Show I 1 I 1 I 1 W 1 e at r 03 g V 4 I 1 I 1 I 1 P I 1 I 1 I 1 N 0 1 i AN vor V I 1 or f j I 1 66 i r 57 59 I 1 I 1 i LP 1 I 1 9 MA 1 R c I 1 I 1 N I 1 W fl W I 1 A 16 E dr K 1 I P K ae g I 1 I 1 41 r A J e egl y buix 1 I 1 14 fe I 1 e M I 1 1 2 J ia zt al 0 T I 1 I 1 I 1 1 I 1 1 77 I 1 01 aw I 1 V w k Z p I 1 I 1 4 11 1 11 I 1 f from our new york dramatic correspondent spon dent ya MANSFIELD and at the new am Y ster darn theater theall r have carri carried ed k the dramatic season oc of 1906 07 0 to O its cuma mr ir mansfield never gave a finer illustration of his powers and he has placed peer garit among the ed number of immortal stage characters evidences of mr Mans mansfields keen insight into the characters he pictures have never been lacking and these evidences recur constantly as one watches him unfold the career of peer cynt again we are reminded that mr I 1 mansfield does not merely play or act stage characters he lie creates them 5 there is no other actor today who could equal mr mansfields performance he has mastered the meanings that ibsen intended to convey has uncovered them from frequent obscurity of expression and undoubtedly achieves the extreme height of effect permitted bythe poetic boettc drama the symbolic meanings meaning probably the symbolic significance of 0 the character of peer cynt has been over enlarged on by several writers whether it has or not riot is largely a matter of 0 individual opinion but in any event no lie matter what underlying motive was his peer cynt Is intensely human is divested of artificial indications of ai symbolism and allegory some might say thai that ibsen in ili his build i 11 I 1 I 1 I 1 f t X 1 j 1 I 1 li g I 1 f A I 1 e I 1 N 0 ai I 1 i 4 4 I 1 p i k 1 V 1 11 ay i AT m x 1 q r j AS 1 1 W I 1 ea V zy j a I 1 I 1 I 1 I 1 I 1 11 pl 1 1 g zy V 1 V I 1 I 1 1 ma 3 k pa t 1 MW a 1 agg V I 1 0 r 11 11 I 1 t k k Z I 1 gg viko 1 MK M K 1 I 1 1 ing of symbolic representation was guided by liis ills well known and inherent L fondness for naturalness mr mansfield interprets the play and nill the character with the authoritative ness of bf one who thinks deeply he ile lends remarkable illumination to the shades and colors of this eh character t ra C t C r of unusual intricacy he ile meets nets its varied earled turns and twists with surpassing versatility the play outlined peer cynt is presented in ili five acts and a total of twelve scenes at the opening are seen peer and his mother at their norwegian mountain home lie ile evade evidences ll 11 es his lits desire to have power over men by telling ase age the mother ably played ay iy y ambia dunn that ho lie will one da day F be a king or a kaiser you are crazy tret retorts orts ARC are and the audience associating kaiser with the word crazy thereupon oil laugh delightedly in a turbulent mood snood peer to spite his mother picks her up bodily and implants her on the mill house roof here she Is left calling loudly for help and bothe curtain falls on the first scene later peer goes to Il egstad farm to attend a peasant wedding ceremony 0 i I 1 I 1 IN D 4 i j 1 I 1 a IV lo 10 arru waa M AND AS APPEARS I 1 IN I 1 I 1 d F it I 1 4 77 or g PR M aw e t 4 ia r I 1 t I 1 I 1 I 1 1114 I 1 faa 5 I 1 r A 1 I 1 I 1 I 1 dinv inv 11 wv 1 IX 11 li 1 11 V ff C 17 79 F W A 1 1 aya I 1 i oa X J F I 1 7 7 sly Z 1 11 I 1 f e 4 0 I 1 I 1 I 1 NT at e R I 1 i 44 4 A ct wa F n 1 A IM g 9 vr MYA 3 w 4 AM 11 1 7 1 V V r 1 MA M f P I 1 7 11 az I 1 1 1 hf I 1 i A rl J P w gj LZ arx 4 wi tw I 1 Z m P M 0 I 1 IX py 1 11 0 41 WAP W I 1 ile 07 voa M V 1 11 I 1 t nl I 1 eil vlra N 6 V a 5 7 e 11 Y erml 3 1 Z 1 1 f I 1 j I 1 ia 19 wa M 11 I 1 1011 I 1 1 10 kev X ag yg 7 I 1 K A P I 1 21 1 I A i ir U i v A 5 1 11 11 I 1 4 5 i 1 I 1 I 1 11 1 ya q Z f 60 4 Z ok I 1 1 1 za I 1 W I 1 r rau K I 1 arz 1 I 1 1 R 11 I 1 i 1 I 1 X vo y 1 r T 1 jd k 4 q evl 1 I 1 k r jat 4 ai f 4 I A r 4 I 1 1 I 1 11 11 xa 1 I 1 f 1 I 1 t 1 1 I X j 10 1 R X 1 v t y m gf g 1 e 17 0 I 1 1 W 11 X 1 wai S h I 1 15 i I 