Show - ''" :4-"4- - r !kJ' 44iNgt: Lttrnin n Daniel his passions to new role Day-Lew- is Continued From M I as that for a long time I hadn't worked for a year I took some time off I decided not to work until I had a really great desire to And I knew as I u as reading this that even if I didn't work on the film even if the film w asn't made that it had given me back the desire to work again" Daniel is in a Hollywood hotel suite slumped over a small round table his fingers rubbing absently at his temples He is tall and thin and faintly disheveled a black bandanna tied around his neck his dark hair curling nearly down to his shoulders He has put on a loose black and jeans and a brown sort of vest so that everything seems to hang a little oddly off his frame and he is gazing at some invisible place in the air vhile he feels around for the right v ay to talk about this movie The movie is still called "My Left Foot" The Mcntrel4 Film Festival s the best actor award gave for his performanee and the New York Film Chtics Circle voted Day Lewis best actor and "My Left Foot best picture knows that Jim both he and director-write- r Sheridan have delivered something extraordinary here — he says he watched the movie with an audience n a Dublin theater ana that those reactions alone made the evening unlike any motion picture experience he had ever known "A night of madness" he says "Ill never forget that as long as I s grins looking slightly sheepish At 32 he often inspires critics to fall about with ardent superlatives Finest English Actor of His Generation sort of thing he was raised in an intensely literary house his mother a mostly retired actress and his father a former British poet has been an laureate and actor since he was a teenager In recent years he has managed rather a wild array of parts ranging from Hamlet and Romeo to the gay punk in "My Beautiful Laundrette" and the effete Edwardian in 'Room With - but it was "The Unbearable a ViewLightness of Being" that made him famous in the United States In The Unbearable Lightness of played a CzechoBeing" slovak physician caught up in the fervor and oppression of 1968 and Day-Lewi- s old-ma- Day-Lewi- Day-Lewi- s Day-Lewi- Day-Lewi- s Day-Lewi- s ik ado' rehearsals slated for Saturday Auditions for the Salt Lake Coin munity Arts Center's production of tilbert and Su Ilivnn's ''The Mikado will be Saturday from 9 to 11 am in the Little Theatre (room 203i of the itampton Technology Building on he campus of the Sall Lake Commu nity College 4600 S Redrood Rd Roles are open for 20 adult singers The role of Ku Eo will be performed hy Ralph G Rodgers Jr Persons interested should be prepared to sing a song of their own choice An accompanist will be pro kided Pat Davis will direct with musical direction by Bob Stevens PerforillatiCeti are scheduled for April 20 through May 5 Rehearsals begin the second week of March Day-Lewt- s Day-Lewi- Day-Lewi- Day-Lewi- s I voilef fot Kau ALE 350 iloSio12 i IP6V 7201 27o 5 ''l says Day-Lew- knew i t i yr $IA16 ALL 6M0V4 tete° t k2 ti lib but ItEtiliti7:91 CS e v ADVANOL TOCKEI bAJES 12'60 24 46 600 "TURNEte & HOOCH" (PG) 4 20 Sle 1:3t CAU Its Stereo i45 "HONEY I SHRUNK THE KIDS" fPG) i20(2 155 355 5:55 t:55 9:55 tt1 MOO "ALL DOGS GO TO HEAVEN" 2 410 21 6 PSO Oti --- "WIZARD" (PG) In Stereo 410 S10 816 1Q06 21t 12 2 BkAP" Ole "THE 12 3e 2 2 ( 3t "PAPIENTHOOOD" 120t 2:34 49 !IQ V:3r "SHE DEVIL" 41b 340 50 f9G1 Stotow and family since 'Parenthood' A 10" Stenso —ban trankim KABI71 4i 710 9:3b z:::k 7:7 ::: '' l' 'se's 4I th''''''-- 4:7 ''''''' f::::4846ielt‘iit' 4- 1- :14 ::i" T ' N:-- fg- e:4- - - ' - I - e " 0 k' 1111011!"7"-:'7waonto- 11 ocoursomms —(en Sakti auulsoor l's it" recommend Wax vqkod star Terry Orme Tribune Iirn Vb'ritey Quirn es MUS 'mar 1“)' Pbi() more macbo' That uab the rim e (il the b1Tre thaw parody on tIJCh htJrzed the phon masV culine ithageb of celebritieb It also cufficeb ab p)ot bynopblb for Cotner b nev movie ' fieverge runlet:4f Art? 