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Show "Rudolph & Adoph." Mistaken identity has been the proline pro-line underlying theme of the French and German school of farce and farce comedy for more years than one cares to remember and yet It permits of sufficient suf-ficient variations to establish and establish tiiinly :it thnt a number of American and English farce comedies both musical and dramatic. Success Suc-cess has perched upon the box olllcc of many of these attraction! One of the most conspicuous examples of this Is the muslcial melange of "Iludojph & Adolph," by Mr. Cluis. Newman, which, under the direction of Messrs. llroadhurst &Currls, has had an unprecedented un-precedented success during the past few seasons, its humor, Is bioad and clean; the dialogue bright and scintil lating; the various scenes delightfully grotesque, while the accompanying musical numbers have been particularly particular-ly "catchy and whlstly." Of couisc, as It Is to be expected, dialect German, when incorporated in such a musical farce-comedy, adds much -very much to the fun of the situation. This show.ln its cntlrlty.as endorsed by the press and public, will be seen at the Thatcher opera house on .Ian. 21, 1!W and ought to prove a treat for theatie go'eis. . |