| Show WILL APPEAR IN FEATURE OFFERING AT LIBERTY TODAY AND TOMORROW TOl A Ar r I t j 7 r 4 f d de e TJ i. i 4 a A fr t a e 4 p q k k a. a 4 4 4 g GERTRUDE A popular member of the Edison company who will appear in a two two-ree comedy drama Caste at the Liberty today and Monday not as one Judged at first lance glance a Russian ballet baud It was more moro like the tango a slipping gliding movement full tull of oC meaning yet discreet Slowly but nut nui aLvy 01 i. the tho mo tUC truth iruin waS waR torn Korno LOrne in in upon nut nui aLvy 01 i. the tho mo tUC truth iruin waS waR torn Korno LOrne in in upon us that Eliza was not pa passionately slona telY I fond ond of ot dogs doss and anti that she was ns leaving lea them behind without vain aln regrets All this was on tho the surface Beneath It all Ilko the rushing water beneath the time Ice could h discerned the feminist move move- ment mont Eliza was but a symbol such as Ibsen might havo have employed Again In T Topsy a seemingly h primittVo primi primi- tive characterization the voice olce of or to today to- to day Jay spoke I 1 jea Jet rowed groped nhe alie he salt said to little Eva speaking n as a child to a child chillI Yet Vet n that simple phrase the tho whole science clonce of was condensed con con- Topsy like Pan whispers whispers whis whis- pers pent Into the far ear of oC the world Is the world deaf deat It Is not for us UR to sn say We Ve can only sit on the time doorstep of I Toms Tom's Cabin and listen and ancI as wo we listen Usten hope thai thal others will hear Wo We como now to Little Eva observIng observIng ing as B wo approach her size childs halo But Dut that Is not all Possessing the mysticism of at Hauptmann's Hanno Han- Han no nole she sho IH lit at tho the same samo time a fatalist with a n mordant realism that makes Ib Ibsen lb Ib- sen and other gloomy G Cusses seem more sentimentalists And what was Ib Ibsen's Nora ora that Mrs tr St. St Claire II Ig is not This southern lad lady slams lams tho the door on her home and husband hus bus band It IH is true truo but that merely shows a profound knowledge of ot tho Influence of ot climate on character Ono finds rinds SI BO so many tImings things In Uncle encle Toms Tom's Cabin Just by looking around a bit hit The brutal realism of ot IK is outstripped for or example In that terrible ter for figure Simon Legree here Her above e all Is a forceful character ch The Thc crack or Of 0 Hla nis Whip win will h. h he heard hen 1 until it If I i is In t. or Of 0 Hla nis Whip win will h. h he heard hen 1 until it If I i is In t. s silenced h by the crack of doom loom We say I this without fear te The he actor who embodied embodied em em- i bodied this sturdy character appeared I Ito to take fiendish delight In his work A At Attha tha auction he was r. xU rou rough h To add to the tho tori tortures ures of the poor victims a bra brass o band played at that tha auction We e maintain that a wrong note nole was ns struck b by that hand Influence ne of Dennett The Influence of or Arnold Bennett Dennett ts 11 s sto to be found foun l perhaps In the tho character of oC Ophelia a quaintly Individual figure 11 given larg largely lv to hon hou housework Vork fc and forever cr saying How shiftless Ophelia grows In ones one's estimation as he heart expands ThIs Thin development de of chara- chara ter Is gratifying Nothing Is so flourishing nourIshing nourishing nour flour to th the drama as S the thc milk of ot human Oln Gin u Is the mainstay of ot Marks He Is summed up up summed summed up on one might s say In say In tho th phrase Sams a necessary s t IL But Jut gin In Ono One feels that doesn't one Still it may bo be thit th Marks feels It necessary to fortify himself against the tho sudden and strange tran e chan changes es In climate that were Indicated d b by the sc scenery e no ry In other respects the production was adequate thou though h th the modern nature natura of oC tho the pl play led us t to expect that hat Little I Eva would take her flight In an aero aero- e. e |