'tot firan ' - k t4 bele ni1 — doiAn darede‘il f 11yihg teo b ''' t lent type Quinn lb bITYJUO of other chiaractere tjf t PF! are the dark glatieet the cli7:ir t ittue) around the neck — I of tile film career Hit 7 i bey i: man indeed but not Th' fltrY lb b itirmula of 1kt men roneurned ith patieiun lot the bathe' 14 °man Or lb the povt CibTTfl (iLlb Tiey The other lb Tibey b beta hut lia u toed friend the Cochran — !IAD trying to find turn- ' Z1 i4 Film retiew - t'e 14 viT - it " -' L4 4 14 r ‘4 1114 '1 Itici !ht- iid S1()4 1h4 ' 114 (Jr Lat!ie1-- r - d Jiiri Jeffrey crodil Scott who also directed Beverly HiJ1 Cop II and Top Gun' is repeal VIDEOCA55EITI Cluhaae 2 “Letrta Weapon 2' tWartittr) -2 batman' !worrier) 11tkitiw KIOL on ttle lig)01( handl'' 110atv' loud' Lot ftC133') -- bunl NITo of 02 itit Filliett Armtvwsurv ka bon' (M(itriUA) 7 '1t Lan before litie' !WA) 8 '1'srtiv t(taz or Mt bloc Hangtn lougn (C133 DIV WI tint tao 11t !rk r1 rt i' i top idet) elkr e -- I' 'xrAt 4 14 tdr ic(C Pir II' :rhttitm krpr 110r! !wri 'Pit tVIrilt t WttkiKkel i"re l'onAtymte ex Mt "kittrittva'1 jUi MuJ4k I! -- IC -- Me 4ulty' feritevh 'Vex or 0(N iNkv Ittit Ibtit N v Itet fv1 ' 'ColkeT Priu 11)1141 11 iI Vjty) CAUS:rat 11s! ELOnClooQ nly‘kkG 49 - CI45 9 Awr:nM"V vNo LEAS E Itt0 F tic Tax Les:Le tf0 4--!1 Luxury leeci'cln CLIMES INFINITI 4594 So State radiant Tterfirmamt St 262-550- 0 t rtibiCE Lange As real as n Dint breathing" Till AT “Gmbints hurnr with rare gra2 is itssi:2 Lange spindid pti —Marfnatj hnk GANNE11 NFVSPOsPEP Cusai' I lite arid htarthrea it 1 without flaws!' i kwirlin” is —bete irayw 1(111UNC Si ON I 1 454" e4 rsy) 9 -- 91 l'eort Pciat in IL ) Y r'sDI rot ' rL1 it vE1 ' t )(1rCil't ra(i Cru-a- 1 he t kere tr d‘ 511 xhet "hditiw 2 Prtiril WYJC1': nthiCilSKYlel iiVITV ry“wee yeeeepe ' 11'0 St' t11 oult) of Ito 14‘ r VI:POr-ATSE- I 'Whet 2 "Mier r iftereFf'1tete! etle lenia eAJ Lasi t r (eitytttfl'etl aertee 110104h04 "ytt'n IL magazInt "trljtana Joriet atia trie mauntt t r dr9ppd evite hazier kaubil ytelaaar 0 106 littLidePaw' tharanurif 02 "Ult tiutcr l'!"Pautu Abdul bltalar 14 'jaw l'uflau 6 Lrd'n Atoubn 'alcf 116jt yetufttar fWartiet l Arcluto "Lawfunut 10 leteriaah felLtlann Nii 1urtiet6 (a6t of Me fol V hfztas' kJfTIIIYJ 17 'Janet' Jaefwart Ihnthirt Nara intehl le "katakm of tott Lust Ain' (hafarnuun6 ic "Int Ate MOtrIald' f'SI:urnrietv wove 4lt heihipleie 2L hte66 billbucho 1Julftaltah6 iht ketatiniela wan 6ermissfun Pit alloyerlo 0j Me mos' pup Lila etahaa6setna cn Moe next whet 6 16stie infittauta petty 'Ividt) by 1 La-- urr rf bt i I 'Indiana Jone- - and the by ITit pf-- 1 TV4-- ( bare screenplay c' 1!E 11! a a:: belf oi b IhrOLlrE detiert The ohjert of their deeiree Krye a played by Madeleine !ttovie eout ) iryea i Titoey b your and lole)y b rrtke ton in the h battle of undervorld frmw Wiryea itty letieer le the pro erttia heart of gold Iteverige hat all the emotion itie tacamy romarive U( k hturp t) eery Wore Hier) out titatidt Man fa lit in love with hetit friend e wile The clirkUlded RUM f inde out rune :1110 Or f ' free-kpirite- Who lb more macho' Cochran the recently retired Navy Pilot rif-- by Cositner Or Tibey the IVICkleill) MO111 kingpin played by Anthony Quinn' ''iteverige' ib a tau dry melodramatic thriller In which beautiful women are the prizes of masculine competitions Directed by Tony Scott the movie lb babed on Jun HTfibOU k novella of the same name Harmon and 4)- - The best kind of movie