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Show NEW REST GOWNS French Modes Same as After-m After-m noon and Evening Dresses. Bflff' Hjftams Materials Are Used and Manner H of Ornamentation Alike Long H Draped tines, Hjf All the style tendencies that one Hjf blossoming forth In late spring Hud summer dresses are mirrored In negligees, Tho Frelch Interpretation BBBbf these rest gowns Is llttlo different BBBfxom the now afternoon and evening BBB dresse. according to a fashion author Hjlty. Not only tho samo materials are BBn need, but tho modes of ornamentation Hiare alike. We have the capo back, 'which plays a largo part In this aura-BBBmer'a aura-BBBmer'a clothes; the one-side drapery BB and low blouslng waist, along with all BB aorta of panels, both plain and plaited BB u well as laces and embroideries. B The low-hanging blouso drapery Is BB embodied In n tea gown designed for BBB a recent French bride. It Is-devcloped BB frajn souffle de solo, a marquisette-llke marquisette-llke gauze. This transparent fabric BB Is combined with a heavy metal bro-BB bro-BB cade, tho latter forming a cape, a roll-BBS roll-BBS Ing collar and a yoke. Tho metallic BBS note Is repeated In a floral garniture BB which trails down ono side of tho BBB skirt K Chercit makes a distinctive feature BBB of slllr gauzes In her now collection BBB of negligees. In addition to thoso sho BBB Bhows casbmlrctto, which Is a very BBB oft cashmere; satins In both cired BBB 'and crackled effects, as well as crepe BBB de chine. B' In the more Imposing negligees there BBB appears to be a preference for long BBB draped lines, the garments usually BBB telng cut In one piece, with the lower BB .portion ef the skirt much narrower BBB than at the hips. In many Instances BBB' the draping swathes the ankles. In K some models of this character eves BBB sleeves, cut In kimono atyle, are grad-BBB grad-BBB ually shaped so that they fit the arm BBB, snugly below the elbow and are so BBB Jong that they reach almost to the tips BBB of the Angers. BBB The dlrectoJre note, so -prominent la BBB evening and afternoon dresses at the B, present time. Is not absent from B negligee. One emphasizing tho Greek B and Roman influences is developed W from georgette crepe and brocaded satin. It Is a simple affair with its! artistic one-side drapery, which looki like a Roman toga falling from the! shoulders. The drapery is of a gor-j geous blue-and-gold brocade lined wlthj yellow georgette crepe. There is a gtri die of flowers in Pervenche blue, j Colors ore brilliant. All the shades! of red and yellow stand out In thej French collections. . . |
