| Show A Plea for Common Sense In Musical Renditions I a eins that thaI there that Is I something IT I soap gone ORe false ful crept Into the uw of nf the thO day what ll Is III It nd where la is I It f TILlS Thill I II haul hard to That such luch la is lathe I the tho cue cs most of or in us u admit but where Is ill the tue fault Is la I It with u UI iii who listen with uneducated war or r are Mr the cater caterer at er ens of ot the art arl divine placing on GD the IbIS market an article which they thay have ha kd lath the people Into thinkinG against their will u III the 1110 correct thing thin Thor There U ii akin to an ar arbitrary power held by th the meeter of f music II which tile the fear tear to 10 contend against I 1 have hll tu tills this apparent III In thu tho intercourse ef of men of lit If und 4 when whan hao meeting lit th this of the tilt chorister the tha lii of 01 the th leader of men mell full fall before the conten contention tion of ut the tha louder of If muck Others Othor who may object to the fit pre fl ont cot rendered r are silent fir Lr fear tear they would be set met down dawn as boor bour Uh uncultivated of soul too small t ti the tho fluter flights of the art divine Jar an nil old 01 man men of nf 70 78 without any allY training In lit music to tu criticise the style of ot this the th popular U T f singing of t today ludu du dumay may be lIe con l entirely ly out of or place and although IM ho may mil he be has hav ha u a afine I Iline fine line ear for tor muk and hi friends and acquaintance 10 hi lii for hav having havIng I ing lag d a H voice that tha t they I ho took pleasure In hi iii hili rendition f t Kathleen Mart Mar of Arlo etc elc it ii ny may maybe b be e after all Mil M of city uny b benefit n nt t tet yet et may VII III an on echo ho of by those thole who have once onre been hun young oung In the thu tint first JlIi t a kt let UH ute ma an a that hItch till singing ringing at the t on ert erts of ot the pr prent ant ent day dau don does not appeal to our heart hearts a AI the tho rendition of 01 the h good old lift lid IP the lomi now nn i rr tr untiE long UK Ita Ruch liuch class IlaH music In III exchange e for cash cili and Me Ce p ashamed to own our Ignorance patiently submit to the th We 1 look lithe Into one another enether eyes r withIn seated Mated there Ure listening to tIm th rendition with an sn In that If I rightly read would say y What lt situ vl tin HO iso are a as for Co our money for foi tOI such rh stuff us iii this thi Ihl but we Wf dims dale dt not hot ay say It I with wIh our oui OUI tongues Wil foe Cur teas fear of betraying our lur Ignorance and 1 some 10 of 01 u UI tie are Ir such SUil tbt we w ac actually r applaud when hl we WI SM see W our neigh neighbor hoes bor I do 10 11 to mo 1 It U dose does d seem m IbM that much of the hue awash nib new MW and leader hII erel of hu human huI humen men man I voice Is la lost In the modern made de demand t 4 mand for volume of ot sound lund and aud Ild that Ut demand f forced ri d uM Ulon n us U by ly h Uie I UI 1101 the th leaders leader I of 01 the art al divine h allowed the divine art at lo In t take tM The Th louder Suler the th sound the greater A r the th ap applause p b l an iii al e II easily lly led le The TI melody of old cud Id I ii bartered for fo the tt loud lud of or the ibm ovi of ot the th bray pres present Nit eat In this style tr U a 1 Is ii I the th th nf of ft the tt enormous voice ow to tn dwell on th the iteM HO 4 long ii that the Ih listener l te know kioa knowIng IlO lug Ing the th words onIa of the tM SOUK aaR would wouW rt rl put iut the th next nest ord o 1 In his hi and anda II 1 4 a help bp him hint through with wih It I While bl kul on Oil 01 thU Ihl point I 1 well wel a e 1 of if f ol Ht It hear J lag Inc 11 his hi daughter slag sing Walt Wal lt Till Til the this nul Hv Ih and md then thee the years year Y later lalar lal of thai hat MIA V U MII lion flop 1101 a grandfather exclaim e x lm TI that girl Irl when h hi k his lr was WA her hat br solo 11 part In an anthem anthom Again the accompaniment has haa u Instead d of ot the instrumental big a support or delicate for lur the tl human tOll vol to lean 11 upon uron It I I II now a dg duI dual l between the tha organist or and Ind tile the hir ur r ta a a Mitt luid Ild kabul it I would appear ui tnt W though In the tha contention ea e h ii I i aimed 1101 to ham ha hamid c mid mule he the I h nv most it t of o It I II I |
