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Show The Park Record Wednesday, January 17, 2001 C-4 i , iihibiiiii rrrfl rn wmm Sli untiF HUFF Seeking last and easy shw"8 J " Obiecl SAVE MEI Find a way that suits you perfectly Coll thtatrt Go to dnemork.com Register to receive showtime via email Sundance presents "House of Docs" B R U C E W 1 L L I S WAIT nSHET PKTUUS PmwMi MUSIMU8 "WSMEVS THE DO" JUNTO EKTSTAINMOdPtiasrtiM A JON TURTELTAL'6 Fht I SPUCJJt SCSUN EMUMOTW UtT TOUUM CHIME IwhWKBHIWI CcftMtaMRUMBHHNi I EMMfflNBUCE 1MB! E MKfNMwSMKTlima DiNtoifPhknhKrBtBIZUJLjlU HON MM HUB PnfcJONMRM CHHSTHA STBNBBIG NUKIimY DVD MOVIES AVAILABLE to Buy or Rent Over 200 Titles to Choose From Conveniently Located Next to Rite Ajd Dug Open 7 days 10 a.m. to Midnight 645-9234 II Returning this year, the Sundance Film Festival presents the House of Docs, a community space for documentary filmmakers designed to increase awareness of documentary film and provide support sup-port for documentary filmmakers by cultivating dialogue among Festival filmmakers, documentary participants and industry leaders. The House of Docs provides opportunities for Festival filmmakers filmmak-ers to network with each other and meet both formally and informally with resource advisors, members of the press, and international representatives. repre-sentatives. Expanding to a full ten days, the House of Docs features several new programs, the Reel Gem and Coffee Series, the Work in Progress Lab, the House of Docs Photo Gallery, in addition to the panels, labs, exhibits, roundtables, screenings screen-ings and one-on-one discussions designed to benefit documentary filmmakers throughout the Festival. The House of Docs, located at Gateway (across from the Main Box Office), will be open from 10:00 a.m. to 4:00 p.m. on Friday, Jan. 19 through Saturday, Jan. 27. All Festival participants are welcome. wel-come. "The timing was right for the Sundance Institute to support documentary doc-umentary film," said Nicole Guillemet, Co-Director of Sundance Film Festival. "The House of Docs was created to open doors and provide the best opportunities oppor-tunities and resources for documentary docu-mentary filmmakers." The expanded House of Docs features several new programs: The Reel Gem and Coffee Series offers screenings of forgotten or never-seen documentaries present ed at 10:00 am by a guest documentary documen-tary filmmaker in the House of Docs Video Screening Room. The Work in Progress Lab invites filmmakers from outside the Film Festival to screen their rough work to a select group of advisors and discuss its possibility and vision. The House of Docs Gallery, sponsored by DoubleTake magazine, maga-zine, will exhibit documentary stills photographs by Alice Attie, Wendy Ewald, David Turnley, Susan Meiselas, Ashley Mitchell, Tom Roma and Fazal Shiekh. The exhibit is on display throughout the Festival. Returning House of Doc programs pro-grams include the following House of Docs Roundtables: Moderated by Betsy McLane, Director Emeritus of International Documentary Association. Panelists include Jon Else, FilmmakerProfessor, Ruby Lerner, Creative Capital, Michael Shirley, National Endowment for the Humanities, Lois Vossen, Independent Television Service, Diane Weyermann, Soros Documentary Fund of the Open Society Institute, Cleo Wilson, Playboy Foundation. Filmmaker to filmmaker Roundtable The Creative Process. Moderated by Jon Else, FilmmakerProfessor. Panelists include Documentary Filmmakers, Sundance Film Festival. Roundtable: The Broadcast Arena Moderated by Patricia Boero, Former Director, International Program Sundance Institute. Panelists include Nancy Abraham, HBUCinemax, K.J. cuner, Filmmaker, Cheryl Jones, PBS, Lynne Kirby, Court TV, Liz Manne, Sundance Channel. Roundtable: Surviving and Thriving-Docs Then and Now Moderated by Geoff Gilmore, Codirector, Sundance Film Festival. Panelists include George Butler, The