Show I THE LEMARE ORGAN RECITAL Om OIW of hf the Ih 1 Iu of nC 1111 I In III In silt Salt lot 1111 he Through Fit rough the I ton thoughtful I I fit I courtesy of ue 1 C MI Mr and Mi U I C e Miller Stilt Lake Iak were 1111 to 10 listen last evening in III to inns nf of the recitals ever given ghen Inn In iii this city ell and thou from taint a II vid recognized I Ilie of tot hit hll art arl In th IIII the of oe Prof ProC Ivl ll llwIn wIn U II I lie Ii In Is en on to ito toll New to III to open n it grunt organ ju just t IntUIt built stopped oval at ut this point to II give n II In Intine tine thu Pint F Irn t r t H n U I church The lii c WH ua 11 not larger than linen the tho concert audience but It was wasi i omit i nf lit if the he t more moore noted taut ic lovers lover tilt of ot tine urt In ii town a II ml HII the hoe of ot the tho artist II were Ml TIne The was wan 1111 up titi with that thill kno knowledge dge of ot linn organ music i 1 hat hal Thomas 1 II nf lot programs and Included I lie gut iI a toil heavy toes vy compositions of ut tin Ih loin very sy 1 highest hl hc t from ruin thu the best b t nit t m On the HIB program were tere the Prelude and FUQue In Ito I ma major majur jut jor Wolstenholme IJ holme e t Isle Itus t e Organ No o 6 G by toy h Mendelssohn Wag Wagin Wn in nr rs I U to to lo tine the ti I thin the n own owl P in inn K J and nun Madrigal Improvisations and tho the Mozart o zort Y in P F I minor As t S H an LI i more nOrt to Ii his hots own compositions Prof 1 the thu favorIte Andun thou which Is lot ever pleasant 1 II I to 10 tin th ear car and always n takes when player played ilia In the ho th Tabernacle recitals all 1111 through last recital WRit was hoth both an otin exquisite und iou n II stupendous performance The Tho was not before the tho re rp remarkable powers of ut the hail had h Ione evident particularly his tots mar mer fI I I brought out In hi performance in Iii the tho To play pIny Bach requires n a 1 knowledge of or counterpoint tar far beyond tine the uni i of or the tho average and when n no t performer handle tine the complicated Fugues of ot John Johll Hach with not only ease care I C hut but consummate grace It Is patent nt lit ounce once that thai he ht walk among the th highest patios paths of oC the tue theart art divine Tine The Curfew number woos was wasn n It delicate of ot musical lace lacework work itch rate and ii not beautiful it coLa II full and lint ann art ii rt descrIptive of tho tIne curfew scene In lit 11 Grays 1111 In Ion a n church Yard tirol beginning uTI Tin Curfew tolls toll the line knell of ot tins day The Tho light graceful I I treatment of ot this number by hy h Prof Lo Io mure In Ito stringed registration nail the Ih tint life II of ot the fie sax ox stop stol watt was pleas pleasIng Ing I tog mid ii ad gao Time The Hustle thistle Fantasy l by hy holme u n now nol favorite organ composer ComO lr In Io ul ti ISO o lo Ito I a ii 1 light t win vein sd to but ha t emphasized with grout Imposing which dignify tin thoo entire work It Is lot some route somewhat what suggestive of ot Gypsy Gyp y music lc and tIne the Introduction of ot bell b passages adds n a 1 rustic Ic flavor lint enlivening coil healing and a nil pleas pleasing lug ing The lime Mendelssohn number Is n a tonal and great composition solemn In it Its ilK beauty und l with reverential lm un 1111 There are ore brilliant nr or and choral passages that were bundled with great skill by Ii h the IhO performer and tint the th closing Andante Is 6 suggestive HU of ot pence peace like the painting of ot n a quiet summer after afternoon noon In III h a an ull a a h landscape lall ho There tutu live II movements In Ito this famous Camous work und toni l tIne till versatility powers of ot musical and majesty and dignity d It of oC description of It tine the composer compo r I wont wel fully brought LI out by the master hand of oe Prof Prot Lemare ro To listeners the line Wagner Wn ner mu mil music sic tho time heat best of or tine the Ill evening In Ito Indeed deed It I was WIS here lucre that tine tho displayed ell ed his great Interpretative pow power lOW er tr ors and It may be observed that It re reo just such abilities to 10 to Interpret Wagner WA for tor It mite him required 40 years of ot growth for fOl or the Ih musical world to 0 reach up tip and gather the fruits of that com corn composers posers lo er genius There Is itt n marked religious flavor to In the IiII music inhale mUll It that hint t leave leouses It 1 with n a species of ot supernatural to rn I grace IrHIe until and beauty unroll HI lifting nil ant audience to n a high higher hh h hIr er Ir lent I ni of lit devotional levot mount contemplation tl tent hilt i remote reunite from tram tine the of ott a it 1 environment Pi im Prot of oot lemnie was teas Vory happy happ In Iii lola hit a I Ioto of oC the t In Pot ron I oi with Its su tu roo I and to nil delicately loot tely beautiful I UI modulations a lot I hiatt and am ol tic I professions louis that thul t hoti t Inspire Inn ro and He lie ulso happy In lii the tine performance of ot hh ills own lIn impositions which mark maik the I hot true composer tutu l mul ot tint the th hl hest type of of And true trite was IUS tIlts this evidenced In I it his hole Improvisations I tin Lions It H J I 4 Just Jun 1 in I a tItle this latter I a I t or Held field where mere w so HI 1 moo tl leto till full down dow A man nina may lie hoe n a 1 1 of lit technical yet nt IC If he ion flout tint not ot a II true soul capable of ot conceiving vi to g Ins luns at lit ii t will I as its the ho Ihei t hoek skillful ek i i it oil artist 0 it hoot painter Il ma I on ter conceives I th I hO beauties lien I 1 of oC nod a n truly trimly trill aes noes aesthetic t loot tUl that t boo I can act at at as 1111 ti 04 a u lent s through which these rH may ilia be too nfl on tia apparent it rout to III to others ot hers he Inc itt an 1111 ot toot not I It 11 Is tot u it gIlt gift ICI a it special 1 1111 who ho e loO es mon III nil marks hunt one ii no at tot a I ell IC II I I y I Prof loof Lemare re nil all oil I this t In Is plain not nit merely merl from u II It standpoint a too nil I l h by byI v through I it coil Cu Hi Intel I e ski I I In III I a regIst rot lion which IK lit to In the what or nr che ru t loan Is to 10 I a und iO tool rum too I hint lo to If wind lid bund nil performance too lOot Then lime his playing ot if f the tho tin loin tue pl with ut I I Ii MII 1111 oo to unit gI too I It y mid ou tod toes In III I to I oit I eloi loon t ion ionI that I loot I bin hili In iii no tot teio n i iThe The Iho h greit greni t l I the tue I climax to the tte v perform lice anco II The rioe in K F Jo minor Is 18 a colossal composition In Itt which the Idd un an Impressive em Cool that tha I li Is I t astounding Only On eminent artIstic ability Is IK adequate to Its which In Ion taut furt calls for tor nor the ex full tull till power thong along toll all linos of musical effort The Tan lan tune InAC IM Is 11 a it 1 of It and the tine artIst brought out tIne the full Cult scope of or time the I he great Instrument ni us well wella ell ella a hIs hit technical prowess und skill In Interpretation A physically weak neck man con not piny pIn tintS work but hul pmt I strong troll nerves Ilert und ottRI mus lOtUS oular eular whre v re to tl the Ihl de the demand J mand It IL wan wn u ot I really yeah great 11 mn unco The ortist behind him bun only a Cl |