OCR Text |
Show "'II Y YOU ARE WHAT YOU ARE By EDNA PURDY WALSH 1. Ia8, We.tern Nowapaper Union.) LIPS TELL MORE THAN WORDS lips with high lights on their minded mounds at two sides of the renter, nnd shaped as the drawing, are interested In the opposite sex mainly Sot caressing. The mental Interest Is dormant. Tbe curved linos of the musical month denote artistic ability and emotion. emo-tion. Eloquence and dramatic sense re present and their possessor will be Interested In the arts of all kinds, specially In the theater. The loveless mouth Is thin and hard looking, minus graceful curves and eolor. Altruistic love has full lips without ensuallty, and with the corners turned lightly upward or straight never town. From these lips will come words of love for the public, while 1S PASSION tMOTIOKAL- Wic ALTRUISTIC UW ihe hands are forever doing deeds of missionary work. A thin-lipped man may be affectionate affection-ate at times, but his affection Is not permanent. An open mouth Is not a symbol of thought. The well-balanced Individual, Individ-ual, mentally, has Hps neither too large nor too small, and while the lips re not held tight as In the miser, they are held well under control. (, FOUR TYPES OF LIPS It isnt safe to ask the individual with the particular lips to eat In the Kitchen. In fact, no one ever thinks of asking her to do this, because she ts the first one to say something cynical cyn-ical about someone's house, furnisli- PARTICULAR IKTHUSiASJA -SS3 HEAH pLUVFUL tags, or clothes, and her friends "get her number"' Instinctively before they offer her paper napkins, homely kitchen fare or pork shanks. Everything enthralls tbe individual with enthusiasm written In his lips. He has a distinct place In lift cheering cheer-ing people on. Whether help with the hands Is given them or not, with actual co-operation, Is a different story. The less enthusiasm for objects or Individuals other than self, the thinner will be the lips. The more they turn down in this manner the more pessimistic pes-simistic and fault-finding will they be. Much money will the owner hoard to himself if he works for it, but when lie gets it he doesn't know how to use H, for he has forgotten how to help others and be happy. The playful Hps are often pretty Bps. Their central portion Is the largest and the upper Up is considerably consid-erably longer than the lower one. The protruding under lip has doubtful doubt-ful qualities, and when the corners ag down it Is also brutal. YOUR EYES HAVE TOLD ME SO The faculties that close the eyes are aestructlveness, allmentlveness, ama-tiveness, ama-tiveness, secretlveness, acquisitiveness, mirthfulness and approbativeness. Eyes do not close in the above way of their own accord. They are closed by the operation of the selfish faculties most active In the Individual. Faculties that open the eyes giving the honest expression are cautious-, sublimity, Ideality, hope and spirituality. spirit-uality. Mirthfulness gives small horizontal lines at the outer corners of the eyes. Secretlveness tends to pull down the eyelids. The faculty of sublimity (toJtST 111 .-c 0ECE.1TWI lYl Sires large bright, speaking eyes, irfth large pupils. Combatlveness jives wild, stern' eyes. Cautiousness ennses tears to run, as this faculty pens up the tear glands. Calculation fills out the outer angles of the eyes aid gives a bony development In the aster eyebrow above. L An individual with the faculty of hope well developed wTIl hava 97-llds 97-llds strongly curved In the center. He refuses to be depressed. He expects something to turn up, and speculates In money matters. "Just wish for money and It will lome to you," says he. If his wife dies he says, "It was for the best She Is happy now and wHl not suffer any more." EYE IS MORE THAN CAMERA The eye takes more pictures In a day than all the cameras In the world. Its versatility is so great, and its muscles so sensitive that it reveals the thoughts themselves in its expres- slons, contractions, and In the position of the lid over the eyeball. The sensual, amative thoughts contract con-tract the lower lid ot the eye. The true eye of affection and conjugality is open, the lid is round above the eyeball, Instead of straight, as it is in the amative eye. Great distance between the eyes denotes an excellent faculty of form needed by the artist In composition. A fine, deep-seated, alert eye Indicates Indi-cates a keen, rapidly operating brain. When the brow overshadows the eye, keen perceptiveness as to color, form, number, weight and size are present. The more prominent eye is more emotional than the deep-seared, small eye. The eye of the successful public speaker is full' underneath the eyes, and the eye protrudes at the Inner corners. The faculty of language, which Is strong in him presses the eye downwardly and outwardly. The small eye sees more detail than the large one, but the larger eye has a greater sweep of vision. HOW TO STUDY THE NOSE For easy diagnosis of a nose it may be divided Into three parts, the part that is th largest, comparatively, indicating the predominating temperament tempera-ment of the individual. The bony upper part represents the motive or executive temperament. The noses of Napoleon, Generals Sheridan, Sherman and Logan and Admiral Dewey have this section prominently developed. Lincoln and Grant were also of the motive temperament, showing show-ing a greater corresponding nose development de-velopment In this section than in any other. The end of the nose represents the mental temperament, and in writers such as Robert Louis Stevenson, Eugene Eu-gene Field and Herbert Spencer this region is long and prominent, and smaller in the upper region. Those of the vital temperament have a large development of the nose at the wings. When the person is distinctly dis-tinctly vital, and not a mixture of other temperaments, one never finds MOTIVE. RKr ION MNTAL vital kmc RtGrl6M him with a long mental region of the uose or with a well-developed motive region. The iargest section is always at the wings. The well-balanced nose, equal In its regions, denotes a harmonious combined com-bined temperament. Completing the "Decline and Fall." It was on the day, or rather night, of the 27th of June, 1787, between the hours of eleven and twelve, that I wrote the last lines of the last page, In a summer-house in my garden. After laying down my pen I took several turns in a berceau, or covered walk of acacias, which commands a prospect pros-pect of the country, the lake, and the mountains. The air was temperate, the sky was serene, the silver orb of the moon was reflected from the waters wa-ters and all nature was silent. I will not dissemble the first emotions of joy on the recovery of my freedom, and perhaps, the establishment of my fame. But my pride was soon humbled, hum-bled, and a sober melancholy was spread over my mind, by the Idea that I had taken an everlasting leave of an old and agreeable companion. Gibbon. |