Show f. f P PI I JJr J- J It Jr PW V t rl t I IV i. i r J t m Ij I Me t. I I t. t i l I ot 3 7 J i t. t Ir and Over Overskirts skirt sIr s c t G Chiffon Violes and Light Light Are Ar Seen een in in V f a ious sous 3 W Bro Are u 4 t 1 F Forms M Many L Lately ate 1 of I on any Lately y 4 r. r Favorite rl M Materials atena eXRa 1 S sor f for v vt j Imported I d Costumes C t Dresses i Afternoon I h. h IS is IS tl the le D Day ay o 0 of f S Sue Sue- UC- UC j- j i t. t 1 Gold and Silver on Cos- Cos j Made Madeo f r Q l G. G I J tames e Intended d d for f or 01 j ir ov oV ns W ns i w iF f i a f a blue season season as this i is s r N looking about Now w York alt at al places maces t wh where ro fashionable women foregather fores-ather at teas leas an and dinners at dinners at the 1 morning musicales at the tho UIO Waldorf and at aL the the Metropolitan Opera house lve Ive I've 0 bo been boen n impressed b by all tho the blue suits blue r gowns ns blue hats Ive I've seen worn t. t ji 4 The Tho Duchess or looked r ff really cr very well one night In palest ji r blue gown gown gown-a a a gown so moonlight ht l tale pale al that scorned It t almost white and beside 1 l her was a n well known n woman all In pea peacock ock hues from slipper to aigrette And eo so It runs the gamut amut of oC this color all all tones lones all sha shades cs but hut with nearly always Just a sha shade e of oC green In It In o ll the c mo Zue is 15 cr very much to tho fore If Jr you dont don't see whole costumes cosy cos- cos y tunica of It H a n note noto of or it will often orton appear ap ap- p pear at In little waistcoat or c cuffs s. s Frequently Fr hats hilts laden Jaden with plumes of or a n dull green blue are oro worn with lUl colored tI clothes Truly hapis hap hap- p py is the the woman with eyes ces of or heavens heaven's own own blue blue- for she can successfully y year wear n a color fashionable and at nt the tho same samo time becoming The possibilities of or charming after after- 1 noon noon gowns gowns are arc cr very great groat this year car f r All tho softly falling lines an and trailing of or ef effect effect ef- ef skirts m make kc for tor f ct with lith but little effort on your part 11 you are nrc blessed with a n dressmaker ith an ln c eye c for line lino and a n discreet hand gaud In the tho use of or trimming Materials are Ire just jest now so lovely 10 In themselves 1 so o supple and falling easily casH into d delectable de- de folds that much trimming seems seems quite superfluous And yet ct you oU often oCten see all aU kinds of or orI I materials materials lace laco and chiffon chUron silk velvet vel yel- vet cloth ond and even fur fur alL combined In one ono gown with what seems a n. reckless reckless' rock rock- less less' disregard at 1 for congruity but often w. w good results 0 l al' what makes It this 1 such ucb I taale c. 10 bring V tv lr 1 Vt to duto 1 N OT 1 modernizing a gown Sleeves which so often n a give tIvo riwa away of or the ago of or a n. dress are nrc Just now things s of caprice and ana almost st nn any t eccentricity goes gocs You can cnn casH easily r r have have- over o-cr sleeves of ot net not or 01 lace disguising disi dis ds- i guising ul the tho original sleeves or you ou can discard them altogether having sleeves slee I of the same samo material as tho the yoke which probably contracts with the material t. t of or tho gown own t Ev n skirts too short for fOl the present mode of dragging draperies need not nor vr prove vc a a. stumbling block to the success p f of your our over made gown Iown There are art oC or lengthening them various ways Br Broad d bands of or satin Un and velvet and ln i p. p en fut are still footing skirts and andI wide Ide Insertions of lace laco arc extensively eJ used on lightweight materials I If J you were ha having a a. anon new skirt kin made matle i you ou would mould probably have ha It cut