Show 00 DRESS the tall thin gin gir who hu has become the ti till talk tf of the U hoar hour london world I 1 entered the concert Parisi enne and fund f und it full of smoke and elegance in the boxes were many bia beautiful dutiful women accompanied by men ot notable wit nud and apparent wealth caliL yr I 1 awaited the sensation bation of art with confidence for I 1 knew yvette to be an artist had I 1 not been her only a few months ago on the bights of montmartre when then the made her first appearance at the I 1 ivan Japo naia nals and at the moulin rouge aca nl captivated the admiration of a group of poets and artisto had I 1 not felt that this woman was destined to fame and that paris would soon consecrate her a favorite an idol an artist of modernity a lyric re ado jam and behold there she was wits on the biage tall slender filial blond and imperturbable clad in a robe of pale green of the shade ilear dear to Butti botticelli celli long and gracile like jike the figures of long like the japanese women in the paint ings of Ou tamaro what does she sing tie enormities cruelly ironical narra ot of modern human weakness LH otel du do numero 3 ila la i dle ants a dozen song 1 I of allf unforeseen cell dr arv bomor that is thanks 0 to o the artists ar tisla very personal rendering and delicately artistic diction Cum compared parEd with that of yvette diction ol 01 1 I celine clarmont Cb armont is gross as a portrait by rubens is gross in corn com sella pariso arisog nr with a portrait by piero della francesca in line attitude and sobriety of gesture yvette guilbert constantly zt sted he the figures of the italian primitive and therein she is peculiarly modern and ade flade circle i fco in yvette guilberto Gui lberts features there is something delicate and something of melancholy and disillusion illus ioD but at the same time an in ilent vivacity and an underlying fanuse jl in the lines ot of the body an excessive lengthiness leng a smallness small nees of waist that amplifies by contrast the forms of the bust and hip hips an intensity of drawing so go to speak which accentuates and even exaggerates all that is significant of femininity and with all this a and slow piece grace of nanu nt in the andy a perfect tranquility and self posses bion sion a izing of the means of expression which enable artists to obtain the maximum effect with a minimum of exterior move ment to remain almost moti motionless a and without gestures and to obtain everything with the voice and the mobility ot of her physiognomy in short Yv yvettea ettes art is the exact convary contrary of the acrobat action and brutal monotonous diction of paulus and bis his imitators it is classical as the acting of mile mlle bartet and modern as a adia dialogue lopue by G gyp ir 1 1 I 1 a it delightful aamli half hour 0 ur in I 1 bening li ite to the new istar star and rein returned aried once more to the asphalt in time to bee see the people cume come out of the boulevard theatres theartres the atres and to con contemplate tem plate some of the eccentricities of the new fashions faShiO Ds truly the winter fashions this year are most ungraceful extravagant ridiculous lous |