Endurance; Susan Froemke and Albert Maysles, LaLee's Kin: The Legacy of Cotton; William Greaves, Ralph Bunche; Barbara Hammer, History Lessons; Chris Hegedus and D. A. Pennebaker, Startup.com. Theatrical Distribution Roundtable Moderated by Steve Rothenberg, Artisan Entertainment. Panelists include Fenton Bailey, Filmmaker, Udy Epstein, Seventh Arts Releasing, Steve Friedlander, Fine Line Features, Suzanne Fedak, Winstar Cinema, Mark Urman, Lions Gate Films. International Marketplace Roundtable Moderated by Diane Weyermann, Soros Documentary Fund of the Open Society Institute. Panelists include Rob Epstein, Filmmaker, US; Nick Fraser, Storyville, BBC, UK; Vikram Jayanti, VIXPIX Ltd., UK; Merata Mita, Filmmaker, AUS; Catherine Olsen, Commissioning Editor, CBC Newsworld, CAN; Jan Rofekamp, Films Transit, CAN. Filmmaker to Filmmaker Roundtable: Stories from the Field Moderated by Vikram Jayanti, VIXPIX Ltd., UK. Panelists include Documentary Filmmakers -Sundance Film Festival. House of Docs Panels and Presentations: Documentary Film: Future, Conscience, and Possibility. Moderated by Ken S. Brecher, Executive Director, Sundance Institute. Panelists include Nick Fraser, Storyville, BBC; Pat Mitchell, PBS; Sheila Nevins, HBOCinemax. The Sundance Film Festival, presented by the Institute since 1985, provides a showcase of the best independent films from around the globe to an international internation-al audience of filmmakers, press, industry and film enthusiasts. Through its International Program, the Institute conducts Screenwriters Laboratories, Producers Conferences, and independent inde-pendent film screenings in ten countries, with an emphasis on Latin America. The Institute also maintains the Sundance Collection at UCLA, an archive dedicated to the collection and preservation of independent film.in the Institute's Film Lab. The newest endeavors of the Institute include the Writers Fellowship Program, which identifies identi-fies and supports young writers whose talent and passion are focused on writing about the arts for a wider public, and the Documentary Film Program, which nurtures the growth of non-fiction non-fiction filmmakers, encourages the exploration of innovative nonfic-tion nonfic-tion storytelling, and promotes documentary exhibition to a broader public. More information about the Sundance Institute and its programs is available at www.sundance.org. "Traffic" brings the drug war to the forefront a Continued from C-1 between two rival drug cartels, gringo snoops from the DEA, and a UaLcorrupt genera (Tcanasi- MMraTl). It also figures' tlrat Wfeeld's inept organization tries to line up the general as a partner in the drug war although his notion of rehabbing junkies is to let them die. Director Soderbergh keeps the pot stirred with a docu-dramatic style that uses a different color scheme for his three stories. In Mexico, -the photography is oyer' ' exposed, sc6rched,'yenowishvi'; N southern California, it's confidently sunny (though it glares around the edges); and for the story of Wakefield, the drug czar, the tones are institutional blue (or is that the blue flame off a spoon, while preppy prep-py youngsters fancy they're getting high to rebel against adult demands and artifice?). Most of these stories have been told before. The movie Is achievement achieve-ment is to bring them all together in a broad -stroked epic form that walks a delicate balance between hope and despair. Soderbergh draws good per- The L.A. Times Crossword Puzzle "PROPER ATTIRE" By A.J. SANTORA Edited by Joyce Nichols Lewis cross Nanny selling .13 "(id Ihm!" 63 Classic Orson 87 Island naimn , mm I "Aw. shauuup!" 1(15 Him some losses 3 Carhop s need 35 Allied jumping-ol'f Welles film, with of Fiji H Unlit lor detail are shown 4 Marked down point of July "The" 90 Astrolabe plate uork 1116 Major 20 s suppli- 5 N.Y.C. hoops con- l44 65 Abbr. sometimes 92 Gulf port 14 Slew holders er? lest 37 Caution used twice in a 94 Broken, old-style 2(1 Horizontal molding 1117 Abbr. 6 First person in 38 Animal house row 96 Sealing section 21 Long-tailed flitch KM Meadow lands con- Berlin 39 Put on 67 Rib 97 It's due once a umeer.'" 