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Show 101) Thursday, October lb, l'tlilj Lake Tribune, 1 he Sdll Cleveland Orcheslras Slrauss From sublime lo ridiculous I.ml li II. ill ii Ilu Icil uni iit-Hi I Oiilm'ira l i,iisi,Iv M'Mll, ill'll Symphony dt-tnight and pi m i l mtci insight M v i m U i ilu ii Im (Tin- lnill vi m 1um ii, imIii ,i Wet cl Si, ill ilium- in linn .ill v magniliccnt I ti . nl pcrlm in, lines ill, it elieiiei) emotions limn l lie sulilime In llie t liliellliilis, all III wotks by Billiard , the spare nt t vs Mi, mss (H, uileil the two woikv the I, mill s n tune inem Till Mens Planks' liiid the far less well knew n Met, mini ihiisen st ml v fur 23 l i siilo strings ,ne .itinut as l.u apait eiimtiiinally sli uelui ally ami the malieallv as they emilil lie he Metliml plio'en. w hu ll il e i edeij the ulhei piece mi the pr i'i am, ileeplv spiritual woik is a snmliei vMitten as Germany was (rumbling hi the final days nl Wm Id War II Strauss is said to have taken its title (Him Goethe and K has lieen de scribed as all elegy- to the enltni e nl a sti uek one Along the way there were sentimental moments, swelling expressions of great joy, and contemplative, quiet sadnesses as well From a technical standpoint, it has been remarked that during the Szell years the Cleveland played like a string quartet Certainly few piece1-coulhave more fully demonstrated that this is still the case. The ensemble precision and the nuances of expression were extraordinary. The rendition of Till Kulenspie-gtd'Merry Franks" highlighted every swagger, every sneer, every snicker, every bombastic outburst in Hall a lenlutv separates the ol the two pieces Till liavinp written in 1895 Metamorph" having Ms origins in 1945 been sen I i nation ideouise a sound id satin Till Kulenspicgel is a ii evoealion in hr eal humor, nl joking o tomlooleiv I The peiloimers task in the Meta moiphosen" is to keep this solemn thematieallv repetitious hut eon slant ly changing musie alloat to keep it Horn sinking ol its own weight, and Mt Dolittanvi and lie string ensemble did just that front first note to last, often in vers com pellmg fashion This music develops in gieat ares linked to one anothet and that s ju how this inlet pi elation Mastets l.os Angeles Daily News Writer In 1984 Frank l.os ANOKI.KS .Holliman then chan man of MGM-A sat down with Sylvester Slal hmes law vei s lo cut a deal lot Koeky IV As Kolhman recalls the negotialor tions were shot t and sweet Stallone Ills lawyers ended up negotiating a $1!) million contract They can say to you with hall a ' smile Ol course, if you want to make (he sequel without Stallone, well go , .mav That s quite a strength Until man said ' I Stallones lawyer Tor Hi, M Hill- Jacob was one ol a series of deals have won lorn a reputation as ol Holly wood s toughest attor- nioom it neys member of an elite group ol men at lour small Los Angeles firms that dominate the practice of entertainment law, representing dozens of major stars, writers and directors. In many eases, they supplant the agent in negotiating contracts and offering career advice to clients When they sit down at the bargaining table, they try to make the most innovative and often the most expensive deal that anyone has ever made. - They play hardball, as Arnold Schwarzenegger - another of Jiloom's clients - attests. 'll he feels strongly or his client feels strongly about a certain tiling, he will walk out of the negotiation and not think twice about it. said the Mar of "Commando" and "The Terminator." "I've seen him drop any dialogue with a studio executive, or jin independent producer." formidable," Kothman "They're said ol the Hollywood lawyers. "And when they have a major talent, you He is a " pay big money The clout of these lawyers was demonstrated recently by Thomas Pollock one of Bloom's partners -w ho is leaving the practice to become bead of the MCA million picture handled more than a billion ddlai s nf movie financing deals in the last year and still more in telev ision "You pay yout toll on youi family I use life. inly lot my home pi sleep," said Peter Dekom. one nl Blooms paitncrs fake Zifltcn lie kom is divorced The four boutique" law firms that dominate the film and television husi ness are -- Pollock. Bloom ium productions that should have cost million " Rothman agrees that entertainment lawyers sometimes push their deals too hard. Somewhere along the line, it's all going to play out," he said You cannot make pictures anymore for $30 million and expect to make a " profit. You just can't do it $12 ' Wilder added that intense negotiations drive up the price of pioduction For someone to say, I got the best thme emild have been.' is not helping the whole (industry)," he explained "Pretty soon, you're making $22 mil ' But the lawyers who push for the biggest deals say they're giving their Dekom. Aside & from Stallone and Schwarzenegger. Bloom. 44. represents "Moonlight mg star Bruce Willis Dekom. 