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Show TI STBLEi KISS' s urafuy of IML MERIT ! It is refreshing to come tfpon n photoplay that is new one that cannot can-not be mentally linked up with others more or less recent. There is origl-'uallty, origl-'uallty, a freshness, distinctly its own, 'about this photoplay, "The Stolen I Kiss." based on the hook. "Little Miss I By-ihe-Day," with Constance Binney in tho principal role, whose bewitching bewitch-ing personality reaches far beyond the I screen to carry the audience entranced entranc-ed through episode after episode of charming romance. Imag'ne an extraordinary little person per-son who lias learned to speak English only with a Trench accent although she knows no French; who up to her seventeenth year had never gone beyond be-yond the garden gate of her home, and never learnrd the meaning of Death; whose education was limited to knowing know-ing how to curtsy, and dress her hair in the manner of the French Court, and to play a phenomenal game of chess. This is Felicia Day as she was when she returned to her childhood home in Brooklyn a Brooklyn where shab by houses had sprung up beside stately, state-ly, crumbling mansions; where Sicilians Sicil-ians and Armenians swarmed instead of the children of old come 'to undertake under-take the formidable task of lifting the taxes and mortgages that had brought the old house to the indignity of pub lie auction placards. What follows makes a story, breath-taking in its 'surprises, heartwarming in its ro-;mance, ro-;mance, captivating in its elusive, pen-I pen-I etrating charm. j "The Stolen Kiss" is a photo-drama worth while seeing, and will be the feature attraction at the Alhambra theatre, next Sunday. I fin. |