Show FOOLING THE TIM CAMERA S kildall y P painted al anted races hay may deceive decelis the lenses of the I 1 0 new york sun some at 0 our zirla are learning bow how to 0 be photographed b 0 P bed b beautifully and trickily i ki k i IL afave As ra Y you observed and won wondered dy ere d eaid d one oneff 1 I the most celebrated of the camera men bow how well the actresses manage to look when the a eye ye of the cimera camera is focused on them well I 1 can tell yon you how to do as well as they do first choose an artistic photographer ko no matter how much yon yoa know about what you want and what to wear there are matters 1 etera of view and light and shade for or which yon must de depend aad absolutely upon him bat but he wi not be able to tel tell I 1 you bow how to make op up your face and will probably object sweepingly to any each device that is where be he is mistaken if 11 he were wise be he would 1 know bow how to pose a girl and then with whit bit ot of white and a bit of 0 black chalk make malts her lovely tor for that view several of the new york photographers do this now the stock pose into which photographers on general principles put victims over whom they dont intend to bother is three quarters which is an abomination to most faces there is small chance for expression the eye gets no show at all and the her contour of the cheek which is 11 seldom beautiful ex except Z c t in lu I 1 children is betrayed yon you w will ia fi find n d they ey have a to 1 ah positions I 1 have never been able to discover why there is a tendency to raise one eyebrow higher than the I 1 other or look cross ey eyed e d I 1 but it ia Is bis his business to look out for or that and stop you it your features begin to wander around your face ace now ia in painting p ig a face tor for photography the eyes can safely be made up a great deal put rat black under the eye a only on ly dont let it be just one heavy beavy black black line shidow shadow it t olt oat oaf softly aly blacken the lashes as ranch mach althey as they will stand only dont let them be lumpy increase the apparent length and sweep off tha upper lid by w which hi A the size of the eye la judged with a line continuing the line ol 01 the lashes and a parallel one continuing the line of the crease that sh shows owe just above when is open draw these those only aa as long as can be done without t their showing as lines an actress obtained a clever picton pic 11 1 r in in which the effect of very long 11 lashes 1 h is given by lines presumably shadows brown thrown by said lashes painted above the a eve T a just under the eyebrows your you r lips ps probably need painting jute an 1112 improvement upon their own 6 hips da do it softly and with vea very faint red red takes black loo look carefully and you will trace a hard line about the lips of many actresses photographs sometimes you dont need to look carefully it if you want a dimple to show specially 11 Y youcan you can heighten its light an and becis al shade a little but unless your photographer poses you BO so that the device does not betray itself the effect will bo be a failure having thus accentuated your face dont disturb its arrangement by a smile am ia or smirk or any oth other er gr grimace I 1 mace of ali er prea sion when the lens tens ia a opened on you yon otherwise art and d nature will make ranks a hopeless meso ol 01 your features but if you have planned an expression tn in harmony with the makeup make up eave save it till th last moment the operator is bound to grip the back of your neck with bis his monkey wrench wretch and if it yon you bang hang on to your joyful emile smile all through that ordeal you yon will get something dem onale ic and wild to send to Y your our friends |