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Show 2-- THE A HERALD-REPUBLICA- SALT LAKE CITY, UTAH, SUNDAY, FEBRUARY 20, 1916 N, 8 0 MUSIC AND MUSICIANS ' 1 j wmm I T FVT in Philharmonic orchestra, 4. 41 p. m. Uk) theatre. TFESDAY. Ratt !Mettr-I S. rnule r " ein T"t A c c rS lntr cnrir j r nrtiit fon ? corn- - opera 1 ! recent photograph. 1 Runcle Break Forth Into Joy .... Simper Soloist, Mr. Bardwell. . Offertory Batiste. Orson Postlude in D ....Mendelssohn by Tilly Kofncn ar.-- l the THE tholr t Aswrr.My hall Monday r.trht did not have s- - lafK n audience m th Melt concrt, hut it Tras in ire v.cii that those who both wer much irterested In hardDutch the mntralio a tn the groat MeH.oarr. to th worUt Rin:r of Teutonic sto'k. Miss Konfti rn.anlfe ed .t for pontes of : n to her grca t dtid r" t helsrht n ntt ry In a gmnp of four mm;. a ..tl'i of Richard Ft fa '19. The rffe"t. nf th of Dutch kln-tl-- r and fr. 'c ?rnit wan lie tarhtened by was th quaint t rn r.slat ion of text It whs tinnt a de to prtuf lightful to - h- -r t Konns de- effort to speak precis t:ne!ii a it hjj to her sfnK ron.-'r- t K V E N I N G SER VIC E. Ortran Prelude in C Schubert Anthem Brightly Gleams Our Ban- f ... -- it crin I !;tr th 01. K Mix o: n ;,-,- r h-,3- Cat a!l. o I tn others id land, hy tli il' ti'-i- r .t!?"il hri.-Mi ti.O This or. the the - of tl ott.- - Fie Dutch x ft. i Silt Lake t fa) Communion In E minor. .Batiste Gullmant n) Andante Cantabile Anthem O Be Joyful In the Lord... Pontius Mrs. Scott Jones. Miss Ruby Chad-vlc- k and Choir. Offertory Ave Maria' Dethler Soprano So'so Flas Without a Stain White Mrs C. C. Dally. Postlude Finale in F flat Faulkes ' h Ko-nx- first visit j; i f., ! h.vr l.T ?Tcn-danUM rrty ho;s sti ma r. Th T.i'..l'nv! rhlr" ttro rhr.fi" asrairh r4 ;r,,' 1 Star-Spahgle- 'p to tt" rhnlr'ii h !l lt f j t ' ; f j I rrr.l t r. ti.r.'I w.vinsc tti orjrnl't. John J. M- r T M.n l4f.l, all .v ! X; v.-lt- Kvn S(rhn. th? Thrn.-.-'t5tan at t? orjrnr. Mr. Mf!i-Il- Mf to n Kofff, in nrf tv-nn-- t n1 Mr. was! for l iEI rr rincrl ibt r.T T'iLiy If. r rrttat ctren rpffi: X Th - M-if- 1 1 ir-!i- Kor!i t' !rht tn r. at at O5-t'- .' rfnto:i-Ut"- l nUht by y Al-l.- rt r.m-- - t a. - .- "n t r 9 I. tin.! from frr",m. nr. hi hrrom 1,. proftr!nl n. p'tr,n of Prof, oonritowho t.uri." thos to tclatlftn 5r:ilfori. r.ot rrallf l hfor trul't If man was ha' who 4 1 , tar thin IM th fk'Il m!f to h"- In tal-nt- 1 fj s h- mnfl-lT- . . r f n1r-,n- 4 Fpr.cr piano numbers to tho pleasure of thos which Nino f,f th young women violin hen of tr. Fklton who hat occasions'. varJo-ion public j I th f!fl!htful Morart minuet, j,j,f with pin no a compatlmtnth by Mrs. on. S 'it J "nt fully U nas a m';stral - .0' pr"nt't jrsnt. .nt . . ii, P-r- s ! - i -- 1 ,r n. Claw-n- n1 rlano pupil of Jr. Organ Prelude Prayer Farrarl Anthem The Mellow Eve Is Gliding Holden Offertory O Cast Thy Burden on the I'Vrt Maunder Solo. Horace S. Ensign. Quartet choir Mrs. N. G. Atkinson, soprano; Miss Edna Dwyer, contralto; David Smith, tenor; Horace S. Ensign! Jr., Basso. Miss Maud Thorn, organist and director. The Twenty-nint- h ward choir will render music at the L. D. S. hospital today nt 2 o"clock. The program will be follows: Selection, ward chcir; soprano solo, Miss Ethel Davis; piano duet, the .Misses Leon Shaw and Theresa Ball: tenor solo, John C. Lake; violin solo, Ed Mi'hale: contralto solo Mrs Lily iieau nun; "cieciior warn cbolr; Miss Jenuie Swan; conductor, Ray M. Haddock. M . 