| Show Ribbon Effects bP q f M NM By JULIA BOTTOMLEY OTTING is prettier in ribbon arrangements arrangements ar ar- 14 NOTHING than a bow and ends in simple or in elaborate designs But one may not always arrive at the desired effect by the use of bows A shape may be modified or chan changed d din in n appearance by building it In one direction or another with ribbon arranged arranged arranged ar ar- ar- ar ranged In loops Flower forms may maybe maybe maye be e copied or simulated and nothing nothings Is s more fashionable than small compact compact com- com pact act roses and foliage made of rib- rib bon ion These examples are given here of ribbon in unusual arrangements In Inthe Inthe the he first a like cap-like shape covered with big ig velvet poppies is lengthened at atthe atthe the back with wired loops of hea heavy V satin atin ribbon These bows redeem the I shape hape lifting it from the commonplace commonplace common- common place lace Into one of those which the French Trench have described as the fleeting I profile shapes They are full of style The loops in this Instance art made of boned wire sewed to the shape at the back A pretty drooping brimmed round hat having the brim edge finisher finished with a shirring of velvet shows plait Ings of ribbon and velvet bows poised together about the round crown This forms a sort of rosette in which the th plaited ribbon sets and the result makes one thing of a flower In fact each velvet and ribbon decoration is h much like a huge pansy in shape The pretty hat which is of kings king's blue felt needs no other decoration A hat for a miss faced with changeable changeable change change- able taffeta gathered In the under brim Is bound with a puff of velvet A collar of ribbon about the crown is finished with a very full plaiting or shirring of ribbon at the left front Such a hat is ideal for a miss of 16 or more years and is quite within the range of amateur millinery to make |
