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T M In C i r- r r r l Q i I W r 3 rr r rr r I Illustration to The Traveling t Companion Modern Magic I to o Illuminate the I Romances o of ri Hans Christian ia Andersen j s m c 1 I HAT wizard of the childrens children's L r THAT 1 star story Hans Christian Andersen has had many interpreters Tho The l f quality In Andersen that the Ule q fancy of or the child strikes fire from t the imagination of ever every artist whose l mind Is attuned to unbounded ro i. i mance mince And so it happens that In 1 each stage of arts art's recent develop develop- 1 ment mant lair fairy story illustration has 1189 V 1 1 t thrown off art one Impression after alter another another another an an- other of the magic land in which the tho light that never was on sea or landI land I flashes Its strange signals and searches T The newest aspirant for tor fairy Cain picture f ure honors Is Harr Harry Clarke an En Eng Eng- fish Ush draughtsman who ho has felt the influence in fluence of Beardsley and Bradle Bradley and and Allistair and the other masters v r of line and who adds his own remarkably ref re ro- original feeling and J f expression sion sian to the things he does It Is to Clarkes Clarke's cre credit Jt that In givIng Ing the modern touch lauch he makes the modern choice also Fairy stories are areno r no longer permitted to be what the they once were Killings are not In favor Hh tho the modern instructor of children children chil dren and oven even so gentle and kindly a star story teller as Andersen needs n a 8 J bit of editing to fit lo today's as require require- J In t d IIO 1 A ov r t fY 4 Y rL 0 t V a I J h i I 1 1 t L I UI U. U d en I f n r. r v. v r ry J II IJ I 1 Jj 1 1 J il j I II i 1 I y II r j iI r. r I I I I 1 y C r y r f 4 i L CS J iu vr n. n L m II f m Act r I. I i 4 r ty 1 rh 1 I It r r t T t I fM E 1 iff- iff I T I. I 71 t r 1 I 1 J at r 1 T r lIi S S m c 1 i ih i f P i h I L cr 4 7 t fM ii's F e r ra r l I. I t. t a r II 0 11 II 1 a s 11 It 1 1 m j 0 c r k x IE t A 1 q 1 A jt 1 l I l I jd IJA lIV WI 1 li 1 n m l I. I J f I I jj 7 c S t 4 M k l J i f. if 1 1 Jt w r I. I II 0 i y 1 f I I'd 1 f d i. i 1 From the 8 l T V 11 l. l J J A l H J S j Marsh Kin Kings King's s 5 0 rr tJ L Daughter They hey Above a Picture from The The Little Sea Witch Below a Dramatic Moment in inThe were returning richly ng 1 L U 1 S' S The Hindu Maid F J. r aaa i 1 f A m Ir rIh t 7 1 A t j o t 3 a If ti 1 I rJ I p I jI tW J H r-f- r jl i r 1 1 j J fi io I 1111 0 1 w 10 I l q I U l lI J i I r. r nl 1 1 r l bJ 1 J t C a W iJ o. o N. N I f rr 1111 r. r ft i if fi I 1 O I I J f N j f v I f r l 1 1 f y 1 l i r 7 t 11 Jf rAf t 11 R kS tI Il I W J J 1 11 i. i 1 r qt f n iI 11 t. t 0 J f oj n t ii rL f IJ I l H fJ I I P i I 11 J It l 1 I 1 t m Dr t r III t- t I i tJ I. I lJ 0 g 1 I 0 tr f D f I I ij r I rf r j ii S t tr tt J I rf iJ p J lj J 1 II I F m iE 1 V f r dt IT i a f 11 Im 1 7 r U j. j i. i ki r r ar i Ji r a. a rv w Y yr ti Y d' d i J a- a eI om WiC I t 1 J 1 iG 8 c. c o 1 t i I o. o Vi Y o. o J o. o i m w Jo I i O f fi y r i J l 1 11 1 O 1 L y l laden with spoil from U the L Gallic Coast ments In Illuminating the Andersen stories he prefers tho the beautiful to the sam sombre bro He shows us the tho witch but anything that the modern child might think cruel is left to the softer lines of thought alone In this way we have the soldier and the tinder box without the catastrophe catastrophe catas catas- to the witch Great Claus Glaus and Little Claus Clans The Storks Shepherdess and Sweeper Chimney The Tho Snow Queen The Little Sea Se Witch The Marsh King ing and a alon along lon long Jong list of other tales have been interpreted in by Clarke Clarko In a sumptuous series of ot drawings Most of at these drawings are arc in line pen lIne pen advent advent- tires ures of or an exquisite sort representing represent log ing n a twentieth century adaptation of the fashion for amplifying the poss possibilities possibilities pos pos- of woodcut technique Other pictures are aro in color and in a fantastically fan ian fantastically different vein ein Students of or the curious will ill find In all such recent pictures a habit of influence influence in in- fluence from the tho Japanese No decorative deco native worker of at eminence In the ho last twenty-five twenty years has escaped or has tried to escape this influence Is it possible that the next great pen decorator decorator decorator deco deco- will he be able to forget the Japanese Javanese Japan Javan- ese Most of tho critics seem to think not In decoration the tho Japanese Japan Japan- ese eso are regarded as masters whoso whose position la is 1 as secure In their field as were the ancient Greeks in quito quite another an an- other 1 On the G t On the r Left a r Left r ran an r r I the thein p Ep Episode t in the Meeting II 1 SnoW Ai to of 01 Queen J Ray and How the did aid you c Snow Y Yby come cove comeby by the r o Queen great I 1 rolling liver river I IJ t r 1 k V 1 1 l y 1 r J I d i. i t if P r i ii i dar r h ht r. r e t 1 1 r I 1 P f r r r y J rv i f J Jr r ll I 1 V t l S I f ti h rt r t I I r 1 t 9 1 I t u uJ J t w v 1 u 1 J Jr r t 1 r I L f T- T r- r rL i k ni d dp u p i ii 4 y |