1 n-- .je an ! I r a-- t-- N I w itr l atidi- - fi'lo,: th rirt Mtho.llst chisrch XjL torl'iro of t ho mush!fnjov J thp conrfrt rrrltil YrSAw nli'ht t.v n.Jvar.rr.l piplls ofi. Th Mr. J. l.o'iis - pro-Kan- was with xi entire, Mrs. Krr.tt rrfn.lt to Ihfms'lus and to !"tnsr Miss Darnl Marlt-rn l Mrs. l V. trk In an trrinEcrnnt oncrto In O minor; of Mpnd!-ohn'- s It'fthovrn's fifth synifhony Inan.C I minor with Mlsi ntfnr n?ts an-- s M!s frond J'.w-- -,, Korns at th" firt roio hy lv; piino piano, !i rcprti and M:s Ust: orran solos Mi" thf tv Mr. ronfrt r t of lh . n:" r r, ' f performance minor on trti! tontfrto In l Mis Korns ir IVi'kr, run-tti hr.'tofortf n puhllhl. prirtl'-tpatlns- fol-Jiiw- t.- Week's Calendar r t rr-- arranged F'-- w-it- ron-ludin- !' 7'.-.-- i.t-- r. rid "drji Tt t tr v.- - o !t ti i; pa flor.il of f " i If-.- : ntly dfcoratrd and beautiful oil rach t.h"nfl e ri prf ornr. ut r !.:n.f flo - t of th I.. !. THfl r. ; " apprnf!--at I r r a t ; h.iU fu: of Ft 1'rlday nisi' t in.lcr dtr tnr of tl' musical Cat. the jrlmnl. v.ts an oc- - Fr vd S mir department Ned Atkins ! t to ;n ai llcr.d; .i! of 'ir' M'.: i a How Rrcat ends and o!ds csrh arttt3 practis e; if about 'iiree hundred In the events cr.thus! at".y in ap music world; music.-t- ! acoustic iMo.art; l, umber IdAwled. c i a s s work. t Th s:t, rontltuied 'if freh U) Air from Martha. v secvo-the hi"'.' pnd f(fns; fti.1, riilr.? Through thn Rye. w t.) How on , the foimdatlou sir. tion j: hth tc Sweetly tle Itoes. Tl'.e r!tjS "ur" tr rfan .4 ion Alice Jensen. Into five 'rurtts, Valse ro il! be Richard Peek Simplicity "e f'll! VOi' fd Th- - WajrfhlH f C" 81 j iri Ritchie Fhnpel r t".''!. the dlf(,il pi;) ii wtui.-' Arab I.ack j ui . th! and s!r.clntr di" fa r , o I ni. F ' Margaret heard aU'iti'in Is sir to TI--o Tlehr First Vio'et bfor- - the ifirner Vun I).vkn. lnl?i'le;I.eo-- . Fe r Ye Not. Ii Israel ... Dudley Ruck m?mbershl; by voire amu I First tenor Mrs. Valtandir!afti. Norman rd Ntt.eker. Hay vert.ire-I'net arid !'.t;i rit n ri ''"rna .!5. T:. on; J e I.oul Martin, t. ' lerhlr.. Margaret tenors Hoji I.iml. l minor In Motart Fant.iia Kleh-ir..1. K. BecsJ-n ha Ken Ttvon;por.. J't'.rrotd "rlc.. Staff u Free. and I: V. .( in A fiat Faoj ln Kiv II. I'orlu. DirfRM Mrs-- Jiianlta .!er Uoblsor.. ron l Tu'ini:. l.eji.te Whlt. rritt. A feature of tb.e was the batra-IrH- e s rnnsr hay . tonl-or.sv.iu- h all the pupils VaMirhn Iloldaway. Second WaHaf Ilenr.e. I. J. Jrnen. Wallace ;t rticipated. I'ree te. William S.diw nd.irrnr. ITarl first in a serle of studio recitals JlTar.s. THF Kiven last i I Cater, lay afternoon by tender, and Van Irof. It. ' so Hie of tie p'lTl' Rita JackIf. Grant, pianist. ouartet of th jlf man. AthJrec The two prepared re; l t. S. I, male nutrtet f !.svjt. Mozarl, to the 'tc rlti, barnuet Ki:stt. Uoss t.und. Louis Chopin and other cf t!.e crcat misters, of Thompson and Vnthn llo'danay, Ttie and ndet ton depicting the ptyle demon-strate- J fiatnts male juartt rnrh '"ftrrtpci aor i i t::r,i Union Free, Lorenzo Surnrnerhaya at the piano by Miss Edith Wir-- . Other for t ri to the enand V. alia, e :entt. i t Miss iio-were of joyment MAKIA.V :ir.Ki:i:.-'.- present- K therlne Chandler. Mrs. W. M. Rohln-soMI- ed a tunnber of pupils In rerital U. Grace Or.ley, Vi.; t U Cr lie White. e Lenna Fn.lis la. Ashbv, ne.v studio. at afternoon hr Tuesday Me-- l Fun'.