112 Modern ice cream 8 Olympics no-no maybe 70 Campus location 98 Delaware senator 23 Sian ol a January favor 9 f)ims 41 Namely 7 1 Poetic preposition 101 Quiet lamem 114 Look ahead HI Be beholden la 42 li s hard to keep 72 "Blue-eyed" one 102 Storehouses 25 Yellimish-pink MM "Sure thing'" 1 1 Wonders going in "The 103 BMW. e.g. 2ft cnnDios 121 End nl' the lament 12 Little yipper 43 Athens's Temple of Tempest" 107 Trading letters (Spanish 125 Kind ol notebook 13 Webb Pierce sons 73 Crumbs 108 "My bad" larewelll 126 Cp " Know Why" 44 Make piles, say 74 Like some legends I III even keel 27Asio 127 li s enough to make 14 Redeem 45 "CameloT compos- 75 Boy s outfit with 1 1 1 Math rings 28 Arab's greeting you cry 15 Information er bell-botiom 1 1 3 Gadzooks. for one .'IKuan- -Bains. 129 Like Miss I60live 52 Failure 78 Lay into 1 16 Simile part France Congeniality 17 Follows 53 One of Alcoll's "lit- 79 Ryan's daughter 1 17 Eliot Mirsabust 130 Shakes u leg 18 Fort with a fortune lie women" MO River named for 1 19 Kind of strap 36 Muscat money 19 Posted 54 Woman of die Well an Indian tribe 1211 Dig in ) Lament, part 2 Down 24 dosaguaslin 57 lepion (physics 83 On the fence 122 Legal conclusion 46 Human rights agcy . I Initials in doubt): Sp." particle) M4 A hundred saw- 123 Aclress Benaderel 47 Aligned 7()VM comedy 2') Lee side ' 58 Jerk bucks 124 Much of "Deck (he 48 Pops composer 2 "Field of Dreams" 32 An Dcco designer 60 Symbol like :-) or :-( 85 True-to-life Halls" Anderson - -rrTrTT 49 Tabby talk: Var. 1 2 3 4 TtT 16 p"- 10 11 l III HB" I1 I"1 I' Tl8 19 51 Shod end nl the jjj mV1 53 Big hoo-hoo 24 county M flLHLV" 28 kflHwo Leon U PM 38 lBH 61 Wool coat wearer w W n r g 64 High, in Le Havre Bp L48 H9 50 51 n iMHal 6M Lamem. pan 3 ' H : HH samurai 55 Mp6 57 58 59 p0 jj 63tJm W 81 "Deathtrap" writer BH jK's 69 70 7172 jfll M2 Bird ol prey 73 74 M 76 HP 79 M 86 On the up and up , L. HjJJjJ HjjL. 89Fordclass.es. Is 90 Uii n pit 94 famibarly 95 " 90 Angeles WM I 93 F.rsi name in civil BlOO 1101 102 MM 9,.rcruc,b,ese,- B h -jL "nf 1"7 loH BBBlC9 RlO 111 TT2 113HBHTiT" 115M16 117 Fscalaior feature 97 New York strip 11$ 111 120 122 123 124 99 8 0,2 Abbr BT2 ' i21 KlOUmenl. part 4 ! . - MMTayloro, The J'") Mil Mill 00 Great Italian Dining for Family & Friends! Now Open for Lunch 1 1 :30 Daily INTRODUCING OUR NEW EXECUTIVE CHEF ALAN BRINES 306 Main street 649-5044 Answers for January 13, 2000 formances from all of his cast. The remarkable new face is Christensen's drug-addled daughter willful and frustrating, but pathetic, and ultimately a disturbed puzzle. Occasionally, the film is a little too Hollywood-slick as familiar faces (Albert Finney, James Brolin) roll by in brief appearances. But you've got to commend a picture that casts the glamour couple of the moment, Douglas and Zeta-Jones, Zeta-Jones, then keeps them in separate spheres for the entire movie, and in distinctly non-heroic roles. Nodance aids low budget films Continued from C-1 The Nodance Film Festival, Jan. 20-27, is held at 333 Main Street on the second floor of the Main Street Mall. All screenings are free to the public on a first come, first serve basis. Schedules of festival screenings screen-ings and events are available at the Nodance headquarters, 333 Main Street, or by visiting nodance.com. Nodance is still accepting local volunteers vol-unteers to help with the festival. Those interested in volunteering at Nodance should stop by the festival. Don Rubalcava Ceramic Tile Installation Phone (435) 655-9093 25 Years Experience. ellSlnSt CAST AWAY rrenrj I Monday - Thursday: 4:1 6, 7:00 I Friday - Saturday: 9:30 Matlnaa Saturday-Sundav: 1:30 I - Reel 2 -1 15 N. Main St. j Closed for Sundance |