lad h4 ' 14 ' - gm ctJ School of -Itc‘enlz and the rnovieki Yioleht at11 Jde Aard omen Coetner le otI and aiAkviard playing the ettoni ti "A film of great feelitig atri stuskility with " riILIl: I'L1rrj Museum director Tony Scott' in :1') r448 A ' - fig i ': 4' :i 'Revenge' a cliched melodrama of cheap emotions and machoism - t SISKE1 4 k Pflk z Madeleine Koin Cotner looking as though they graduated from the "Holly —hex ittect t -- A' f '' Stolote - I really 1 i ' - 400444 s' 4q i: ' A'f4-- §' :4 164 - "I" 0 et otkro ' 4:i i' ' 4is' - 'N' - e ' : :: sc ' - :: ::'1':' '" 4111 02sea Viiiii - ' : : '5' ' :' ::i'': " f''' :' - ' r' iA140 4st1' Wa ' '' V ' s took if 4:':-:::it- sf--- '''''' A: — :' ' kZS' itio'1"')' v ' i :e-:- ) A good fine movie mmitothyi tuiliNimmetvomm' ("::: IN ‘f eZI ':') :::': '''''' :' :ti4” t 'k ! ::' f' In SItoreo ) s4 ' 4 PA ::''': - ::-- ' s'It7'4ili:'sz'' aonm "The best American film about relationships Slefoo St 717i4:1 ::'4:::: " -- : - - :- ' 1cociel VACATION" "CHRISTMAS - :: ::':: t ':':'"' ' '5 -- :s: WWOKTV —Pa( Lol 1ms (PG) 601b 21 ' :': ':' ': IG) Siefe0 In r411) : "Perfect! Witty tender and touching A movie to keep close ularwher best role yet" to your heart Jessica Lange is 9:35 In Stereo V40 :' ii 1 Day of loononnonce Only "SECOND SIGHT" (PG) :: 2 Day-Lewi- s I '" :: :‘ '"2: 1 :: :::4 '7 ' 3e:? ::: Day-Lewi- 11:11PRI i ''''" able-bodie- d it It 01 '' ' - 2 ::1:-:'- i :: y Day-Lewi- s of 'P' r4 '" '''- :r1 :f t 1- :- - ! :'114'n?t ? like a coin it turned aboutWhat changed be says was the na lure of his vision: He stopped imagining intense physical difficulties in himself and so brought up short what be saw was the self-pitof the person studying disability ' I actually looked at the kids and w hat I sew was an extraordinary m not ideahzing it joy be says knosv I m prone to doing that but just sensed that there was a huge desire in each one of them to du what they could to take pleasure in what they nould And that was borne out in which day after day M the - way they welcomed meAnd be does feel a little different s now says not only atiout the nature of physical disability and the human spirit bill also about ino bon picture acting and what he will be able to take on next Surely offers will come and some of them will be lavish his own success in this unhiely movie has helped ensure that many people will want turn for pre is cisely the kind of film no longer sure he wants to make -It makes it very difficult for nit' It was ideal for he says carefully me that there was no money for instance I'd never been in on a film ail such an early stage I took the time I needed to work and I'd always wanted to do that And I know 1 wont be able to work any other way now I've been spoiled Thank I re- -' i: ot :::1?-1- :'' became absolutely overwhelmed with optimism I mean literally just - sponded to them without knowing why" He says the entire project had the makings of a mad undertaking he was being offered less than a quarter of his usual salary and even that figure was something of an amusement at the time -Because there was no money' says and chortles "II seemed so unlikely that we would ever make the film but I just wanted Noel was to work on it anyway kind of borrowing from John Joe MacDonald the butcher and a few quid from his mates In the pub II was all on a wing and a prayer when we started working on it And halfway through one of the scenes — the scene in the art gallery which was three weeks into the shooting — Noel called me into the back room We were shooting in his house cut the cost a bit And he said Have a taste of this And it was a bottle of champagne The check had just 2Ir : V a "There was something quite mythic in a way about some