-Kit!" Worthen. Seidter, h she vhl to 21 State strret. B MarKaret Armstrons. anichtin, tts removed, the follow! jirostram beln; Arrrati'n,' ai d Frances Charlton. jrejnted: a the First Huml Thou Art Welcome Kanesville branch of the Ftah rrrlniC Flower pupil and teacher THE of Musi.- rav- a very Mis tSltkerson. .f'.ntory Fannie Snvder ami v 1! c . Hnsltn.in n - re. ital Mn'iI;.v f vmlia; in Melodv cf t r t!: direction of Mrs. James Valla ndlpharn. .ip. tbtr r n Fairbanks, Ci.nx-rvathe L; Andante ory InIuet Jen-structor, assisted by J. U. Taylor, and Miss Kllkerson. .rma Ti,e followlnir pupils displayed fa The Troubadours. Mis. exceptional talent and ability: tb Jllossorns. Alma I'ti ron, Ruby Hull, Everett Marlne third. . Ruth Green. Ivy Green. Fawn olo Crerde Jxvt? Sons .... hwprati Fowles, Ratlin Green. Mary Green. Mae Mrs. Valla nd at ha in. - fmr-.i- l -- 1 : i . i Fowles. Viola Green, Hattle Green Fowles, Howard Green. 1 - p.'Tt. -- i rt 1 ;'' ST. MtnV'S CATIir.DIlAL. i or-jr- .i ! 2 fre-rient- ly It - if y. !. ('.-- ,; . s.-- I.j-t-n- io rn-lln- tae. - ! For the offertory for the 11 o'clock mass James Bradley, the will sinn an "O Salvitarls" hy Klejn. The other music numbers for this mass will be: Hamma VoluntaryI Mass Jn W dp and Soloists of tim mass: ?.tifs lio CotTKin. Harold McNulty, James Bradley, S. A. McCartney, Oswald Volt 7.. March Cullman Miss Nora Glcuson, ori;an'.jst and dl- -' rector. Services will be held at th Ftah state prison today ami th mnsio will be by the younpr fr'rls of the St. Cecilia chorus of the cathedral, v.ith Miss Marnerlte Kelly of the CathedraJ o r contra-barl-ton- - r ( - e per-minlr- Nel-e-ke- .c wi-r- r ! 11 1 i n-- r 1 1 re-en- n. tty ! - !e ) f r l i - i- 1 t r s t t vo-fali- n Gr-'n- I st. s nnrwnii, imptist. The music program today at Imman-tlBaptist tcmpb- will be as folhuvs: Mf 1: n; n : st: n v rc :. io?i . . . . P.artlett Orpnn prelude. . . . Anthem. Tito Kin; fsf dtey Offertoire. To n Wild Rose. . Mad , , el - i I.c-ve- . Solo M $Z - e, oloit. S-i- " Vcl-J- .i Church Choirs ' . f " .K Organ postlnde, 1 cel. i ! .Dudley !:,. !: Fisi er. ! Mi.r-h- . . . EVENING SERVB't:. r Organ prolude, TvilUrht . .Ncvfn-RydeHymn nnlt.cm. His Mye la Mi the Gitbricl Sparrow Massenet Offertoire, EletrK' .. A Perfect Day. .Carrie Jnrohs Bond , yr. Cirri B. F:klc. . . H i raniel Orpran postlude. March B. Mrs. direCarrie tor. Choir . - organist, Mr.. rlsle Lavyon Chapman. I'l It ST COMilll IG ATI f ) A L. The musical .numbers at First church today will b, preludes. Intermezzi in E (n,'an Jean Rohannan flat Andante Scraphique . . . . . Con-yreRatio- : I)ehat-Pon?o- n - i-- ' K.r.;': - v 3 Rondo, allegro ma non troppo. IWAN(5w ...Procession of the Sar-da- r, are contrasted. The first movement is gay and joyous and is developed thematlcally, while the second movement is developed entirely along melodic lines. The overture opens out with a deblate motif on the French horns, the trombones catching up the theme and flinging it gayly into till the parts, which play upon the theme with harmonic processionals. In the second movement is heard the song of birds and the hurrying rush of waters released from their winter icy prisons, as they trickle down through sylvan glades and finally find their way to the valleys. Running through this movement is a simple l)ut effective The melody carried .on by tb.e oboe. third movement returns logically to the first, repeating joyous rhythm and harmonic swing of upsprlnging life, ending with the flare of brasses to signal the triumphant position of earth by One striking spring, eternal spring. point in the whole piece is the abundance of harmonic modulation and rich The overture was instrumentation. begun in the fall of 1915 and completed during the Christmas holidays. The purpose of the composer in dedicating this overture to the Philharmonic was to emphasize his own interest and upsprlnging hope for the which future of gladness springtime shall come to the Symphony orchestra of this city. He feels the importance of this necessary part of our city's musical life, and this composition is in appreciation of the unselfish devotion of the members of the Philharmonic and their leader, Mr. Freber." The orchestra will be conducted by Arthur Pcderscn Freber. and the order- of the program follows: B. ''ECIL GATES .. Festival Overture (Dedicated to the Salt Lake Philharmonic orchestra.) SCHFBERT . . . Fnfinished Symphony in B minor 1 moderato. Allegro 2 Andante. Scenes' Plttoresque MASSENET 1 Marche. allegro moderato. 2 Air de Ballet, allegretto scherzando. Angelus, andante sostenuto. Fete Boheme, allegro moderato. 'o n c e r t o" BEETHOVEN for Pianoforte, No. 5. in E flat major 1 Allegro. No. 4, Op. 10, (from Caucasian Sketches). Soloist. Lester Hlnchcliff, accompanied by orchestra. 5C fi orIn- strumentation for this concert are: Morris Claude Andrews, Max Elmer Amsterdam, Ollie G. E. Young, Smith, Engberg, C. W. Fuhrer, Adolph Brox, TV. N. Mor- ris, R. E. Eunswick, Payton Johnson, Albert Erlckson, Arnold Higgins, Maurice Young-.- . Violas A. H. Kirchner, Vaughn Clayton, Marcellus Smith, A. Rordame. Cellos Otto King, Oge Jorgensen, Jess Willi Basses Will Rees, Alva Baer, Fred Beesley. Flutes W. J. Flashman, Sam Bruck- ner. Oboes .- -. TV. Daynes, college orchestra, Roj-a- l G. T. H. Whitney. Rodney Badger, fi section of the Ladles' THE musio club will meet Tuesday at 2.30 p. m. The club chorus will meet at 1.30 p. m. A splendid program of American Indian music has been prepared. Tea will be served, at the close of the program, and the public is invited. A- paper on "American Indian Music" will be read by Mrs. TV. J. The music program follows: Piano solos McDowell From an Indian Lodge Farnell Schibuzzhi Miss Rowena Korns. Contralto solos Thurlow Lieurance Lullaby Love song (Red Willow Pueblos) Lieurance Lieurance Love song (Sioux) Miss Leola Schrack. Club choruses Cadman Indian Mountain song Beresford Indian Serenade Tenor solos e Irom the Land of the Cadman Water The White Dawn Is Stealing 3$C 3fC Members of the Philharmonic chestra who will participate and Violins Sweeten, v, ''$ - I?ar-rett- e. Sky-Blu- William Lym, J. H. Smith. Clarinets Clarence J. Hawkins, Roy Midgley. Cadman Bassoons Charles G. Berry, Robert David Smith. Sauer. Wa- Horns C. Findeisen, C. Jesperson, Piano solo. Impressions of Farwell Wan Ceremony Victor Picco, Miss Rowena Korns. Trumpets Owen Sweeten, C. Contralto solos Crow Maiden's Prayer Song .... Trombones Ralph Barker, II. C. Lieurance Wright, P. C. Stevens. Lieurance Papupooh Beesand Dell Tympani percussion Her Blanket (Navajo) ... .Lieurance ley, Dow Young. Miss Leola Schrack. Patron members of the Salt Lake The Moon Drops Lot. Tenor solo, Philharmonic orchestra are: Mrs. FredCadman erick