| Show i l a. a s 1 d i FURRED HATS IA TS TO THE FORE LACE HOLDS I ITS OWN ct j ALLOVER rv 1 1 1 1 1 1 1 1 1 1 1 1 1 1 9 1 1 1 1 1 y V a r f Y t t t. t ran 1 j 1 7 i 4 fT C f a 11 bit of t. t feather or via ft a touch of fur French milliners are conveying cU cUe convey e t lug ing to a n world wide clientele u a convincing message of chic swank or st style le call it what I you will The Time little cattle trims of the now bear benr slight I resemblance to the ponderous feather embellishments of the yester yesteryears Feather effects BUC such us as impart a beguiling touch to the modern hat are brief brier and anil to the tee point The little and novelties which stylize th the modern modem hut hat leave len much t to l the imagination which which bespeaks their art Included In the feathered groups ar arI are I just such artful models as the hat shown first in the above picture Inthis In n tills this Instance pasted lasted feather motifs arranged ar nr ranged at nt each side of the modish rne brim sound an nn attractive color note To the right at it the top a multI colored question mark feather accents acE ac cents one of the new long long back brims which are so featured in the latest Intes I models How eloquently e expressive Just on one wee feather featner can be Just a single tiny bright quit quil on the upturned brim of ot the youthful felt hat centered a at atthe time tile right proclaim i a 11 compelling st style Ie touch for this hat E EAr AP Ar to fur on the chapeau the story story Is fascinating as milliners are now now no telling It Most of the tile furs used am art the Hat flat t type pe the sort which are as as ant easily eastly manipulated as The en ens Idea calls for or hats huts which repeat repeat re re- j I peat th the fur of ot the coat or of the tile fur fur- I d trimming on the cloth coat or dress Per eX example mple If it ones one's new winter I coat Is r beige e there could b be it if 1 L i e j x t I f I I New Millinery Contribution Contributions I mode Is in no nu way lessening t the he en en I for allover ullO lace as us a me I for the tile formal forum I dress Jinny Manny of the most nI ravishing dine cline dance dunce und and opera gowns of the season are lash honed lonell of lace Ince i I IA IA A characteristic feature about lacIs lace lac Is that thaI It Is sunk lent unto Itself When a n gown own is ma made e of la lace e. e in almost ev everY every ev every ery Instance If it Is made just of lace luce face Iare challenges es the designer to achieve e beauty nn and st style le distinction through cob colo and I lines II II cs without resorting resorting re re- sorting to superfluous trimming df dc t tails nils The Tile success ess of this theory ot of using lace Inee and lace only for the gown Is charmingly Illustrated by the model pictured below The file modeled model d sll of this dress emphasizes trio trie effectiveness eness of lines Its It's midnight blue Coloring also gives ives it Ir distinction and con conveys cons s 's a n message of Its lis I Frt French rench origin for in Paris Purls the vogue ogue lot for dark hue such as ns dahlia Spanish red maroon dark green and brown for the formal evening gown Is outstanding Many l a n lace frock especially the the formal afternoon t types Jes sponsor wr grace i 1 iCal ful Cal cape effects which clip dip at the hack Another Interesting detail l Is MIH bo- bo ip 1 f ac I At Y r f y i as i 40 L A Aas I Y r i I i e V i 4 1 fv SN fd ir I s v I s I Beautiful G Gown own 0 of f Lace Lacer I nothing more fetching In the WO way or n abat bat to wear with It IL than th the vel velvet er and and model to the left center In this tills group The exquisite rhinestone rhine stone and Jet ornament adds a 8 final touch of elegance The manner in which this fur Is IntrIguingly worked ed by the milliner Is characteristic of that which Is s being so constantly emphasized this season A clever study ii If r white black and Is ts achieved In the tile hat an nn jf pf 1 white cur forming an arresting arresting ar resting back trim on a n quality kind black sol ll JI The Popular Lace Frock The lure of lovely ely satin net moire taffeta velvet metal cloth and und all the other delectable weaves which contribute to the glory of the evening i f. f i Jer hero A sleeveless lac lute lace gown Yu tt mad I with a separate bolero of tile the lie same I lace Is well worth wurth considering for It U does double duty serving saris sans the i i bolero for the most formal e culm or OC j I caslon Adding the bolero it is trans transformed transformed formed Into a ft modish costume for tor for afternoon aft nfl afternoon bridge e a or matinee wear I The Time call for higher Is merby mer met merby by Designers who ad advocate wearing a 8 narrow nanon belt with the n fitted tho ro rut tit he- he princess frock fruck With the lace Inee frue t s stylists suggest t H a wee pelt belt m made oJ nl velvet n accurately matched to the color of the frock with a guttering glittering buckle to fasten It Frequency th the er very narrow belt Is made of the lace Itself In quite a tailored way being neatly and lined hued to give It II firmness JULIA BOTTOM LEY fIEY Q G 1929 un Western Union sc e |
