Show f 41 SMALL L DEMAND IN ENGLAND FOR FOE AMERICAN ART w tom TOnK April 30 AP AP- AP There Thero ro tit s no d demand In England fore for tor Ute e works of ot American artists and mind of ot one ona art ut au au- t rl t ere erk If I 1 little hope hop of ot nay BOY Ito to s. C. C Tt n Grundy who js the he United States Stat s In Jn orto or ore orto to to to formulate a report to the v turns A K cl of or Great ti M On OT tl the organization and oper- oper t i of oC American museums museum But nut tut what ot of Sargent and a 1 K te 18 wa was ltd Why bf bC court coune there always fa is JV 1 nand for tor their work but we I Nine upon thorn them a all ae c cur ur ur own They ep spent p nt yea years In fa England En nd ll and did h best beat work with u us ue I Mm woe an 0 academician and amt could have bavei ben been head of ot the academy adem tr Grundy wee was not reflecting Upon ARS American Acan rican arti t li He lit believes mach h good Rood work I la II being done here and AM Attributes I the tack lck of or demand In is England to tl unfamiliarity demand with Ith American artists Interest might t be created traveling exhibitions mid and taking k hI spa advantage o a r f p display tho the oft It of ot Int r he be explained but artiste must live Jm and aDd America now new is a great t art Rrt nr I market center t far Jr a aU aL nations nation Why hy should bould AmerIcana Americans send their tbell paintings paintIngs paint paint- Ings 1011 and othor other w works rk to England there to have bave them remain on exhibition ex ex- six Ix months or ot longer Jone before being sold geld when they can be 4 ed of almost Immediately Ip here he The Th 1 Englishman n t Is finding much about museums here to recommend to those of hi his country you have becom become noted for tor your large art collection by people rl he said alt I J 1 should like to see M this lulI expanded so that tha collecting will wilt become generalI general I am am at the great reat scale Seale II on which h the museums are organ organ- bI teed led and 1 I think you look took upon them as oa t Ink ic tc the past for everything very thin la I. In Jn a rush ruoh here Nothing NothIng Nothing Noth Noth- ing I Is I. static Time you finish one on thin thing you OU start on something newIn new ln Hn In England our viewpoint Is 1 different dif dlf- dlf ferent t For many years yar our museums mu mu- ume were wr looked upon as a. curiosity curiosity cu cu- shops Now ow the they have de de- cloned loWd until they are ar considered for tor their educational opportunity We 0 dont don't look upon our museums ns R to the past pAt for tor we still have in inthe the past with us When mention was made of the collection anti and the th sale a of ot other British Art t treasures In I New ew York Mr Ir Grundy Crundy Mid said he had I Ino no personal objection to the movement movement movement move move- ment of or English collections to this country so eo long as objects r historian his his- tat torian I Interest and value are not disturbed I The Th more widely our art Is dis- dis the more familiar people will i 11 become with our work he ex- ex explained ex ex- |