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Show OUR LANGUAGE OF EMOTION. Among thnt group of witty nnd Ingenious In-genious ossaytsts which enlivens tho English revlows there has been a dlsputo over tho slncority or should ono say, tho genuineness? of our lnnguago of strong emotion. John Palmer thinks that wo havo watched tho Btago so much and experienced mlzhty passions so seldom, that when tho great moments como they find us parroting bookish phrases and stage talk. Ho is warmly contradicted by others, who aver that it is only in moments ot great stress that we ever hear tho true accents of tho soul, and oven if tbo words wero nonsense the tones would still convey tho surgo and choke of emotion. Probably both nro right. Pcoplo on torniB of ten-, dcr intimacy quickly Invent n Ian-guago Ian-guago of their own, nnd oven words of their own. Tho constraint only conies with publicity. It Is when called on to exhibit our emotions in public that wo fall into tho stilted posturlngs and stately ceremonious phrases of book-1 dom. Wo do so becauso in tho men 'al strain of tho moment wo nro too preoccupied to inventnow terras tq convey or conceal our feelings, oven i . our wits wero nlmblo enough to do so, I because, In tho larger concerns, tho i smaller aro swallowed. AVo fallback; on tho book speeches, becauso they arc tho old reliable |