Cowans, Mrs. Karl Scheid, Mrs. Smith. David 13. Sol Siege!, Mrs. J. McCornick, Mrs. The accompanists will be Miss LuO. J. Salisbury, Mrs. A. H. S. Bird, Mrs. J. T. Keith, Mrs. C. E. Groesbeck, cille Armstjong and Miss Edna Miss Mayme Noble, Mrs. R. TV. Salisbury, Mrs. F. C. Schramm, Miss Kate Williams, Miss Mildred McMillan, Mrs. L. L. Terry, Mrs. J. A. Hogle. Mrs. Ernest Bamberger, Miss Alice Wall, Miss Mary Wall. Mrs. Benner X. Smith, Mrs. honor shown one of Salt Lake's C. TV. Whitley, Horace Ensign, High THE and ambitious young muschool orchestra, Gerrit de Jong, Jr., sicians, who is modest and unassumSquire Coop, Tracy Y. Cannon, UniverB. Music Cecil of Utah society, sity withal, in the performance of toa Gates. Thomas Giles, L. D. S. U. music ing composition written and dedcated 2 Adagio tin poco moto. department, R. L. Sweeten, All Hallows the Philharmonic orchestra, gives due and well deserved prominence today to the head of the music department of t the L. D. S. U., and concerning whom the following sketch was prepared esCECIL GATES, head of the music department at L. D. BRIO-HApecially for this paper: was V., a young pedagogue of tact, talent and artistic ability, gifted born In Brigham Cecil Gates also in composition and author of the Festival overture, dedicated by Laie, Oahu, Sandwich Islands, July 17. 1887. He is a son of Jacob F. and Susa him to the Salt Lake Philharmonic orchestra, which will be played for Gates. His parents came to Young the opening number at the orchestra's symphony concert this afternoon. Utah in 1889. He received his education in the Brigham Young university at Provo, where he also began his musical studies with Prof. Anthon II. Lund. Removing to Salt Lake in hla fifteenth year, he studied with Trof. J. J. McClel-laand then a year with Arthur Shepherd. He then went to Boston and entered the Boston Conservatory of Mu?c , sic, where he studied piano with Danee and took the regular courses In harmony and composition. He spent one year in New York with the famous Eu. ' J gene Heffley, continuing his studies In ..... r5! :J x ' harmony and composition. In 1909 he went to Europe and entered the conservatory, carfrom the rying with him his credits Boston conservatory, which entitled him entrance in the higher classes of s composition and harmony in that Berlin conservatory. On entering this school he decided to major in conducting and composition, and make pano and vocal his minor studies. Here i he spent three years, graduating in 1913 ' with high honors In composition, coninstrumental and vocal ducting, branches. When he first entered the conserva44. tory he applied for entrance in the exclusive classes taught by Scharwenka himself, but he was refused entrance, v. y. i both because he did not understand the A ' ....v. v German language and because the mister had a contempt for "American triflers," as he called them. Mr. Gates, y therefore, took up composition work with the no less famous Leichtentret, 4. who is the "Signalc" musical critic, as well as a Harvard graduate and a fine musical scholar. His specialty was v ' jXs After one analysis and composition. Mr. Gates' talents were so proyear ' , nounced that Scharwenka signified his vv S J 1 A?'