| Show 1 A Bv lip ChAIR Florence C Roberts s HYI-s W y r L 0 theatrical man managers agon cry among of Inquiry The fhe today Is one 5 rIll and producers commercial generally year a yet 5 While over J. J have havo improved materially no been Jeen ago there thero has of the tho theater theater- gain In the business s Ira has that is its the thO aggregate Increased lie rather than thun beneath tit the 5 decreased delve comfort to nUl a wo It Is a for there thera proposition encoUragement t decided that tit the find the th most In brief that met we learn have me there class caSS amuse oats result whit while higher with exceptionally have an and mediocrity hundreds e ot trap clap that sort o ot so 60 little of at that purveyors Th There managerial succumbed one cod thing havO and a good an gore audience the ear car an always alwn's that bea bears offering taste for aft and good art Ian high of inquiry parks markH this cry or of pub pu Then why wh the tho Amera that lIt r enough h her It IL plaIn l higher established a 0 Doesn't 1 It tic has to talloW follow w- w the lit for the moving spa l i clear that h br peem pho the thO oilier or of other a perfection countless declare c I t and the thO E whist moots menta that ne manY t have little tr to thC uro plaInlY t Injured tI have The Tho the case ca i do with f prove ro C oV I leads lead to the question discuss which r I All 11 of been to American that I have huye What does thOn tiro thO it ver can I 1 most need neel actor acton No Not 7 11 theater r words wortis Better splendid artists t two VU In some not enthusiast we V e have that we that ou QUI u o i J I 1 believe tarot that a a. have haVO today among I leading people as good rood actors and more of or them than at any time h in our we history It is unfair to say ay that wo havo o no Booths no Barrette Barretts no Mary stage Andersons on the tho contemporary could be e no such actors for There methods have havo radically changed In Inthe Inthe Inthe first place we have havo among our the no poets to Interpret was as all Important during tho tiro th Orator Oratory Booth Anderson sway swo The Tho of today offer no such opportunities plays and If It for flowery y verbal nights lies ties were so 80 con constructed tho the public they Personality have havo none nono of ot them would and the power r of su suggestion grace race leading necessary attributes of ot are the successful artist of today to n Following Following Fol Fol- the in the tho wake waIte of our lowing are ore realists r couching their dramatist briefly and plainly and leaving lea leav thoughts much to tho the am i Intelligence nt gence and power power pow pow- ing In suggestion of the actors Pantomime Pan Pan- er or of tho tiro acme n of of ot dramatic art alt was never so highly developed as In this day da present is the rank and antI file filo or players play Ilay- it But must look to There Thero IH lIS no we wa ers er that endeavor where there is more moro I Held of allon Under our present present prest pres pres- room for tho o inn actor a Is allowed to ent cat system 5 stem wild ower If It ho he Is 16 fortunate forthan for tor- i grow like enough a u h to cross crOSH a 0 desirable rose roso r rather rother I Ithan than te tea weed weed he becomes desirable pis but I Ithe than a are against him it Is a the chances chance nto one at least that his early c-arly to must hundred where hi his hili training must lot is thrown wn and ho lie acquires had be bo all wrong it takes years years to eradicate habits Continued that oil on l 1 lugo ago eo Three r L- L A COLLEGE CHAIR OF DRA DRAMATICS fr from Pago Ono OUo nil all Important is Earl Early environment then what is the remedy So savo ours has Every Evory other profession preparation opportunity for tor or adequate tho the thousands with that thal It seems to tu me and women at attracted attracted at- at men of earnest young the tho groat great to a tho the stage stae country countr career caleer should add colleges of their curriculum How lIow art to dramatic approve would willingly many parents daughter for a son or u lL a a. stage career assured of a 0 preparation is the they were and systematic con conditions conditions' con cOn- under wholesome do not net know And we VC who their hesitancy in of offering or- or for blame blamo them thorn existing fering Cering their approval al under circumstances tance needs schooling He lie needs The Tho young It badly actor und and for tor or want of or it it and amid hopeful aspirant man many a promising pitiably to honors has gone one for or stage remedy this can Our college tho time bad when whon has hns como come the time lime I I It seems to me inc must bo Va generally recognized I tho the stage serious profession proCession The a 0 great brent and as discriminating becoming more moro public nubile Is It demands the time titter otter year In ing year car from Its culture an and adequacy highest entertainers The Tho college can an supply t them hem |
