Show t I 2 1 if r j 1 c. c l j c I i. i J J Z f 1 If IC there is s one oue part paiL u o of tho wardrobe more than another that 1 t i 1 delights Uie Ul feminine heart it lit i 1 is the J y l evening c sown gown own Evening gowns are so feminine femi nine so nine so frankly I 1 1 b frivolous olo olous t. t cic e things thing's of froth and sparkle pakIe I upon 1011 which fIlch I we can cnn lavish 11 flu all I the tho sternly sternly- eliminated d from 1 our daytime c clOthes thes Wo We move move-in them at of silk am nn tn satin saU to Lo the musical nJ swish ou and linings P Anti And I really consider er thip evening gown of or Lo Jn today a thing ot ut 01 beauty If IC perhaps not a JO joy jor forever to For It R l 1 day isn CL 1 of or wide latitude t I In III dress whon It you OU have 1 t style Lyie t c of ot your Our own OWl It ht can be lie consulted with the tho most results r UHf If Ie you OU so pO O in lB for long Jong lines liUNI wHit alternately clinging anti and lUll floating 5 draperies then thon 1110 tie nJ modified gown sown with draping of or C chiffon or OJ some ollie similar tl I a m material gl gIcs cs artistic Sic effect I I If ft your ls c I a a. l. l good ope on then the plain close fitting fit close HilS' HilS skirt of Ut su satin lIn t I II- II ing and worn With Uh on only i the thinnest th t petticoats the waist list 1st touched ll r there with lace ace and aUlI PUIT Jc trimming Is the The styles tyll's arc nN diverge Ie sc Iud and yet el either Is smart un and correct j I Gut lineS hInc lines lines lines' Thc They are the alJo above tJ all nIl others to I he kept In ih mind The material matters not so soP o P to 5 much lunch Uie tue color olor no snore more If IC the linos lillOs are aro but l g-l good croud od Happy Happ are arc you if Jr you OU possess a ft dressmaker who Je realizes alle all and J in n their first st importance All AU the ihu gowns shown in the Illustrations are ar from models designed b by past masters In hil 11 chit he art or line of-line so so to speak h chose ell With Hh tho HJo thought ot tho the po possibility of their being copied copied- l' l save tt ono III in inexpensive ma materials nia- nia I Ieria they hn have hao C a l distinction of or effect ef c- er- er feet feel which only n a designer who Is ha also Ut artist can gIe 1 Shades of violet are ure worn at all aU hours of oC the thc da day ar are arc also alsoS much in III C evidence co in the evening o In Inthe S th the sketch marl marked C we wc have several soy sev era eral Jal shades CS of QC qi this color worked Into ono one no sown o n Made cf or chiffon f fon vu cloth JoW in a delicate ate shad shade just just the shade c of ot th thi parly marsh jt It it has lias a bor around the s skirt of panne velvet of a decided cd violet al almost almost al- al most a n purple 1 This velvet j is else also SI in introduced ii tro on tho Un waist forming forming- tho sleeves over and outlining a n sur effect of chiffon hi on on the front Cont An n n OJ a to r- r 31 a L I r rt t I I. I j 1 i j J 1 S I L 1 V I f l f UI I 1 I 1 I iI 4 9 1 I L J 1 I I 41 t 7 i I jj i WI t c I t tU td d U F J I i 1 sic iJ 4 H B Bl l I IE 1 E i r w it L U J 5 rI r. r A I 12 t COM 11 O noe- o 0 1 J v r c II il ilof of uC Jl hinie of r YH- YH lIk l Ion Inn Y 5 Orl II C I t of ur limed Ined i nithi Old I Int IHM- IHM and HI of tit f Ap- Ap H III hIM Ph of or Dull VIII f Shi II vor ver of PU In various vat vari Otis ous shade shu c of purple h heads ls l Urn tIie hand band around aru skirt aid th these are IO on un the v on the thi waist t Lace e cs ruffles forming the thu un and a tt scant fall fall on iti tho the of tin supply the thc on only I other rim rim- on on hj hai gown T The c UC f fol- fol ot l' l o which which Is h surely this th wl s mudo nudo particularly