-,-'willingness to take the young American as a private pupil. This was not agreeable to Mr. G i.tep, who had become ata " A i tached to his other teacher. However, , " AV". s he was persuaded to call on the master and took with him some of his compositions. Seharwetika looked them over - ' ,? and remarked, "Herr Gates, you are a 3 i talented, but l daresay you 11 "ix certainly id erf "y'j.1t are X'(t5S-like all Americans you will coniSSk-'j- ' V'f s VvVt -' Is- ' v V isider educated in a few I. yourself ( ; v . . t..4 months and fully J , r v V( t, go off into cloudland. building up a career out of castles in the air. If you had musical sense to with me two years and confine study : ; .s ? ' your studies to pure classical ground "V , ' work as a preparation for a really useful and great career, you may really be I i... illi.f "jr1 "! (Continued on Following Page.) . . Schauf-elberge- . r. . Miscellaneous I orches-- X attractive w t :;' .1 program for its concert this afternoon at the Salt Lake theatre to begin o'clock. promptly at 4.4a .Schubert's "Fnflnls-heSymphony" with its great poetical charm, which is oiiH of the offerings, is viv id and full of subtle pictures of human life, the first movement being a reflection of the composer's own furrowed' career. - ; In "Scenes Plttoresoue." Massenet achieved a masterpiece of contrast. First, ho Introduced a wonderful combination of elegance and beauty In the march movement. In the Air de Ballet he gave full vent to the poetry of motion, of swaying forms and rhythmic motion. The Angelus Is devotional in character, Rnd above the sacred hush of the strings is heard at Intervals bells announcing the hour of prayer. In strong contrast Is the scintillating Fete Boheme movement with Its air of abandon and carnival spirit. The Beethoven "Emperor Concerto" for piano to be played by Lester Hinch-cllf- f of Ogden with orchestral accompaniment Is a decided treat In Its every phase. It is lofty of purpose, resplendent In technical possibilities, and la noted for its difficult excutlon. Mr. Hlnchcliff Is a protege of Squire Coop, from whom the young pianist has received most of his musical Instruction. About two years ago he was presented in recital by Mr. Coop and his program Included this same Beethoven concerto, Tausi.ir's arrangement of Schubert's "March Mllitalre," Liszt's "Sixth Rhapsody," Chopin's "Butterfly Etude" and Chopin's "Nocturne in F Sharp Major.' Soon after this auspicious beginning" for a young artist, Mr. Hlnchcliff accompanied Mr. Coop to Europe.the former to pursue piano studies with Alberto Jonas, but as the war abroad interfered wltii these arrangements, Mr. Hlnchcliff returned to this country and Qludicd piano with De Voto and .ad vanced harmony with Arthur Shep-Neherd in Boston at the England His return Conservatory of Music, to Ftah was marked by an artist con- c r: of birr proportions embodying se lections from the wvrks cf Beethoven, Chopin, Brahms andathers. f special prominence on the program is n home composition, a Festival by B. Cecil Gates, which will otrlure be the opening number of the concert. So modest has this young mur sician been about his abilities that the performance, of this overture may be a revelation to the public. The overture is dedicated to the Philharmonic orchestra. and the following analysis- of its movement was written by the composer for the program: "This overture follows the classical three-par- t form and has the two movements, the third part regular returning to the first movement and ending with a brilliant finale and, as in other such compositions, the two movements dif-tlnc- :;- . Salt Lake Philharmonic rpHE an tra has ! i . Solo. David Smith. EVE N I NO S i: R V I C E. . h a pttrl of 13 yars, Mr. and Mrs. B. F. Anrtr-),o- n ,1lat.J of nhtr . ... i. violin as protl an-Iffleult ." har.