Show HOW CARRENO STOOD BY BYAN BYAN AN AMERICAN COMPOSER Teresa Carreno Carrello relates all an In Interesting exp experIence concerning her hat hirst appearance in III Berlin which was with the Philharmonic orchestra hen asked alted for m my programs I gao the name of the Second Concerto b bEdward by Edward to m my manager er Ho Bo looked hooked at It and at mo me in blank as and asked whether I understood the thc conservatism or of the German public and also the Importance of my en meat I said that I lul ful full l everythIng After he hiatt harl presented it to the conductor ho he camo caine back bael sayIng that on account of oC the aversion or of the Berlin public to un unknown Unknown known works and to unknown com composers composers posers It was suggested that I pia play one of the older and better bettel known con concertos concertos This was 19 10 years ears ago aso anti and then as now floss I hell held my own opInions My 1 manager sail saId that I should not take shies with America against Ber Berlin lin I never tale take sides I tale take a stand and was It No no Carreno was the message I sent I played How Hos did Ild It take tako I have neel seen seena a more enthusiastic public Those leo peo people leopie pie able to jud judge e for knew the worth of 0 the work worl and I can only foay ay that I PlaYed It all over oel Europe and other oIlier works aroused similar Interest In 1906 when whon I back bacle to Berlin after a long absence himself requested that I play the concerto Salt I Lake ake program to be rendered at the Shubert Monday londa Jan Ii 17 Is as follows Collos Sonata Op 57 Beethoven Allegro Andante con mob moto Alle Allegro ro ma non iton Presto a 11 Prelude Oil Op 28 8 No 15 b Nocturne Op 37 No 2 e Etude G that lIat d PolonaIse A that Op 53 Chopin Etudes Schumann a del Petrarca b Etude D lint fiat c Rhapsodic No G C LIszt |