but a prologue pro-logue to the spectucular career which Is assured for it, seeing that the suit Is being made a theme of tremendous Importance for spring and where there Is a suit there Is a blouse. For the new blouse to wear with the new suit choose plaid, stripes or lace (wool or fine alcncon) and your reward In terms of chic will be greut Not only are plaids and stripes creating a furor In the realm of the blouse but everywhere every-where In the spring style pageant these gay patternlngs bold the center cen-ter of the stage. Ptald taffeta, plold crepe, plaid linen or chiffon, they are one as Important as the other for the making of the blouse, and the same may be said In regard to weaves that are striped. The models mod-els In the picture are typical of the new trends. Note In the blouse to the right at the top how the designer de-signer plays up verticals, horizontals horizon-tals and- "on the bias" in manipulating manip-ulating the striped crepe. The little lit-tle godets Inserted about the hip- |