OCR Text |
Show "1 fiSICSIOSJClOllS I fob wsm 1 But Ancient Emotional Melody 2 Proved Too Much for Even LW Hardened Director B Movie directors are groat helpers M in atmosphi re. Som r th H thai motional scenes raiwot bt fllmeti 1 Without the aid of music Director, H Frank BorzaRe, who handled "l.'un:or-l fH esque' coming to the Alhnmbra Th-n- day for a five-day run is of (his ti H Some of the scenes of "Ilumore.squ' H are laid in New York's Jewish Quartet H on the East Side Morzago accordingly! brought a Il'-brew cantor and his clvir JJ tu the studio The director jiroparocl EfV shoot" (lie episode In the picture1 J K i hers the musician hero i- and Is told 1 that he will never be able to play H "Give us some Bad music," ordered Borzage 0f the ca'ntor. The Hebrew choir struck Into the, v.eird strains of "Kol Nidre.-' H Now Kol Nidre" is a famous lle- brew melod) - the mosl emotional ever BB v.ritten, some musicians say and' its !JiV beauty and heart-rc 'iding appeal arc well known to anyone wno Has attehci-. attehci-. Of a synagogue. The players in "llu- moresque became conscious of Its er-j facts immedlatel) Vera Gordon, play, ing the old mother, wept real tear-. Gaston Glass, the hero, s emcd suddenly sud-denly to have lost his lust friend Given the electrician Inoki .1 w n -ln-none ani the camera-man forgot to turn the crank. "Stop It!" shouted fcorzago to Hie musicians and even his voice was a little lit-tle quavery. I want pathos but I can't afford to turn th.s place into a' morgue." So the choir played "EM Ell." a Ghetto Jazy tune, Instead and Immediately Immedi-ately restored the smiles to everyone s cheeks. |