of the im- - '2' :iii"ti'tst:!11f'‘-- iri-- - lchair - VALLEUMR:9- s : ' !1 Day-Lewi- s ' s S And in fact the improbability of this project was part of its pleasure says since he and writer-directSheridan were spared the pressure of big financial backers as they wrestled together with the complicated character of Christy Brown The director had known Brown who died at the age of 49 in 1981 after choking on a piece of food and Sheridan says that talking to Brown vvas like a tching a 747 prepare for liftoff — a massive energy and presence at once grounded and struggling for flight -Ins a very good image that- Day Less says thmking of the voice Brown established both in -- My Left Foot" the autobiographical novel that serves as a base for this movie and a darker and more brittle later noel called Down All the Days Its always seemed to me that there was a constant tension within him between the sort of anchorage of his body within the cage of his chair and the flight of his imagination And it was as if he was pulling if all the time all - the time As he was trying to flyHow to effect that on the screen while managing simultaneously to be accurate about the carriage and movements of a man with severe cc rebral palsy — this was the work of the Christy Brown role and Day Lewis spent some weeks of preparation at an Irish clinic where Brown hanself had undergone therapy I wanted to leave the first day I arrived there- he says -- They were hating kindI of races 100 meters and so on and sort of is flwakmg quite slow 1 as ()verIy his voice subdued y helmed by sadness for I guess about a couple notes And I thought I had to leave except 1 knew that I couldn't And then I suddenly Day-Lewis- 14IEWNW6 VL t bruan! I ride! - Pm the Prague Spring There are a great many things going on at once in The Unbearable Lightness of Being" but the one most people seem to remember vi hen they study the interesting face is his planes of doctor character speaking to women in a thick gentle voice and watching them for reasons entirely unmedical begin taking off their clothes "PQople that dwelt upon the sexuality of the film — I was quite disturbed in a n ay particularly in the reviews when it almost encouraged one to behest that it was a kind of thinly disguised soft pornographysays "Lots of people have asked me about whether it was a problem doing Those Scenes you know and it wasn't at the time because they seemed absolutely important to the life of the film and to the life of that man Had they seemed less important or somehow irselevant or gratuitous 1(1 have felt profoundly uncomfortable while doing the scenes But having said that when the film was over and people began to speak about it then I became incredibly uncomfortable" says He says he found the paft and the work of The Unbearable Lightness of Being" enormously difficult s to )et go of in 1987 took a in "Stars and Bars" an leading part American picture that was speedily flattened by the critics but he says be spent many months afterward still so caught up in his Czechoslovak movie role that he could not summon much interest in anything else says 'lily Left Footwas the shove he had apparently been waiting for Here in a series of flashbacks was the life of a writer who was born to a family of 13 children and spent much of tlib early life in a small place under the staircase smiled at or ignored by people who assumed that he was simple because he could not make himself understood His brothers hauled him up and down the street in a wooden cart and his mother kept a silver flask in the fireplace for the money she spirited away to save for Christy-- Whee- ages" Salt Lake Tribune 1 he j'‘ kJ fli 1! 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