| Show I rf t 1 v k 1 a aY J 0 t I wl Y a at r v vI I I iJ ry I f r rI I L 0 e a 1 r I t n J V f I lV 11 j r Lot v F FJ J f l t I If f t 1 i i j ji f I Il J l I S II it b ii I f J J J L T t 1 I a at c 4 fR aH t H h V i I 1 I J JI o I I J 1 t da 1 fi a a I SALLY r I i yi i y d 1 i M I I I I tV t lad The a ol aule Ott oa it i Below a bouffant of 01 Oil at the I Eight if ht r v ro i ib b 1 f a 1 f wk white chiffon which has a t youthful ut I p Up X ra 3 ft il v w wa vV tt delicate tracery of pearls to a i 4 N P 4 f r brilliants bait and bugles bugle's ill in char s rte u w- w wY Y i I J ry l t f t f panel e oa both bodice bolt o 01 white chit chit- M 1 K Kr r v f t I f tIt It t Jon fon and lace and a t j h x 2 i iJ w J t 11 dle ends in thice ce big a tf j I iJ I i jy d pm of twy s-lk s ro y a t 1 f s sy f Y m g 1 y y I r Y t 10 Y I IY l If Y i 5 r OJ I j I o 1 f V Vla f la t tS tSo t v tit y j n T P hi n I f 8 w d t t t i v A 1 1 it Jr l 4 t l I 1 I I t 1 j o J 1 f tI jl 1 I a i z J 4 vi t I t i 7 f v t 3 th h I vis 7 N J t z jV t f T 1 1 t 4 IiI I J t i I e I y s i ff Ii 3 A I t x i t I C it t ys a i Y J F i t tA L t pl t j 1 t I p 1 i I t f is e j jJ J n 1 V i t r 1 cj Il i f A t i t f r If 5 t j l 1 W j t i L I 1 4 f f 4 I Mya 1 l 1 I 4 j u fi 1 f-f f y f l lf J JI f I ii p pr pt r t ll x 7 br f f If j I A t K Km m TV f L a h x i if t a 4 C Cr y y t Ft I 1 z 1 0 lJ a abrie t r r 1 I t i I ln t 4 brie i r It y Y t N n i ii I i j I t eg i f t A t J 1 t- t 4 tT tTA l A ly 1 4 t 1 S f y o S s e a I Qa F b r rY rN r t f i f 1 I 1 t s st se y I It ip y f 1 i f Y r y M e r a at a I t t R Jt I I f 1 Ai 4 j f l a sr tJ YA t a i i 1 r r r J q ri 1 J l iJ i ii i P 4 m v t tB tv B rot rott t fj 1 j j ll t A I a a r P t li liy si i 0 J rott It a I t 10 1 t f I l I 1 1 I j W IJ r 1 f n 1 r if 3 ar r y i y a aV I y n aa iy Jf f t rf 1 f i n i iF F A t lt r lad It If i 1 a eti a 4 V v v vy a 1 1 w SM y y d A j 0 t r t s sv ss If s i r I o oa Yo v w 4 4 Lw L- t i r tt j I Y V K J I h t r rj rol I t 1 j jj j L i 4 j q i r o tor 1 I o f Jt It t kb d m h f t r t I t J 1 p pIt 1 I f ti I 4 v vb o t I tI tr I t 1 S I r a atY et tY tv r i it t y yf i f 1 a I I H rI 7 t tH a 6 I i t r r f 1 S A t 1 j 14 t f n f fr A r 9 I f j t 1 t P 1 f h 1 J t tt i Js w ai aiX 1 q t 3 I 1 10 X 0 v t I t f tI C M re r i I r t a ay y a White gorg georgette and ad bands bad of bI to a j 4 5 t S y J A l e 1 p of slender as youthful allt as It a is smart 1 j wS I 1 1ST a ST J 3 r i 1 t a w frocks s What visions they VV bring to mind of feminine love love- loveliness of liness-of liness of floating chiffon and billowy tulle of clinging velvet vel and the sheen of satin of portraits of eighteenth century belles attired in trailing white gowns floating and plumed hats all set against a mysterious enchanting background The famous beauties immortalized by byRe Re Reynolds Gainsborough and Romney well knew new the effectiveness of white when so many man man chose it to be painted in inand and through all the ages from the aim sim simple pIe beautiful garments of the Greeks to the very ery smart frocks of the present day white has been a leading favorite with the mode It is not surprising that American women omen omen are arc wearing wearing white frocks to a greater reater extent this season than ever be- be before be before fore In the first place white can be worn orn by both blonde and brunette and It i is frequently moe becoming than a color Then there is a e certain certain distinction distinction tion lion about an white all frock a look that commends it to the discriminating discriminating discriminating woman and that is only equaled by an black all gown There arc are also aso aso practical qualities about white that should be considered when hen one is planning a spring and sum sum- summer summer mer wardrobe The woman who ho is forced to think of her purse pune chooses a e ening frock in m preference to a decided color for she knows she can wear It oftener The debutante selects white for Its youthful flattering qualities but she too is well aware of its practical side white the smart woman regardless of age or finance picks one or more white frocks for her evening wardrobe be- be beG be because G 9 cause white h has s never been quite so chic chicas chicas chicas as this season The frocks shown on this page in spite of many unusual and charming fea- fea features features fea features tures owe most of their distinction to tob Q b the fact tact that they are white hIli Whether It be a simple girlish affair of white tulle or a II more sophisticated satin frock agleam w with Ith ith countless shimmering beads the fact of its being white bite assures it of smartness these drys Many of the leading couturiers