-!!with was h!s r- Mr. . l.-tto-i- yo-inj- Ball Walter Bliss. Postlude March Rellgioso Thayer Mrs. Ella Cummin- - Wetzel!, choir director; Mrs. J. Louis Strohauer, organist. FIRST 1'IIKSII VTEni N. For services today at First Presbyterian church today the music selections will be: MORNING SFRVICE. . Organ Prelude Meditation Serleuse Dirtloi t Antnern it Is a Good Thing to Give Thanks Unto the Lord . . . Stewart Offertory The Lost Chord .. . .Sullivan 'ps JtcOlUn d Mrs. !rcor?rar.tst for of hr h'.ji: Sth I'tsno th of h"- 2 Oman Preludes fa Allegro Moderato Gullmant (b) Adoration Gaul (c) Lnrgo .Handel Anthem Hark! Dear the Cannon's Thunder Pealing Wagner Banner Or. Samuel Arnold Miss Mae O'Nell and Choir. Offertory A benlled Contralto Soto Let Fs Have Schuman Peace f 9 .iijntrr t.wTrA hit t! f h -b in Intrh rortrlto wti not hr.rrtl'kins' to tht jmrtlt'utar whn jh r I v. !. r -- E V N I N G SKI! V ICE. 1 t tiv to the; r fr"-tiif- " t!M no? vVlv' vH" y MORNING SERVICE. t w . Preludes Orjran : I v. copal church; f'liijt by nil faraway tropica! IsMa U rmrn.T' who Mr-tt. first settled :. the i n. - h !l"l-l.ndis- hr h..r, . .'v th whr t mt fro'Ti tt horn tn the and the Jit J. direct to of c r; be griven today at First Methodist Epis- hr l(!f rffj'i!. ' n wa t FIRST METHODIST. The following- music selections will thl i- of L. D. S. U. Glee club, Avhieh made its initial concert appearance Friday nig-hVan II. Grant, Reading left to riirht, first, row: Leslie "White, secretary-treasurerow : B. Cecil K. Second Orson Bennett. Wallace Freeze and Wallace Ifichards. J. Pratt, president; pianist; J. Jen-peGates, leader; Jerrold Beesley, LtSuis Thompson, Samuel Russon, Rtilon Free, Leonard Nebeker, P.Sivmmer-havs, Third row: "William Schwendaman, Earl Evans, Ray E. Dorins, Thomas Jensen, Lorenzo Hold-awaLorenzo Young. Top row: Ray Brandley,' Ross Lund, Norman Martin, C. C. Cornwall, Vaughn o members GUP UP Barratt hall. ner Pearson Soloists, Mrs. Shields, Miss Worthen. Solo Not Fnderstood Houghton ,. . Barnby Offertory Silent Night Postlude in F Mendelssohn OTKantst. Miss Love; pianist. Miss Shields; soloist and director. Miss Schrack. i prM!-lirtior- hr - no io-Xra- 4- Anthem I m. rv -- MORNING SERVICE. Orjcan Trelude Prelude In E flat... ...Weida Solo I Hold My Heart So Still concert.! tton of La - j i i SUNDAY. I I f flirt j pfuir'g mof;t popular sopranos, whoso portrait herewith is from a j f r Mrr.o. AKla, one of the MctroMlitan cert1? com?.? I FOR THE WEEK ftrilnf Virt Anthems, O Praise the Fx)rcl. All Ye Nations Mrs. II. II. A. llcach Cod Is a Spirit William S. Bennett Offertory, To a Water Lily. .MacDowell Fostlude, Fantasie Sy mphoninne . . . II. G. Cole Quartet choir: Mrs. Ruth Ingman Andrews, soprano; Kvanffellne Thomas, alto; Fred C. Graham, tenor: Fred E. Smith, basso and choir director; Morris Stephenson, organist. I'HILLIPS CONGREGATIONAL. The services today at rhllllps Con- f?refcrattonaI church will be Interspersed with these music numbers: n, 7 t V . 5 . s - Kllnd-worth-Scharwen- world-famou- v A. 1 V . .v.'.V.' . ' s K-- - A- y A- - f - - nSf; "., ' - r-- . -- 1 4,1 -- 1 A ,:. w Ilifilft wrt X i' r.v iC - - 4 4 vJ' J ft ka |