Show r instructions AND ADVICE cab BY evic im F no 11 AS JULIA BOTTOMLEY A d Y IS i W N r I 1 1 t THE LITTLE FLOWER GIRL quite unconscious of her importance and wholly captivating the little flower girl precedes the bride in the wedding procession she usually takes her duties seriously and performs her part with the grace of childhood to the tha delight of everybody she Is no minor detail in the most beautiful of all processions professions process ions and great costumers give her frock due consideration also her hat bat and the other details of her finery with what lovely results her clothes are thought out appears in the picture above this little maid with pale gold curls wears a model by becker made of shell pink taffeta in a design that transforms tho the little wearer into an animated flower nothing could be simpler or more original the frock Is of shell pink taffeta with a long pointed waist and short puffs for sleeves the full skirt flares and Is made to stand out at the bottom by a cording covered with the silk it is merely a deep ruffle the floppy hat has a crown of pink taffeta edged with a ruffle of pink hair braid and Is wre wreathed thed with little pink and blue forget rue me bots nots it Is worn at a saucy angle short silk stockings and delicate pink slippers finish the dainty costume among the blossoms in the rustic basket appear some like those which the bride brida chooses tor for floral decorations in this case mar gueritey gue rites pink roses and orange blossoms another frock from the same saing designer and made tor for the same purpose is of fine soft batiste it has a scalloped edge at the bottom with small flower pattern above the waist la Is very short and decorated with eyelet embroidery the sleeves are small puffs with scalloped rumes ruffles of the batiste having fine val lace set under the ruffles in a trill frill this frock la Is worn over a pink sill silk slip and adorned with a big rosette of narrow pink ribbon at the left side of the waist f p N forerunners OF SUMMER if you ask the milliner that important question which she has been called upon to answer so often what are they wearing she may answer everything ery thing and speak the truth it there was ever anything in the way of materials or trimmings used in head bead wear that has not reappeared in spring showings let it be hoped no one will recall it not a thing Is conspicuous by its absence and the seeker after new millinery has too many things to choose among there are hats bats large and hats small and they have arrived to stay until the close of the season these are hats in between but tho the wise milliner might hint bint that there Is less lesi dist distinction iric in medium than in extreme sizes she will be sate safe in recommending wide brimmed hats for either street or dressy wear and she should warn you against buying anything simple unless it b be a sports hat bat for the modes demand elaboration two midsummer hats bats with flounces of georgette crepe over their brims are pictured here they are destined to win over the severest taste to io their elaborate and fine style the hat at the left is made entirely of crepe over a framo frame with brim wider at the back than in front atwould it would be quite complete as a hat without its ruffles but fashion says flounces so there ure tire two of them that softly embrace the brim there is a band of velvet ribbon about the crown with an bow at the front this would be the prettiest thing about the hat it if it were not fora for a bouquet of violets and roses rosea at the back the hat at the right Is a leghorn with facing of crepe chiffon flounces of crepe veil the upper brim and a of roses and buds springs from the crown just to show that she can add something more in trimming without having a bit too much the designer has looped narrow ribbon over the brim at the front and back and midway between |