in j f Gleaming bugle bug Ye L Paris Pans favor th the all all ite trimming in a v vr va r a defrock frock The charm harm charming graceful dia- dia ing mg dinner gowns spon spon- spon mond design is isa bared cred by both B Beer er and a striking note of white crepe on this white e pith Ith scarcely any InY trim trimming satin evening s ming nung are a feature of gown It is also the present season used on the graceful and and these are for the most part quite untrimmed and owe their distinction to line beauty of material and to the fact of being I white The white tulle frocks of cf Callot while Cry sery cry different in t- t type pe arc are charming when worn witha with a black lace wrap or 01 scarf scalf and many of Jeanne Lanvin's new charming charming affairs of taffeta taffeta taffeta feta chiffon or lace are lace are white Some of these hav have the full skirt she has ad- ad adlie ad adhered lie hared hered red to so long and for a frock nothing is quite so effective e and graceful as this bouffant type of cos cos- costume cos- cos costume costume tume A frock rather on this order is photo photographed graphed to-day to While the skirt I is not bouffant it is wide bide ide enough to ad admit mit nut of plenty of freedom in dancing and flares out slightly toward tabard ard the bottom This flare is accentuated by b- the trim trim- trimming the ming the striking feature of the cos costume coso cos- costume tume This TI-is consists of three bands of fluffy white placed close to together gether to give the effect of a band of white fur The effect ho however hoever ever IS 13 far lIghter and fluffier fluter than fur and for this rea reason son it can be used ly Iy on spring and summer dance frocks It is a novel and picturesque trimming and I feel that It youthful is exactly in keeping with the youth ful look of this delightful frock The material is white georgette a fabric that in 11 spite of its fragile ape ap appearance is unusually durable It cleans well welland and has the added ment merit of not mussing as readily as some other ma- ma materials ma materials Next in III importance to the graceful trimmed skirt is the scarf No frock whether it be a tailored street costume or the most elaborate of eve eve- eve evening ping ning gowns is safe from a scarf these days The scarf is omnipotent and I u worn on every occasion In many eases It is attached to the frock and nd isan is an n In- In in n part of the fashionable costume This is the case with the dress in m the photograph Here it is attached at the tle shoulders and may beI be I worn orn in III a variety of of ways wave a S In fact one of the reasons for forthe forthe the tremendous success of this accessory IS the latitude allo allowed cd in wearing It Each Cach woman wears it in III her own i particular way which prevents It from ever becoming monotonous The scarf ends of this lute georgette frock are tipped with mar about and the only other trim trun- trimming ming nung is rhinestone a ornament oni on i the v front of the so soft it crushed girdle ss The fitting close sleeveless Iee eless bodice and lothe slightly oval neckline contribute to the effect of youthful charm Among the materials for summer sum me I eve eve- eve eve- evening evening ning frocks lace Idee is destined to tal a leading place this cason eagon ItIS It is a II charm charmingly youthful fabric and has an un e airy quality that combines combine well ell with both oth tulle and chiffon chilTon It is exceedingly lar popular in Paris Pans at present in such shades as mauve maize gray flesh and white Evening gowns of white Chantilly lace arc a bl bit more youthful than the ones of black lace even though the latter is used 0 over offer er a foundation slip of flesh or chiffon pink satin Lace combined with fon or crepe de 10 Chine is also a trifle newer than the lace all-lace frock I am show show- showing ing a gown of this description to-day to The effect of this charming mode model isone IS ISone isone one of the utmost simplicity It is youth youth- youthful ful dainty and possesses that subtle air of distinction without which no frock can be really a success Many factors contribute to the simple loveliness of this dress First among these is the clever combination of white chiffon and lace These materials are so bO nicely balanced that neither predominates nates hates andone and one is conscious only of the per perfect t ensemble as i it i ii e 4 ii I t 4 SS l J w 3 t It t A I as j t f fc c t 4 s SI SIr r 9 1 a ati ti tit t vt r b se see e e w i a vi vir t ta r t q az e 3 x tP ti y ltd t a ri c F r ri r i y B f sn In frocks of this kind Imd line is of Ju just juat t as a great importance as in the m more re severe tailored cloth costumes