Show l I ANGUISH SUFFERED BY THE TRACK TRAC MEN IN ACTION f i Th 1 A 4 k 4 J t Z r 11 II I J t t H t I i 1 g i i 4 p v i i I 4 S 1 S r i S S t S i iI 44 5 S 1 I f i S S SS b S t tS IS S ts t tS 4 t r 5 S S S r L t tS EXHAUSTION DYSPNOEA VIOLENT EFFORT FATIGUE S The suffering of the athlete who wins fame Aime on the cInder path has been graphically depleted depicted In n a series sorie or of mod models modem els em made by Dr Di R Taft mit phy dIrector of the University of Pe Pennsylvania Taking as his guide the snapshots made at varIous athletic meets showing just cross crossing crossin ing in th thO finish line or in the agonies of the last few tew yards of a run Dr McKenzie has constructed clay representations ot of such suffering as It Its s seems fe few human beings can experience In an any effort outside of an athletic I IThe IThe ground The m moat st striking or of the models Is that depleting depicting violent effort In this face the expression is positively appall lag and yet it Is perfectly familiar to th so who have witnessed the finish of ofa n a sprint or hurdle race b tween contestants The lips are drawn back the teeth teth tightly clenched the facial expression suggestive of a man In th the last throes of agonized It is a 3 expressIon and sug suggests suggests at once the contestant has summoned up the last fraction of an ounce ot of p power to push his mutinous frame over oyer the tape before the opponent opponent nent can break brenk it It is not a pretty f face ce to look at but it Is the lace face ot of the theman theman man who races and of the man who win In other contests besides t those hose held on the cinder path of an athletic field Loss Less pretty prett even than violent of fort Is the face that Dr McKenzIe calls caUs dyspnoea rather formIdable ord being interpreted means simply out of breath to th the layman It Is the face of an athlete who has baa run him himself self solf to the tho point of utter exhaustion but still nUn doggedly holds to his course The overworked heart has pumped the blood Into the lungs at such a rapid rate that the overburdened breathing apparatus Is choked and the runner runnel Is iR panting and struggling to get breath enough to keep going The face is shown with mouth lips drawn back tongue visibly drawn downward to allow all the air possible to enter the lungs and the suffering Is evident In every line of the lifelike head This also is a face all too famil familiar mr to those who ar are in the habit of at attending attending tending the strenuous athletic meets or of orthe the lay layA l lA A third face Is called exhaustion The lines ro deep dep and the expression haggard In the The lipe arc arcS parted widely idely ald the face is that of S an old man weary of the game and why Vh h lie keeps going The sunken cheeks checks and hollow hono eyes oyes betray betra the great effort overtaxed nature is making to supply the thu drain on her re resources sources and the weary expression or of orthe the entire face shows that the athlete Is almost on the point of sinking to the cinder path but grImly determines not noto So o give up until consciousness Is lost lostA A similar expression can be seen on th the face entitled fatigue The hope hopeless hopeless less worn look of this model Is almost In The artist has caught with wonderful fidelity the look or of the trained athlete who has hac run himself Into a stagger and In hopes of his rival being in sun still worse shape Is lc up the pace The models are attracting keen in In athletic circles and at the university are being viewed by the ath athletic athletic letic squad with some degree of disma dismay Such agony as is depicted In th faces Is difficult to survive At least thIs is th the thou thought ht that suggests itself to the thela la lay mind |