en one r l jY j Y r. r v y r I t c Ic rJ n 1 fi i P 4 Li rE r 3 n 1 a 1 1 ft ij i 1 1 r i L t k C t t r 1 1 t t 1 f r I i I A Aj t j 1 1 f j. j r tY 1 V rt of r f y t d r n 1 I f I I 4 p A. A y r 1 n 7 if t lUy S n na lJ a t 1 tV t l ji t I y f tt I f 1 It M L 7 I S Y i i 1 1 I a r t I t 1 1 G n r 1 4 n 1 j jI I I l F A Gracefully A-Gracefully draped drap drape J ed gown of ot ll v green satin faced broad broa cloth combined com com- com com- with filet lace fact lace i I and elaborate s II silk 1 W lot 1 J t v v vH H II Sl ulI y yf y- y H f V l oVer made cr c 1 v cloUt The lace is ia r J used to lo lengthen th-oI th ip- ip J the skirt t oi t t. rt f C Rosa Roso colored I l t f silk with an ln y lual Inal overskirt and rid it IC if t charmingly design design- 81 n wed i w cd ed sleeves j J c cD It 0 7 1 I D n Blue chiffon t it x 5 S voile oil 0 w with Ilia loop v tucks lucks on on- l skirt W j r taco laco in td sleeves r J 15 Black E-Black Black and whites U 1 l i. i a fancy silk is used d s t l t. t f for tor this s 2 a I dress A touch oC or green green r Is Introduced la in the thc cording i I I r rt I I i s 0 x 3 1 f i 0 t I f h 1 r t. t 4 t pf rr the e circular no ell but bU Plait on kIds are arc 8 seen eN So o yOu w wear at j your our last year Oeal years year's plaited skirt with a n mind at rest I While lIto most lost ll of the French models els show very vury high collars curving up bo- bo 0 0 hind the l vurn American women have hu come l. l to a tc rd tardy appreciation of or the charms u of urless col gowns and anil are aro m tang many nr of ot their thell dresses Intended intended In- In f tended for tor afternoon Wear r nr slightly cut cutout out In hi the neck With a a. picturesque ue hats hahl tho they boy look Jool very ory well A touch louch of or gold or 01 slier silver either cither some fit of those delightful or orthe ortho ortho tho the laces run with metal threads do much toward giving to your our gown an to th to tip air But these glint glint- hiding trimmings should be bo used user with the greatest tact They sp speak ac In such uch accent that the are arc apt to call attention to any weak points In hi your t. t costume while on the other hand they I emphasize an and adorn a well draped d fold told or 01 cleverly cut piece A pale paJe yellow chiffon dancing frock tr quite past its ita usefulness 8 by reason of at Its torn tone and frayed ray hem and danced danced- upon train wa watt wal made over Into a D. charming afternoon dress dreas by combining I with it a n lace laco dross dress past its It first freshNess freshness fresh fresh- L. L ness hess and some somo now new vel o velvet velvet- The un- un I of ot silk was In good condition 1 n t except that the ruffles ruma at nt tho the bottom needed renewing The waist was vas well wen cut A wide Insertion of ot face cut from T he skirt of the laco gown was set seln In at ot the knee extending to tho the hen w where ere It e ended In n a band a-band band of deep yellow yellow yel- yel low low velvet The The same lace was used on the they y I waist veiling the top lop of ot the s short lorl oh chiffon If fan vo That rhal most difficult teat teal of ot successfully successfully success success- success success- fully tully filling In the tho neck of oC an evening g gown was accomplished with tucked chiffon and antI lade lace Yellow velvet ribbon ribbon ribbon rib rib- bon laid over the should shoulders and extending ex extending extending ex- ex tending to tu the waist concealed tile the edge of or tho the yoke oe tho bolt tho the ends of ribbon hung hunS nearly to the tho floor being knotted knotte carelessly once or twice A bow knot of or gold ribbon with ends entIs finished with gold sold tassels tassels was placed on the front of the cor- cor 1 sage You may lay see tho the result in figure figure fig fig- ure D n I While tills Sown gown was ma made mado e of or materials