Ogden Standard-Examiner | 1924-04-27 | Page 10 | Painter Derives Theme from Music

i I I I DERIVES I THEME f FROM OM MUSIC I I Walter Get Gets i ill III v ul I I POI I I I I i One half of or tIle the artistic Impulse lof of Waltel punter whose u I ere ere o exhibited at the Reinhardt I s In New York thrives derives dl- dl di directly eerily from Crom mu music lc according to ur Tirrell in the ew YOlk ock Would Mr Ir Tyrrell continues S Son Sn n of o an eminent no Fobert ert Goldbeck who ho In the lie bOs bOit enjoyed an International S I pianist t and composer W Iter Goldbeck has always whether hether from 01 ot dwelt in a musical n ens That MO no fancy tancy would be e I esen to an stranger tranger in hru look look- lookIng lug Ing o ei the ent assemblage of oC his recent at nt Rem Rem- Rem Rem-haidt haldt As a It mattel mattei of ot fact many of the pi paintings hel heme e owe their inspiration m more ore or or or-leiiS dl- dl di directly re to Each and De Beethoven tho el elas as interpreted 31 11 h the II artists pianist friend Walter Rummel son on and bO of hi cele- cele celebrated cele celebrated I eele-I Franz branz Rummel Hummel SOBER n COLORS i The stud of Rummel iI at the I piano lOa ins well nell 0 ell be Le the clou dou of tile the so far as pOI Is concerned The musician s a sensitive n I U the tive sinewy hands and hn fingen e are arere re restless tle for the ke bO 1 d dud ind his I CIne fino face Is h shado shadowed cd over with Ith the th contemplation of not seen by the cic 00 e e The rhe color Is I sober soulful Intense Intene and restle restless wIth suppressed emotion Een Ev Es en more moro strongly though less directly perhaps in the land landscapes figure figuro s and two yo or three religious nota compositions compositions nota notably bly a tiny but glow plon lag Ing thie the musical comple makes Itself Mt fiAt Beetho Beethoven on In a studIo of Mont Mont- Montmartre Montmartre Mont Mont-martre martre martre- Bach In n a II l Dav hn ha castle American jazz amidst tho the and olives of the these Riviera Riviera these are arc a 0 few lew more melodic strains t In Inthe Inthe Intha the amazing color counterpoint that Is Waller Walter s a painting nO S PALEsT TALE T T Yet Tet it all remains the same lame logical control ot of true tal- tal tal talent ont Cult the consistency of an 81 earnest mind that ct wholly holly holly found itself The The music mule that t has sot set thee divorce elements to dancing event ent eventually iv smili bind them Into harmon For music a as we seem to remember ber bel Goldbeck himself sa saying saing 1 in a along along long b one gone Inter lew Is the only true form torm of abstract mother art art of symphonies and fugues fugue that are aro aroa areas area s as a designs built upon pre deter predetermIned predetermined mined deter mIned colored smith warm and cold tones this thia arrange arrange- arrangement arrangement ment and that movement arrange I character and personal e pl e slon 10 C cling Ing to the spectator auditor auditor the mingled universal ersal emotions of gladness m hidden 10 love lote e and divine