par par- tic ii the gowns fet fet- on-il on or 1 D Dand L and E 13 E chiffon cluth of or pal sl blue was vas employed tl d 11 Ii 11 the dross dress keI keIu D a u. Uno silk shIk muslin that at IDo Inexpensive hut but tY lila li-I li IVe hc a an Hn ii good effect ct It is s a dress r i suited only to li il L t but a 1 of r girlish h outline wI w uhl look In h 1 it t. t TIll Th eu cut neck outlined tI in inline un line e white te monies I into n t c the shoulder hU HI lines hines of r sf which the sleeves cs arc are a l p part t The he QI O i IM h. attached Lt ut at at tt the line liB J JIn In front l n under el a n flower em- em f lc I in of or blue Above Iff P this aol cross neiss i s tin waist are tIC laid two JW shaped JI C folds Ir f chiffon cloth the tho upper one onu il J to Ic till the skirt l' l the tIll sill sides an and 1 lo losing ng il Itself IH among tin tin- fullness there lh The o e with n it wi will will- band of tin tho lace s out in u 11 l loose o wl wide t bo box plait directly in the center Of oC tInS tin front nn an arrangement a which you youcan oti O Olcan can MI aeu is quite quite- wave save for Cor or tho tho-Je of or slim shin This box jOC plait ef effect cr- cr e- e C feet ct is repeated Iii lii the back the tiC oyer- oyer skirt ln slashed up Ul to the waist line nt at c each ch side The rite underskirt is long Ions and full The Thc gown cown l K F hia has an J n o o of l tite effect for tOl in this tills case a a piece ploce of el d and luc lace luce- inserted chiffon is Is' l brought ht around skirt skirl narrowing toward the back buck and lapping over from Il to tu J loft Cl at tine one I 1 I S I I l I b I I I I I L e I D PrA s sI I I I 4 Side sido u. u t tile lie back Tin Tin- 11 closing llo IJ i Is lull rather rathel at II l' l rankly lItI Is IK Tho II underskirt ht in LII this Ilko tho the gown first described IB is lon long and full 1 is a of oC soft sort and anti in in- in lInes Chiffon and an d with lace IH hI rou h up train from the waist the waist line In front and hanging low n over in-er tin tin- arms firms forma the sleeves slee II 11 In units in the back hack un under er a n hIS bIg mow placed at the waist In front the tho chiffon chit chit- ton fon is 15 folded across tho the figure and a n valid band or of r embroidery m edges l the square square- cut Clit neck In apricot color wIth of pale paje bi blue no hoj-c hoj and tJI there lC ihl this gown Is hi l' l aJl highly delicate In both J Ui lIp line hue and color t t tA A le design au till the uld uhl petticoat s shown in hij- the tho sketch I etch H n Hut But a cr cry x-cry u it 1 to 0 slate date touch Is in the he kimono sleeve e and antI In Ute the artful wn way VILY In which what hut there is of or tho the waist nn and the overskirt ar arc aro rut sit in on one lh petticoat i is o of chiffon having 1 I I 5 t i 1 r 5 II 1 C 1 jl t r 44 is t 5 4 r S 6 I i f L c S 7 c t SIlk lU U U hi A G r r l' n U e c f r n a 1 I of ur Pale Pule Violet ii hh 1 Can CanInde nil au Inde Iule on Simple lle nell LI ns n.'s I Ii Trim Trim- I a ule of or I H N of ur Violet thc i C Vi E. llIn limy lall In J HI lie He Seen oai on or r erit I lh ill U us u.s. lou loi ornament I only a l few fe limply run Iun tucks at th the foot The rite over o ss is made of or silk both hoLh over o dress dess and under un der dress a Jovel lovely shade e of pink soft ott and antl delicate The flue belt Jell Is clasped In with an un oh old silver sll buckle buci unit and an all o of dull tutu silver 1 hOl borders CIS all un the overdress ox down own the tho fronts and outlines S the oddly designed waist Thu runt front of the tho waist is IH of or chiffon as are arc also niso the till wJ wide loose oo c under under un un- der sleeves I While nil till these gowns described are aro al' al dependent