Show IF F n- n 1 ITER EST TO WOMEN lg kE E LIFE OF AN ARTISTS ARTIST'S MODEL i THE SUPPER R PARTY By Manya Rudina 11 i Famous New Now York Artists Artist's Model ne nel who has been r 1 suspicion s of ot a and has been d constantly for tor l know what It iI d. d W week ek passed Ife while I was tr for the sculptor h week his wife a ti tir launder under constant r m fiance lance She came 4 the je e. e studio at all an of f odd times and 11 i sorts of Dt ex- ex One One day she satay sat saty lay ay y long and 1 d us under pre- pre of great interest 1 wI the modeling r fihe he was always In fin and out a a.- a. disturbing the c She She would ent enter r Iwas undressing r when Ise se se wen I 1 was J g for the pose j lIy lly he told me mo r had been a quarts s 's i Is ts wile wife had ac- ac ilm of taking than thann a n. tn r w n t in Interest me a aPs s' s ps he e was wrong me ot of the ugh gh ghI I was glad gladI aya x xe I Lf The situation e ne s bitter though f foot not io without an t tr o t f humor also A this woman sti her hap hap- with the thought era lef husband was washed hed fed led led-Jn In me I my- my 4 c s Ns ra s interested o only ly f work work we were gether and not tf'S personally at all 5 ng Ing started with j jure pure the basis i as a. a work work It would be y r f for tor him to toute futo ute any other j day about 6 i ln n the evening I ed d from Wash Wash- TC Into Fifth I stand was walking north when I my sculptor coming down theon the I on the other side of the I He saw me at almost the doment and crossed over rl fortunate he sa said I have been walking for tor two hours thinking g about the work I want to talk with I you yot Have you ou had dinner I told him I r had not and aril he pro pro- posed d that we dine at the Hotel Bre- Bre i voort We Va had our dinner and smoked our cigarettes and talked and talked an and d ta talked ked All his enthusiasm for tor forthe the work had r returned turned Under the Influence Influence influence ence of ot the place with its soft music must and congenial crowd of ot artists writers attaches of ot the French consulate an and patrons of ot art he told me of ot the vision he had of ot what was to be cre cre- created l' l under his hands and of how tow I 1 Iwas was helping him And I gave him I my ideas and we talked on and on t forgetting the time and the place Th The crowd changed gradually as it grew later later and later and finally couples couple i from the Greenwich Village theatre and even the uptown theatres drifted I in for late suppers And still w we j i sat It was 1 I o'clock In the morning beI before be- be I fore tore we realized the time As S we wen went i lout out of ot the hotel a man jostled m mand me and turned to Lo look me me In the face I I thought nothing of ot it until next day |