materials ma ma- not cheap the same Hilme effect could bo be gained by the uso use of oC comparatively Inexpensive stuffs It If the use uso of or wide lace laco for lengthening tho the skirt were not possible narrow insertions with han bands 8 of oC material between might ht be bo cm- cm lloyed The same sam Idea could be carried car car- carried ried out in tho the waist velvet ribbon still being used us on waist and au skirt skirl Th There re Is no doubt that tho the day of the draped skirt Is near at han land hand Tunics an and are seen on many lately latch Imported models The rhe skirt of lon long and trailing lines which followed tho more or less loss abbreviated ab ab- ab and plaited skirt was vas bounto bound boun to he bo elaborated In And nd tails the tho overskirt does If constructed constructed constructed con con- by a a. deft hand and worn by bya a slim woman Cut But what fashions are not created for the tho woman of ot slender lines The rhe old oltI cry goes up UI from the wom woman n of or generous generou proportions Nothing Nothing Noth tn ing for forus us to w wear ar t i In Paris there has been a rage raga for tor forI I 0 chiffon eh on of or dark color worn drawn dra loosely around the tho hips and knotted In front tho the ends hanging Invariably used down own These were with dresses of palo shades Is this a abent hint bent of tho the coming comins- of the time old-time polonaise Neaten Heaven forbid l Then Thou might the woman oft of too loo too solid flesh llesh lament But Dut before long Ions I am almost sure s wo we shall shan all nn bo be walking In a D. flutter of at o over over- er- er skirts At t present the they ar are long in lit front and aull back and cut up Ul high at lt tho tiro wide side Hl e. e Or else elso they tho come only to the tho knee In front gradually dipping to tho end of ot tho train traits In tho the back A varlet variety of forms torms ma may be expected lator later In tho the s1 sketch marked A AU the tho usual order of things Is reversed laco lace being being- used for tho the un underskirt the broadcloth overdress lifting In front to show this elaborate underskirt of or lace Tho The draping draping drap drap- rapIn rap rap- In ing of or this gown sown Is hi quite a study In Inharmonious inharmonious harmonious lines put but ut let no ono one be bo deluded Into believing it possible impossible of or cop copying b by an nn ordinary dressmaker ItIs It ItIs Itis Is tho sort of or thing thin that should be he attempted attempted at attempted at- at tempted b by a a. master hand only The careless adjustment of or ono one fold Cold an and the tho effect of or tho the whole gown would be he spoiled It Is made mado of green almond broadcloth broadcloth broadcloth broad broad- cloth pf very very- light v W weight an and satin finish The e edge ge of the overskirt Is ornamented with heavy y silk In shades of or green touched with dull duB gold thread The sarno laco lace is used for tor underskirt and bot bO bordering dOring for 01 tho tholow tholow low flat yoke 01 6 of tucked tulle tulle tulle-a a laco lacee of oC mellow old l hor Ivory tone A bit of or It peeps from beno th the tho loose draped sleeves J noon Afternoon Wear Vear tx an I Up to Up to Date T Touch ouch i v J Quito Quite another form Corm of ot overskirt Is shown sho In tho the uro fi-uro lettered C C. C This is made mado on a n circular skirt model banging hanging bang bang- ing lug low in front and antI heln being cut up high at t e sides shIes Although this dress dres hi has tho the effect of ot being cut all an In one In r t. t the skirts tn ami are sopar- sopar atc Only at tho the waistline there there- Is no licit belt trio sKirt start being without boning nn and wrinkling softly where It curves cur up onto tIle the waist thereby losing tho the f t effect of ot the joining t There Is hs a Do of ot dress gf last summer hi In the tho with Its lars