1 I 1 1 I 1 N I 1 ell n gw I 1 n I 1 I 1 ga 1 az W 25 I 1 I 1 I 1 1 I 1 I 1 11 va I 1 V i i W I 1 G eipl V W P I 1 I 1 g M I 1 t Y 4 X 11 ra am r A I 1 10 1 I i ibi I 1 I 1 I 1 1 I I 1 I 1 1 1 I 1 1111 ilic his ilis unbridled imagination hero leads him to cut merry capers to drink boldly oc of too much poor brandy and to relate how low he lie imprisoned the devil in a nutshell he lie asked the smithy to crack the shell on smiting it a mighty blow on his anvil the devil escaped in ili a sheet of flame and burst the walls of the shop asunder since then the file smith has been my enemy says peer here it Is that peer peel meets the ai solveig and falls in lajb with her thinking that she has slighted him peer in and impure bravado on oil the bride and carries her of off into the mountains true to the unstable spirit of burnan humanity that peer may bensaid be said to individualize he lie soon wearies of his new adventure and the bride ingrid evelyn I 1 loomis Loo he dismisses with little ado in tha the meantime the peasantry organize izedor for a man mail hunt they pursue reer peer crying fior for surn summary mary vengeance his ills is a crime no man shall jive live to boast of but their prey eli duties files them and peer finally la is overcome through exhaustion and falls into a subconscious state his mind wanders and the dovre kings daughter appears fl hi I 1 hs ills fan fancy 1 cy and she leads him to the hall liall where tho the mysterious dovre king holds his court mysticism at this pe rO bolor Lor of f t the h e play now holds full sway und anrce uthe mighty peer cries lustily to his mother for help I 1 brute strength calling on the weakness it has hap despised for protection from overwhelming te terrors aror int the trolls flee sand peer meets the V great boag on awakening to find sol 1 1 I 1 I 1 p 11 11 1 av wa I 1 oz 1 i 1 A r M fa 4 t P 11 k Z 17 1 1 1 1 r vm M 1 N V J 4 vy V W N 1 P 21 Y 1711 11 r IQ el av ly N K I 1 7 1 NgI 4 I 1 0 4 f k t aea 1 1 F V I 1 A 1 W V ef L 1 I 1 r i jg o 0 s I 1 nr u e A e ed 1 I 1 r 4 g wf I 1 IV W I 1 w 7 i 0 11 11 I 1 1 1 41 W ag 1 I I 1 W 11 1 I ra vo far A 1 I 1 P quo W rz I 1 E 1 11 11 J I 1 I 1 ay KA i IA K R Z M ma I 1 P 1 I r raw W g A 11 I 1 ill 11 k aal I 1 I 1 I 1 1 I 1 1 7 r 1 1 a Y 1 i and helga near pear peer gains control of his disordered mind but the two watchers vat chers hasten away I 1 th the outlaw now it is the outlaw peep peer that we see forced to lead a hermits life solveig who has loved him since their first meeting seeks and finds him and would dwell with peer in ili the forest but consequences in the person of the dovre kings daughter laughter ruin peers peels hopes 0 of o happiness by appearing and making known her power and intention of 0 forever keeping them thern apart petitioning solveig to await his peer dis heartened goes saddened away anay again peer craves for his mother he ile goes to her cabin to gain her comfort only to find her dying so over the seas he lie goe i on her death the wanderlust once more governing him alt body and soul thirty years pasa pass when the second part of tho the drama unfolds with aa two peer is found in morocco thirty years later wealth 17 i his and ambition has nat yet been stifled in him by life and the world he ile announces to big hl associates that he will become ernp emperor eror of the world not wishing to see the world made the eriv private late chattel of an individual or for some other reason reason these con confidants fidan ts of peer steal his yacht and desert desek him peer makes his big way across the sahara desert on the prancing ste steed edof of gnara bian blan prophet at the coast lie embarks for his old home solvejg Sol veler in a previous IOUs scene had been d disclosed is closed waiting val ting for him the shipwreck the vessel bearing peer to norway Is wrecked and the bitterness and unreasonableness reason of disappointed world worn old age take peer for their very own peer and solveig reunited his brain br aln unhinged