for their effect on out their hU hues rather l than on tile tho richness s of material j e the dress int inthe c. c c center centOr nt 1 of cut lr thu page lettered A is not unite so possible pos pos- sible sUIe ill a of copying in an Inexpensive c way 0 Of or course cour If JC you can cati your our grandmother or 01 aunt great to lo lent lend 1111 or give you s treasured bit of or old olti lace 1 a wide flounce of long long by shawl then then the Iho ta task k Is Jt- an easy one But If Ie your relatives us s-us either cant can't or 01 wont won't then lien it would bo be well to iii let this gw ft alone for oJ as my mr ol old dressmaker uK d to It mc say thu the l co c Iti IN the th making of sf It IU The skirt IK is 11 it plain one of primrose primrose- yellow liberty satin without tuck or 01 trimming Ihu Tho tJ of satin Sll tin swathed acro s th the thuc wal t and laid over n the shoulders shoulders' l I is of yellow V of a t sleeper deeper shade hAde The lace have put on in iii such uchi a truly striking way a Is yellowed ed too with too with witha a ag pp we Imagine although 1 even in Iii laces art lends aid to natum In a wonderful won won- wa Va way nowadays It may perhaps have hn had a rapid bath halh In strong tea toa But at nt un any rote rate It tones tom beautifully with Wit tho the rest test of or the costume Depending from tram the tho waist art are long long- ti 1 7 r tJ ss satIn a tin lin s I II ends cud of anti HIllI fringe Cold g In gol golden ln baths ball n gold cord also I- I bahl sway sway- from the tUe waist ait an tile woOfer In Ing each ench aC r J The golden L of tl out the Ue gown which the are an io o li S 01 hut but should 1 be 0 r ll witti Idl r r d bi biS I to 10 s cm w title r ro o E P r- r cut lo ever e frankly mOl nOtO S the entire J fl qt Its It's j I tl thiat t gl I that ruffles 01 or rill KyT trimmed ton Ion For Fa evening isare nr r iI what tutU and anti ami flatly I null quite Iw than titan there II isis is Is hot lIot Putt Oil 11 down and I O fn HUPS seem n n. thing II of t LIe J s. P-s. c. a.-c. lo It If there fl i is n 1111 ot n. H I JI JI gO c whit which does ulue not lIot cling cliriS' It IL I I is apt 5 to be at Ut the waist Jin h of Sometime Scott are l the alot 14 nurse S of or falls r amid dt vcr cn r to 0 lh C theSe Utes nh hH tire art nut BUt In s1 for fOJ frocks Its ItI I apt to be a u ca case case oC of you Ys your our mind mid you von talcot a your ir choice mom y sleeve From Front tho perfectly I JHUn C- C ends ll abruptly just JUH above o of oC lal which th- th elbow dhow through h th e of ed ell of or till tulle t ft stud null satin ve c r for fore U material ll h-ll suitable mown known and fry rv try e l' l War wear tho the dr dressmaker el seems In have exercised her 1111 ty to odd You VoLt cOIl can have l or long HI r hurt al although al- al sleeve big of or transparent sleeve t thought though h thit lon lung long till the to wrinkled almost whit tulle tuBe Is lit not nol en e n much on this thin r tips the h water walt l' l as yet vet sidi id 11 of r t evening gowns wn are arc apt to toU tob Skirts of ol ln a n suggestion sug sug- u b U b. fI very vr-ry long hong and amI clinging of or a paucity of show show- their folds If lC they are x Or f silk In Inc in quite as W likely as us not lot notto lotto 01 or sal 1 In thc they arc are to b La IJO little HUle trimmed but thin rita nia- tei he silk ilk nets and are arl ornamented or- or Satin with flat trimmings ban bands art art- still use used on iii on transparent but are arC applied high ll descending de do- UI up in its the skirt in front gradually s toward the thit bark rather than thon K st tl I ll in tho fashion Cashion of or last St St. S 1 Ol 5 1 5 rl l' j 4 r s q J 5 r I it t 1 1 I 3 t Z Zt t t j i I I 1 1 11 c Il i J i 5 I I t |