largo armholes The The lint Hat y yoko ku broken by the lace lacu c nd nd xi w lino IIno of or satin nearer tho thu ho ne neof of ot the tho important features of pf f this winters winter's win win- tor's tors smart gowns The sleeves Iee arc made on a a. charming design the upper part of ot tucked chIffon chiffon chiffon fon tho the lower part of or lace Ilc dyed to match the tho ruse rose color of ot the tho silk Silver ribbon caught with silver er balls halls edge tho the laco lace on either side and and- an ane l- l there thoro thoroIs Is a hint l of ot silver or In tho lace IncO used on the yoke yoko and on the tho band a I o I overskirt r I Voiles Valles have reached a 4 a p rr lion tion In s and aull of It Ity and amI are arc not lJ by an any means high In price 80 some of lIr them are arc so 0 airily woven ov en un n that they ml night might easily be mistaken for tOl chiffon cloth and chiffon voile Is ia not a a. misnomer These voiles olle ma make c l' l attractive 8 go Ko ns for tor occasions when more moro ate atu materials would be bo out jut of ur C co and hold th then their h own summer and winter win win- ter A 1 I smart little gown sown of ot voile Is pictured In the figuro marked marke D The Tho skirt Is Imply simply made with deep tucks The fhe waist has bas a yoke yoko and hangIng hangIng hanging hang- hang Ing sleeves es of ot lace Inca buttons covered ered with lace ornament the tho front and center center contor cen con ter tor a bow bov of or silk A plaited frill of ot Valenciennes lace lac e extends around lh this the yoke yoko und under r a ri shaped piece of ot silk the same s. COlor as the voile volle Th There IB hi a a I. I sh coil of ot lace face i T 1 On tho the waist tho same Bame trimming I IOn Is ls Is used It appears appealS In the tho front coning l from under the arms and ancl ending be be- be of mo Wont fore tore It reaches l the center Above th this Is is another shirred band haUll which points down 1011 tho the front of or the waist in a shallow V and continues continue over O the tha sleeves Above bove tIlls this Is a band of lace which follows th the same line Hue 1 and outlines the yoke yoko of tucked white while chiffon The sleeves aro are of ot white while chitton chiffon chit chit- fon ton long IonS and wrinkled ending at lt the wrists In close cuffs cures of or lace The Thc belt beltis is iN of or softly folded silk t I r rr z r r t r o R i Y I fir 1 t tY i. i r f O 1 I I I i Ii k j 1 Q o l lo r E Ek o 0 I O Ort r t rt p o 1 I I 1 all 6 C c 0 4 1 r 0 c r n i 0 Q 9 i L 1 1 it 4 iA N f SC VUU S t 1 th the windows window's scant ul recess Behind a pink geranium flower flower She the site Kits and anti sows ew anI and sews and nOli j sits rom iTom patient hour hou houto to patient hour As s woman like as marble lo Is Is Or as os' a lovely oly death might might Uc A l marble death condemned to JUnk moko A feint of or Ufo life pcr perpetually Wondering on I 1 watch to pit pity 3 hUl hur het M I 1 go my restless WU ways way Content i I 1 think t the tho untamed thoughts Of and solitary da days Until nUI the UHf mournful dusk dual begins To drop upon the quiet street Until upon the thc pavement far flU Th Titers There lO falls taUs the sound Joun of or cowing coining feet A nappy happy hastening ardent sound Tender as kisses on tho alt air Quick as If it touched by unseen Up lips Blushes the statue there thoro And woman woman like as young young- life lito i Is Is And Anti wo woman an like 1118 as jo Joy be Tender with color litho lithe with lots lov r She starts transfigured sun gJ gloriously rl I Superb Suparb In one transcendent ller eyes ces r see sec aro arc burning black black- black M My HUlo neighbor turn And Ind throw throws my l masked pt pity b back I l wn or Is th to sit sew from rom hour to 1 bour- bour ur- ur 10 Tu tit lt It and antl sew MW of oL blade black J. J a pink go r um hewer r rr Ii I i |