| Show c Ordina Ordinary Girls Enter Hollywood Beauty Mills Mills' and Em Emerge Glamorous Glamorous' Creatures a 4 thI 14 4 V e I 1 I v A t 1 iL- iL 4 A i L anZ 11 t S i I 1 Lessons from Hollywoods Hollywood's fa factory tory experts come thick and fast for pretty little Ann Loring newcomer to motion pictures While le Eadie Hubner hairdresser takes her beauty in hand band Oliver dramatic school head instructs her in the secrets of personality and charm Editors Editor's Note An Industry within an Industry are the largo large and busy Hollywood clamor factories studios and shops where the stars are n made dc beautiful and fashionable and charmIng charm charm- In log Ing as you see sec then them on the screen Marian Marlan Young has Interviewed these makers Clamor and nd watched them work vork their wonders and the result is six articles which she has bas written for forThe forThe The Salt Lake Telegram ram By MARIAN YOUNG Detroit makes automobiles burgh makes steel New York makes cloaks and suits Washington makes maltes laws aws and Hollywood makes maltes I 1 have been visiting the film fLInt capitals capital's factories The sizzling of permanent wave wae machines the snipping of designers designers designers' design design- ers ers' shears the slap slap-slap of face tace creams reams the whirring of sewing machines the filing of dainty fingernails fingernails fin fin- in- in the barking of physical culture teachers the modulated voice of ot charm teachers these are the sights and sounds of the amazing fashion charm Industry In In- which has grown up within the he movie industry itself Beauty Mills 1 Into these amazing mills go girls no prettier nor more mora modish nor lor more personable than you Madame and Madame and out of them emerge the he silken glamorous individually beautiful and charming sirens that you see upon the silver screen So near perfection are these lovely lovely lovely love love- ly products of the industry that tho the cinema colony has come cometo cometo cometo to have more influence on the world of fashion than than- Paris or New York to have more to do with beauty beauly vogues than the great ladles ladies of high society and more of an effect upon the n nations nation's manners than Park avenue or Back Bay drawing rooms A fe few seasons ago Adrian tall dark and anti handsome designer of clothes for fol actresses to wear in pictures pictures pic pie tures put a strange puff on somethIng something something some some- thing new in the way of a sleeve and Immediately dress shops were flooded with stran strange e puffs on the new kind of ot sleeve seeve You wont won't catch them admitting it it but couturiers allover all aU allover over the world picked up the theme and carried it out to the nth dogre de do- gre gree e. e Natural Vogue Looms Now that Jean Harlow has re reluctantly reluctantly re- re revealed in the presence of ot 10 writers eight press agents and six cameramen that she wears practically no makeup we can look forward to a lot of ot tea table talk taUt about the importance of looking natural not to mention increased advertising on the part of cosmetic I manufacturers If the conversation gets around to formal parties its it's likely that every woman will say shed she'd rather carry than wear her gardenias Joan Crawford ence When they start discussing their children the latest Shirley p Temple Tempe designs will bo be taken apart and put back together again Even In this glittering city that looks like a De Do Millo Mille set you cant can't get et by on good looks alone The camera amera camera as Jimmie Howe How one of or orthe the he more famous lamous cameramen put putt it t cant can't photograph what isn't there and if it nothing exists behind the perfect beauty theres there's not much for or the camera to catch He likes bites lots of charm and a little intelligence intelligence intelli intelli- gence behind each winning smile In n addition hed he'd rather have the beauty not quite perfect For instance the clever little cameraman told tod me roe ono of the thereas reas caserns ns Imogene Wilson Vilson who later latr lat lat- er r changed her name to Mary lary Noan Nolan Nolan No- No lan an failed in pictures was because her ler beauty was too flawless her features too regular On the other hand land Gloria Swansons Swanson's up turned-up nose Joan Crawfords Crawford's large mouth and md Claudette Colbert's broad forehead forehead fore fore- head are arc features largely responsible responsible sible for the way these stars have retained their popularity Smart to be Slender Speaking of ot beauty which Includes In- In eludes fashions in figures hair hairstyles hairstyles styles and cosmetics motion pictures pie plc- tures ures have a real stronghold There can can be no doubt that Hollywoods Hollywood's slender lender heroines are responsible for forthe fori the he fact that its it's smart to be slim About ten years cars ago when a certain tam aln tain diet was as publicized as bein being the he method which screen stars stare used to lose weight millions of women women wo- wo men nen tool too It c t C j starved themselves down to Marlene MarIene Dietrich proportions proportions ions and loved it Attribute the long bob to Garbo curly bangs to Katharine Hepburn the he Buster Brown haircut to Claudette Colbert the vogue for platinum locks Jocks to Jean Harlow Give credit to shiny makeup popular last ast year to a Hollywood cian Admit the reason its it's no longer smart is 13 because Hollywood stars stopped wearing it Concede the current suntan mode at least in iii part to actresses who bask in the sunshine of Hollywood Pictures Set Sd Fashions Go back to fashions and you have havea a lot more admitting to doL doLittle doLittle do L Little Women was produced and the costumes Travis Banton did for that film were copied am and worn all aU over the world This same designer used Breton sailors on Marlene Dietrich when sho played In n Song Son of ot Songs and we got- got still are arc getting as a LL matter o of f Breton ct-Breton act Breton sailors in profusion The Cossack hat also designed for Dietrich by Travis Banton caught caugh on like wildfire Orry-Kelly Orry important creator for another large studio has a few lew VO vogues to his credit too Earl Early last winter I used flow flow- ing ine ng draperies in a picture starring Dolores Del Rio Kelly Orry-Kelly r re ro- ro called to me In March Paris Pari talked of draperies and Grecian lines Three and a half haf years ago I put length floor-length perfectly straight daytime skirts on Ruth Chatterton's Chatter Chatter- tons ton's evening gowns You know what's happened to that little idea About tho the same sarno time I made an Eton jacket only I called it a LL mess jacket for Ginger Rogers tally taUy the first fur cape ever worn won In pictures was one I did In red fox for Kay Francis in One Way Passage That came out near nearly four tout years ago too I Long ong Sleeves for tor Garbo To Adrian goes full credit fo for sleeved long-sleeved evening gowns Greta Garbo wouldn't wear backless backless backless back back- less sleeveless formal dresses I had to do something and the now popular sleeved long-sleeved evening gowns gown were the thc answer Incidentally Adrian Is willing to bet that the evening wrap cut aon along the tho lines of oC a sports coat which he recently has created for tor Joan Crawford Crawford Craw Craw- Crawford ford to wear in No More Ladies will become a Bet against him and you'll probably lose your our mone money If Hollywood starts an idea especially one as excellent as these famous designers turn out any bet that it wont won't catch on is 14 likely likey to make you OU the loser After all aU more than tickets for forthe forthe forthe the movies arc are sold each week givIng giving ing H Hollywood 0 11 y woo d couturiers the worlds world's largest show window r EXT NEXT T Talks with the men who create fashions for the stars stars and and therefore for the world |