39. represents Joan Rivers. John Travolta and Ron Howard Other firm clients in elude George Lucas. Dino De Lauren tiis and Cannon Film Group -- Ziffren. Brittenham & Branca Ziffren, 40. represents clients such as Ted Turner, Stephen Cannell (the ere ator of television series including "The and the creators ol "The Golden Girls " Skip Brittenham. 44. has Don Johnson and Richard Pryor. among others. The firm represents the producers of a third of all television shows Kach prime-timepisode means a fee of $5,000 lo $10,000 or more, plus a percentage of the show s profits -- Gang, Tyre & Broyvn The major star is Bruce Ranter, whose key client is Steven Spielberg He also represents Clint Eastwood and diiector Hobert Zemeckis ("Romancing the Stone" and Back to the Future ") fXCLUSIVt "HOT rT x'n I clients what they want and deserve "Our clients expect a very high level of performance. They understand, by and large, what a good deal is." Brittenham said Said Bloom. "I see myself representing people who have a right to get what the market bears. If some people believe that's tough. I would like to see them in the (same) -- Hirsch & Armstrong BHIAKFAST S I Kill EM SF 1 Fu. :: ' Brice ATTENTION MAXXUM OWNERS! YOU MAY BE ELIGIBLE FOR AN INSTANT $15.00 CREDIT, COURTESY OF CAMERA DEN. IF YOU PURCHASED YOUR MAXXUM 7000 AFTER MARCH 1, 1985, REGARDLESS OF WHERE IT WAS ORIGINALLY PURCHASED, BRING IT TO CAMERA DEN AND RECEIVE $15.00 IN GIFT CERTIFICATES! DONT DELAY! THIS OFFER ENDS NOVEMBER 15, 1986. DINING-AN- l'RIMI K1B : NECTORs RESTAURANT $095 O PRIME RIB SPECIAL "lie is not what I despise ol Holly wood, which is to go for the throat Schwarzenegger said "A lot of times Jake will negotiate very tough, but I've seen him in situations w here he II say. OK. Arnold, you do have the right to have a limousine, but maybe you could just take your ear.' lie s 1 oupit-- s L 979 So. State 363-081- Oneo from 7:00 a m. Barry Hirsch dominates at Armstrong & Hirsch. with clients including as Robert Bedford and Jane Fonda Hamer and Hirsch did not make themselves available to be inter viewed for this article Several lawyers at other firms also MINOLTA MAXXUM 7000 have exceptional entertainment Minolta USA Limited Warranty practices. Eric Weissmann represents Gene Wilder and such directors as Peter Bogdonovich ("Mask") and Alan Pakula (Sophie's Choice"). Joseph Horacek represents Michael Douglas and producer Michael Phil intituled the most populat Autolofus nn SLR The MAXXUM 7000 doey everything and is so easy to use1 Complete with COmm ft 7 Af Lens I'nce includes SIS credit lips ("The Sting"). But these two lawyers strike a low er key Neither Horacek nor Weissmann takes a percentage of client profits as a matter of routine, nor are they kno'.n for pursuing deals as aggressively as attorneys like Bloom nity But the job demands hard work, and it can devour a lawyer's personal life m divorced These are saen- , (hcs you have to make." said Kenneth Ziffren an attorney whose firm s Gene Wilder said he prefers He gets relaxed manner what he wants, but he doesn't believe in war or battles." Wilder said. "He's a peaceful, gentle man That's what I am. ' I know that I could have gotten HAVE IT ALL FOR ONLY $39.50 A NIGHT! 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DINE WITH CELEBRATED CHRIS RITZAKIS OF THANKSGIVING REDWOOD INN RENOUN. l said Bloom arzenegger "SHES SO FINE" COME IN FOR THE BEST IN FAMILY MUXim Scnw toughness SHARON MITCHEU A TAIJA RAE SHARON KANt GLORIA LEONARD 1j.Ii- Show IIiTTiA.M CANNON RATED CARL JACKSON KEVIN BARRETT RATED X II ERICA AIRt TARA LYNX BBEEfl-iSia- r" l little-know- "NASTY LADY" CARS, TAST HOMIN ' KAY PARKEH USA LANE The two Strauss works comprised only the second portion of the program The concert opened with the Mendelssohn Symphony I in C minor, written when the prodigy was la It s a pleasant enough piece in which the compose! s fannl iar melodic personality emerge' even though the breadth ol his etc ative maturity i'ti t always in evi denee The Cleveland played it exquisitely and with an inner vigor, rather like Mozarl on a larger scale Following the brilliant Till Kulen spiegel," the orchestra offered an equally virtuosic performance ol the third movement, the March Sehero of the Tchaikovsky Symphony No as an encore No FIRST RUN! PREMIER! ' Huff ' JACKIE ICRIENS DANIELI JOANNE STORM A CODY NICOLE RATED X CO FEATURE E through some sentimental moment And the sheer power and sheen of the orchestral sound, particularly the brasses, were stunning e group Their income is in the millions of dollars I'sually. they own a percentage of the profits that their clients reap from films and television programs And they share in the thrill of being a part of the creative commu- 1 m u i money many times." he said Hut at what price'' How much mo'c money can you spend'1 It's only ego It the lawyer s, the agent s, the eli cut s ego ever-shiftin- the stars for big money Los Angeles boutique lawyers represent Hy Kim the music, and colored them in sparhues It was the kling. sort of performance that at once in and dazzled the listener The music zipped along, even in the difficult horn solos, which were expertly handled. then paused to skip, dance or loll |
