Show FILMY GOWNS FOR FO EVENING SUMMER AFTERNOON GOWNS lively french fancy which al THAT anys seems to be capering about and doing unexpected and interesting things finds its best playground in the field beld 0 of evening gowns there Is no such ill thing ing as a brief summary of the modes for parts paris apparently has determined to bult and flatter alt all types of figures and appeal to all kinds ot of taste the authoritative couturie rs have provided gowns made of every known filmy fabric and adorned ador nd in every conceivable way put but they have emphasized emphasis ed by repetition some lipor tant style points so BO that we may pick across fashions stage it to Is the becomingness of afternoon dresses that places hem first in our affections a and ad everything conspires to help them to success in this regard beautiful colors la in supple or iliner fabrics new skirt skir and neck lines and unending variety clely ln in sleeves are nil nii contributing heir part toward making afternoon frocks that will prove haltering flattering to their wearers bearers wear ers the trick Is simply to make the right choice in all these matters to select a becoming color a graceful silhouette the proper neckline there Is so much variety in de d 4 k A 0 L two models from paris I 1 them out as smart and ana as characteristic of the new season should american women not relish the taste of some of these accented features there are plenty of others which they will find to their liking first of all one may note the definition of body lines in bodices that seem to mold themselves to tile the natural figure ending in rippling skirts with the ripple achieved in many ways then there Is the very low back dee decal ol 01 leftage and the transparent yoke fill all to be considered only by women who have good figures but free for everyone are the rippling and the uneven hemlines hellines hem lines the flying scarf ends the moderate oval and IV V shaped neck lines the gobets and seton set on panels circular skirts and shaped flounces signs to choose from that there Is nc fit excuse for failure the factors that account for the daintiness of the new dew modes begin with the fabrics used georgette chitton chifton taffeta and other silks crepe de chine and similar crepes cerepes and is furthered by the vogue tor for lingerie accessories cess ories and for forlales laces used in combination with materials nothing Is more popular than bannings ban dings of lace 1 ace on gorgette eor gette dresses unless it Is the combination of plain and printed materials which is developed in many ways wars A pretty combination of this kind Is shown liere here in a modi model mod I that la Is recommended for the slender blender womans comans consideration A cappe dress with straight bodice and skirt with shirrel shirred fullness in apron fashion across the dt j M 1 1 J V ow 4 that make mak up the fluttery evening g modes laces and filmy materials plain or figured satin and much taffeta silk aro are the foundation of 0 dresses that call upon beads pail lettes brilliants brilliantz brilli ants and hand painting as well as aa upon fabric trimmings tor for adornment cherault pre presents bents tile the graceful dance frock shown at the right of the two sketched it Is made of coral colored gilk flik muslin with narrow plantings edging in ill the scalloped hemline und tile hie short sleeves A more elaborate gown made of rose colored satin shown at the right has a rich embr embroidery olde ry traced in gold and black outlined w with ith flat gold galoon and fine platting a in the hie skirt no ko report of the styles in evening rocks Is nearly complete if it fa falls ils to mention the numerous model 9 with fitted bodices and bouffant skirt 8 made of silk and laces Enthus enthusiasm hism for new modes tn in afternoon fronts mounts nud and mounts as the season advances and one dainty and pretty gown follows another 7 reu tures daintiness front introduces printed silk in collat and ban bindings bandin dings ss find in puffs tor for the sleeves at the wrist crepe like the lh dress makes the narrow girdle noil and the prim bow at the neck circular or platted plaited skirts of plain material are joined to tunics in printed patterns and occasionally narrow lengthwise panels of the printed material are inserted in the plain skirt or the drosa dress may be made of a printed fabric w with fill long sleeves and deep border at the bottom of tile skirt introduced in 0 plain material JULIA BOTTO 10 lik western newspaper ciuco 1 |