Show P STAGES I ARTISTIC COME-BACK COME 0 l I l has lias como conic bad back back at t O 02 scorIng scoring the I cal t Iel onal al niti- niti Uc th- th tic tIo achievement of ot time tho century Ike world supreme t iSas a v 33 h n lie ho abandoned Ills his III career for forthe forthe forthe the patriotic service of Ills his belo el Poland loland llen lie he hal bad accomplished alt all ho lie CO could l for tor lii ounh y lie he de- de de decided at Cl Gl to return to III- III piano pinilo nul guiti lie III ln- ln l glory Ilon G Smith one of foremost America t critics and anil poser poser- llo till till- an answers asters cr In ill the tho following ing nl iii Uric tide B Ii W G ramous mu lean Music lu lc an ai sid erstwhile premier of r roland Poland and present premier pianist of the world orld has lias come again into hIs the the kingdom of art where heru lie he reigns is with ith ith regal splendor Time was as when hen he sat at the piano and like an ISo tor e wo tonal ton threads of or which v dreams al ate aie e mad made and cast east the tho glamour of his poesy me mea a spell upon ulon all who ho hoard heard the mech moans means or of expression was ts s lo lost l sight t-ight Ight and hear hear- heir ing log Ing of ot through the I nn an 1 ecstatic glory of ot his Inspiration II IF was as a painter of mood clothed In eo- eo coors ors coi-ors or ors glo glowing gloning Ing with Ith LS l Iridescence changeable and as the rain rain- rainbow bow boo boTo To the old masters he Imparted all an undreamed of ot Import call cill it tion iC if s 's vou ou hike 1110 for it hid had a quality that it flom all others He ne molded his tonal phrases v the plastic certainty certainly of or utterance is Ith which the deft hands of ot tb the thc models his cli el elIn In his lill halcyon halcon das f ld did I more to mike obvious ob to 10 the ho public the essentials of tonal beauty AS ss op- op opposed op opposed posed rosed to mere technical display hi 1 piano than althe all al the horde of petty t tl rants ranis of the Ie keyboard board etor 01 since was sias In Jn hi Ills his stale estate in later laler 3 veirs ears ra he lIe seemed scented oh- oh ob obsessed 1 n nub the idea that or noise noise olum if ou was like like was the gr great Ervn I perquisite and hanged banged the piano like hercules at his Ilia Augean talk tails ta l or ui I I rn n at his anvil I The Tho piano fairly shrieked under his titi ide It was ws r rn n led emotionalism to tho the nth degree with but row fow trac's ot of the tle subtle s beauties that hid bad char char- char ed his lila Artistry It was as a I most n le deba-le and can an bo he accounted fo I through and analysis om complex pie and Sll subtle U anJI I I But now the talc laic Is la a rent on on- on It lj tJ h I II II I I lie he supreme artist o 0 his hi hl first estat I Ith all his hll hl on chal ms of or tonal I 1 beauty and l e i 1 reincarnated an and m made o nt I The master masler I is himself again through tragic expel l his In- In In Inspirational I Bh 10 has hl become e em m lIo cd In and anil Imbued with an sen en lre retter ter ant and charm charm- I I Twelve h e I people obsessed ly by enthusiasm lo lose mose e in mass to do hIm bins homage hom Ft rt the r recital In nJ Cle CIe where hero I X heard hint him the other esen- esen ing eien-ing Ing To arouse such enthusiasm In amb a mb audience with nith a severely s el clio program means not mere sir sir- vir Ir- Ir but something more fa- fa fa reachinG and that is personality mini minilie the lie Intriguing charm charni of 1 playing So I make no mistake In using the term red reCk- vl us an h us-an us an artist and un iii |