| Show THE OP THE VIOLIN camilla appearance in the theotre tomorrow to morrow bight ever bauce it was definitely understood that the management of the thea tio had secured camilla urso the vio nonder of the world for a one nights engagement the music loving people of provo and even this county have been awaiting the event with fond anticipation that they will not be disappointed is a foregone conclusion as alie lady comes with a national reputation alie nev york times of saturday said the chief interest of the audience yesterday was in the appearance pe arance of ame mme camilla urso the noted violinist who had not been heard in this city for a long time expectation was more than met by this trustworthy artist whose skill has lost nothing through the lapse of years she played yesterday afternoon the aubin stein concerto which deservedly holds a high place in the esteem of musicians the work is vigorous and broad in its thematic ideas which are developed with a simplicity and directness of purpose with a terseness of form altogether admirable the work is somewhat unique in these days of diffusive and amorphous style masquerading under the guise of romanticism has shown that at least one contemporaneous composer knows how to write a concerto in which the solo instrument is only the principal part of the work and not the whole composition ia itself and has done this without beauty or that display of the resources of the violin which isto bo expected in a concerto ame mme camilla urso played this fine composition in a manner which merits nothing but warm paraiso her pure round and sympathetic tone and her accurate intonation were delightfully refreshing after soma of the uncertain work we have heard this season especially ally in the beautiful the players ability show to advantage in tone technique and coloring her per forn aRnce of this movement was nobly the distinctness of her enunciation in rapid passages and the solidity and singing quality of her tone were admirable and her of the whole concerto was marked by intelligence and a warm sympathy with the purpose of the composer furthermore the fact must be noted that her playing is not marred by those short comings ia depths and power which we are accustomed to re gard as distinctively feminine one of the most striking and praiseworthy qualities of her playing is its masculinity which has all the weight of repose without tha nervousness nervous nesa of aggression gres sion in short her performance was substantial and healthy in its art and afforded genuine pleasure to every lover of good music in the house |