Here the sien- sien len der der fitting close bodice an I softly full full skirt full without a flare so that the straight line lino is preserved combine preserved combine with the soft beauty of the material to create an evening frock of the utmost delicacy The bodice is veiled in lace but three three- three quarters quarters of the skirt is of chiffon and the lace appears again agam at the bottom in 10 inthe the form of a soft flounce ounce scalloped at atthe atthe atthe the lower edge and cut in deep points at atthe atthe atthe the top These are outlined with the only trimming that-appears that on the tho dress bands bands of tiny silk flowers in a delicate salmon color The trimming is used on the bodice in a deep V Ani Ania and a strip of it ht w f W 11 1 i K f tt W I I 1 J I J j n nM M Me r e a arg rg 4 fJ i i 5 k f Zeat f 4 F T Sep k it t WJ J 1 4 tf 1 f t i F I r 1 i r goes under the arms to form a aV aV aa V in the backA back bael backA A narrow cl ci civet vet net ribbon in the samek same k color as the V isn is n j the only o 0 n 1 y JI girdle the frock can boast of This ties tiCS direct direct- directly direct 3 ly Iy in front frontS The other two k frocks shown to toll ll day are more i elaborate af af fairs each a aa charming ex- ex example example ex example ample of the new mode and a a stun stun- m a rang ning instance nce of ofaS t oft the effectiveness eness of white On this page is also shown an extremely smart model of white satin chiffon on and bugle trimming This frock IS ht and Cry very slim with a glen slen slen less del that has none of tue lue skimpy py oL kol hok kollit wh lit th ch h so often defeats its It object In inthis this ca case e the skirt 13 n given gl a soft rip rip- rippling rIm pling mo movement ement by panels at either side of chiffon A A- A these arc are heaVIly weighted with the bugle ing they hang very straight and enhance if an any any- anything any anything thing the look 1001 of extreme slenderness the 1 he 10 lower er edges of these panels asI as I Welk ell ellas as the bottom of the skirt are cut m in deep points These carry out the ma- ma mamond lUa mond mond design of the a trimming-a trimming a tracery of brilliants over the entIre frock as unusual as it IS ie smart and a dominant feature of the gown Another charming note on this most unusual creation IS n the cape back This i is of chiffon trimmed in m the tho same man man- manner manner manner ner bs ns the frock with the lower lo edge cut cutIn cutIn cutin In deep points Many gowns now affect a cape back frocks of day as well as evening wear car Frequently the cape ends as a scarf carf in front It invariably adds grace to a gO gown gOn n and is much favored by Chanel I who ho uses it to a considerable ex ox extent tent on n lace ace and chiffon evening e gowns gon t y ya yo o a to give together with panels panel and sashes a floating silhouette Different in type t-pe and unusually lovely 10 IS the othel other frock shown day to-day This has much the look of girlish sime same sim- sim simplicity sim simplicity as the frock with the trimming but is more elaborate in Its ornamentation and altogether a more Important type of gown Here we find a really bouffant skirt for in addition to the embroidered chiffon chiffon fon panels there thee are of plain chit chit- chiffon fon in silver sliver These are cir clr circular cular making this an ideally graceful frock for dancing There are no frills to mar the chic fitting close look of the bodice This has a wide bateau neck and the merest apologies for sleeves The trimming is re res responsible pan v ible for the very Cry decorative e appearance of this frock A delicate tracery of pearls rhinestones and silver bugles gives a glistening frosted look 1001 extremely effective against the soft whiteness of the chiffon This Th's appears in panels on the skirt and andin in m a rectangular panel op on on the bodice The other intriguing feature is 18 the a dIe dIe-a a narrow band of silver sliver ribbon ending in three big deep pink roses di dl directly in 11 front This method of trimming only the front of the girdle finds its happiest ei ex expression c in the j jeweled Cled ornaments de designed signed for this purpose Also many sashes tie directly in front a fashion that should be attempted only by the thal tery ery cry slender dender Much of the distinction of the new evening e frock can be traced to the novel and delightful I trimmings that a II have never been as varied as this year They range all nil the way from fluffy mar about to heavy bead and elaborate em- em em broidered embroidered effects One of the most ular popular I of pop ways ays making an evening frock distinctive e is to trim it with ostrich l I |