shattered in body and spirit peer cynt returns to the scenes sceney of his youth solveiga hut but Is now the center of a village that has grown up an ali auction has taken place in the market square and peer all his dreams and aspirations threadbare again meets the dovre king and en ena counters the button molder what wham peer wants is a rest a quiet interval I 1 in which to compose e the body that his tempestuous spirit has in the past so abused vainly does old peer cynt seek for the salvation that some people sat is offered lii ili world when hopeb Is about dead in ili the feeble wanderers heart out comes solveig from her leviy lowly hut but to welcome and to comfort him and it is her love that entwines around Z peer gants last daak and provides a haven for his long loni tortured soul the principal members of the sup slip portlis porting company played their roles with with effective excellence emma dunns duang study of ase was a zing feature and adelaide nowak as solveig was uc lie cep septable table in every instance henry wen man and arthur vorrest shone in the roles of supernatural b lit I 1 98 mr wenman m a n as king of the D dovre vre trolls and mr F Forrest 0 as T the lie strange passenger and the button the stage settings Bettl nga were magnificently conceived and mid executed and aid the music proved highly pleasing T ROSE STALLS S AMBITION rose stahl who was ret recently antly introduced ne as a star in james forbes forbe the clio chorus rus lady wishes she was a newspaper woman a reporter if 11 you please she lias always hankered after a journalistic career and in so dong she has wished to carry out the ings in vesta Til leys song following in fathers footsteps father ather I 1 h colonel E C stahl who in early life was a writer on musical and dramatic topics for various western newspapers and was at one time the critic on op the tile chicago inter intel ocean at present he is the an influential paper jn Tre trenton riton N J As a young girl miss stahl was her fathers com companion at first nights and after graduating from a montreal convent she devoted herself for a 1 time to reportorial wark work she ascribes her failure to ma make ke good as a news gat gatherer herer to td a lack of curiosity I 1 I 1 if in my rounds I 1 taw a crowd collected in the street said she recently 1 11 I invariably followed my first impulse I 1 to run tun away from what I 1 feared might be bp is a distressing sight an hour afterward I 1 would wake up to the fact that I 1 should have investigated and reported t the he matter to my editor taken out of c city tty work york I 1 tried the social column but was no more successful it if I 1 received a allion tip on a family secret the mother wife or sister had only to throw her I 1 self on my mercy cry a little and I 1 would solemnly vow vony never to breathe I 1 a word bf it I 1 Is had ad none of that bravery that splendid sense of duty which I 1 Is the great characteristic of the true newspaper woman I 1 while the stage ba has been good to me furnishing my livelihood and great happiness in my iny heart of hearts I 1 envy the lot of the writer her career Is more snore broadening and more helpful than that of the actress from the practical standpoint she is to be envied as well I 1 as from the spiritual standpoint it makes no difference how much flesh she acquires and how bow many wrinkles she has when she can sit in her room and write she can I 1 welcome maturity with no haunting thought of the pitiless cat calcium oi or that insidious and relentless increase of the waist line 1 I wish I 1 ware were a newspaper woman A RUSSIAN DRAMA the latest issue of transatlantic tales contains a verbatim translation of leopold kampas drama on the eve dve which is a graphic picture of the I 1 russia of today in germany it byis as suppressed reseed both in book and play form and it shared the same fate in austila and Den denmark marli it is stated that the drama is to bo be produced shortly in this country 7 r 1 varr S f |