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Show wo wwm w iiiw jihilii iLM.Jjw'Jir)g'ni'mLLiiiH..' wn ft." " w&v. iqm'i ' " 'J , t ' mm I .N - ' ' . :' ',-- v A . eat Photog phs ,r , I During the ,; iv-"?' """ ., ' ' . - ; ," ty' ' and 1920s '30s, Edward Steichen, dean of American made camera studies of the leading' theatrical personalities of the time. The portraits shown here are part of "Steichen the Photographer," a current exhibition at the Museum of Modern Art in New York. The show, which runs through May 21, includes 300 photographs taken since 1895 international celebrities, combat scenes of two world wars, landscapes, and advertising. Steichen, who recently celebrated his 82nd birthday, makes few comments about his work. "What is there to say?" he asks. "The. pictures must speak for themselves." He has, however, written brief captions for the pictures shown here. vvu T ;i :! Master photographer Edward Steichen selects some, of the memorable porirmts he made of Hollywood stqrs of the '20s and '30s; do you remember. these film immortals way back then? Gall eryof j ' yk MA x.i . ., : - iiii ' ' (- iiM'Tii Ed Wynn "This is a characteristic pose, caught impromptu by the camera. Ed Wynn reacted I spontaneously when given a book about Casanova." .. . Paul Muai-'"Strshapes of nature, are used to point up the strong face of Mr. Muni. The photograph establishes the mood of a play he was appearing in." f Myrna Loy "Her personality was always characterized by charm and graciousness as weJJ as beauty."- - i ': zr 'f '1 ong . rl y:yy,- Joan Crawford "Most of my photographs of theater and movie people were improvisations. 1 never dictated an attitude to my sitters but encouraged them to be comfortably natural." ,'I ' : x- - yr Greta Garbo "This picture was one of eight made within six minutes. If it had been possible to make 80 during the same period, they would all have been Garbo, and all different." X " 'ft -- 1 DDil mil S7 1.9 0 0 o ii s a Joriii s ooooooooo 1 l9 a comb o es H f ree witia . . . Lit s o o o o o 7V 1 ' ewtI' the jt J ,.,ji..,,--,,:.-- ; t v.. ' yy::fl:': . f4 I : - .. v v.. I i J; ' :? i'y " - - A V V - - yix I 7 if - i ( ' x : ' ' J ( fV . uphave a hairdo quick as a ,! t i 4m i -- 4 (0) V "AT Spray first then with brush-sid- e of comb, smooth a wide sash of hair slant-wis- e across forehead. 1 b Startvith the i I t Hair Spray! Self-Stylin- g and Adorn. They're the perfect ' pair for styling hair. ' y su s flick! You just whirl it in with your free Erush-Com- " sr sr cKi Step right t n half-dozen-Mo's'-- r.y . your in free styling booklet. Then let. your fancy and try some you scheme up yourself. The Brush-Comworks like a wonder with fly e- x - b , it if i nt i k its three styling features (teeth! tip! tufts!); Now, splash up ends at sides and back with comb. Use gentle strokes, to give a very airy look. And Adorn is just right for styling. Makes your hair eager to curl. i What's more to the touch the new Adorn is softer yet it holds and holds. Wouldn't dream of dulling! So why not be new, your own stylist with Adorn's ....... fl ft C3I Sfyling do styling tricks. Get your free Tri: Brush-Com- ". with Adorn! x'yyy''t'-.::y'-..i- .... b and 1961 Styling Booklet (while you can!) r 4 r? easy-to- - There! Full and floaty as a bouffant gown with its own shiny ribbon of hair sashing the forehead. 4 |