Show midsummer gowns uneven hemlines hellines Hem lines sheer materials are admirable many new models A are re appearing the uneven bein hemline line which was nn an ex extreme trenne novelty when it first appeared in ili french l designs Is finding grace grateful fill uses in the latest evening owtis goy us writes a fashion authority lit in tile the new york yak times the sheer diaphanous stuffs bluffs in ogue for midsummer are pd ad ably adapted to this ills treatment many new dew models are appealing though the changes change 9 are found not so 60 much lit in the manner of draping t the tip ma material terdal or of build building hig tile skirt to create the tine uneven en line at the bottom as of introducing sonic ingen ingenious tou touch to vary tile the ellece afternoon gons goans ans tire are also made with swin flounces and graceful arrangement in ili these the materials are usually drawn together to cascade at one side or the middle trout in some cases to dip at the back in others or to N hang ing in n P points 0 ints or scallops all along tile the lower e edge d these extreme designs lu in gowns have called forth new holtons hiltons hil hiff Tons orts tt tulles illes laces arid and other fabrics that gie the effect of luf liness in drapery koth both paris and new york are ranking making lav ebli use of tulle though tulle is as old as the hills it has always been a favorite material among dressmakers because of its freshness and sheer loveliness one requisite Is that whoever ilici ever wears nears a tulle gown shall be slender for none other cither may successfully appear in the bouffant models into chidi tulle usually goes tills this season the preference for tulle has been almost universal and brides bridesmaids debutantes and women tit at formal parties particularly the younger set tire lire largely dressed in it nothing has ever been discovered ered to take the place of tulle for a bridal veil and even the bilde who wears an heirloom of lace seldom foregoes tile the flattering natt ering appeal that hint comes when tulle la Is combined with the file lace or forms the train itself some of the most attractive wedding costumes created by fienco artists have had long iong trains of tulle walh which lace was used as a border or as althey they say a f frame rn me such a design for the brides and bridesmaids gowns of all tulle in lovely flower tints presented an engaging picture at one of this summers fashionable wed lied lings dings tulle in new colors fot for evening gowns tulle Is shown lu ili many new colors and a great variety of tones in faintly graduated shadings formerly gowns of tulle were limited to white black pink and blue to were later inter added yellow und pale green the tulles in omber tints offered a few caf lears ago by worth found a response among only a few persons of exotic tastes this season gowns gons in all of the quiet colors the pastels wood liowns greens gras and even blues of me clurn shades are chic and popular modern lighting fighting may have something to do 10 with ith introducing these colors which have heretofore been con confined floed evening frock of cinnamon brown chiffon with topaz girdle to dress for daylight the new weaves of tulip also ahne a luster that Is at al hibst like that of satin which catches the rays and myriad tints and shades and soft shadows one ot of the distinct successes of this summers mode Is a billowy pile of tulle made with five inch wide indy finely pi tilled ruffles giom belt to liem hem on a foundation of tulle lullo cut with a lure hare the bottom line Is made to drop at the hie hark back almost touching tile alie floor and chops dimps again in front to the ankle both front arid and buck back being se several verill inches longer than the sides the whole dress Is made over a taffe tio slip elie bodice alone showing as taffeta without a touch of tulle I 1 comes in a rich golden shade of charn chain e tin the familiar frilly gown of tulle Is seen again in wany many inc models idels one due of the best of this type la Is choin la III lm ba balat brown tulle tulip in what hat Is culled called tipe alie kiln jebien k in which lie elie skirt ts Is very long ion at the back and lifted in n front find flares all around it Is made over a slip of 0 taffeta in a slightly lighter and brighter shade in three shades of pink A chanel model of 0 tulle frock with the modish beri hemline alloe Is seen it in three shades ol of opalescent shell shelf pink it t is 13 worn over a slip of taffeta of a pair sh shade ade it has hai a taffeta bodice which Is quite plain pl ain and made with n no 0 touch of tulle the skirt Is 13 built of layers of tulle fitted over tile the hips and hares flares at the bottom with a swin swinging ing edge ruch each of tile the several layers of tulle is eat cut at the lie edge without It hout stitching or other finish some of the lancing dancing frocks of tulle have the guilles ruilles stitched along the adze ai will silk hoss floss which abich helps to gle ghe lie frock a more elaborate appearance pe arance in sonic models this silky 4 ap dinner gown of sheer printed crepe straight coveted panels line Is made with floss ot of the same shade its as tile tulle in others it Is in contrast in a particularly smart evening evenin nin gown of tulle made with wide ride ru ruffles illes very bouffant each flounce and the edges of the lite tulle blouse vere mere outlined with silver thread on a french model of atod wood brown tulle a garland of tight litt little I 1 e plura plum blossoms in pink and white with bronze cicen leaves was seen it was attached at the lower line lie of the pointed bodice and trailed to tile the hot bot torn of the skirt A large loose bow of wide bronze satin ribbon held it in place A long graceful spray of blossoms in rose and silver tissue heightened lit the color effect of a dance frock of if blue tulle which lud had also a bow of silar ribbon at one side of the waist and another on the tip of the lie shoulder at tile opposite side jeanne lanvin presents a summer version of tier her robe tie de style in black tulle oer black taffeta the alie tulle being in ID wide ide bouffant flounces an evening gown from chanel Is made to in the elie design lu it lids sume sarrie ni manner anner the foundation dress of black taffeta is 4 ul of be severely arely plain froin bust to hem the upper part of tile alie gown gonn and hie elie blont ule uie without ti imming but have a narrow belt of black velvet it is in front with a buckle of jet and rhinestones from this defined waistline alst line hangs at each side the full gathered flaring skirt of tulle which is edged with a narrow told fuld of satin arid and falls rippling almost St to lu the floor at the back the bodice of this model Is finished at tile the top with a sharply cut V lc ir front and with fill shoulder straps of rhinestones lu in single rows attached atta clied to the points over oer the bust bus E chiffon Is favorite chiffon Is tile the favorite rubric fabric of many couturiers couturie rs arid and lit in both plain and printed designs Is abed in ili a bewildering dispirit display of summer flocks docks for both afternoon had and evening cliffton lends itself especially to the alie cas ual manner of draping find and to the elie uneven hemline emline li arid and whatever ha teer model title one giefers may be hat had in one of many sta astles les vivid colors are shown lu in harmonious shades bli ades an all ideal dinner gun Is by drecoll in mauve arid and gheen paint ed with large puppies poppies the skirt Is liling to drop lit in gabut points about the bottom and a girdle which Is fastened high lit in front Is swathed about tile the waist and id tied theil la in a loup loop leaving I 1 long 0 ng sa sit ends bli blinding bunging nging over one 1111 to toward burd the back the decolle tuge is cut utter after the lie fiode ot of till the ino rather high in front but deep at elie back and it cape of the same chiffon which drapos drapes below the wal waistline stillie gives tile lie effect of a bolero so no touch of trimming Is added to tills this gown gon to detract fiam the effect of the pattern arid and colors borne models of extreme styles are shown in plain the elaboration of these depending upon tile design in ili like lately brought front pails I 1 nis chartreuse Is used in ili a gown of which hie elie soft bodice is cut low at lite buik back and a arille higher in front tile the skill foundation also or of cli liTon Is made with two guilles ruilles rul aies attached below the waist across tile the back are carried forward where they tiler over the front panel and hen tire arc turned back to edge tile the skirt llie hie hem drops to touch the goor boor lo in this model the iii orinal bulat line Is defined dell nei a at tile the back where tit l hc chiffon Is drawn under u long bar of topaz stones |