Show j PARISIAN T TAILORED ORED POSSIBILITIES POSSIBILITIES POSSIBILITIES' I B LITI E HJ j I The Parisian tailor somewhat unlike unlike un un- I like 0 h his Is American congener clai po whole realm re of or fabrics for his own But c a especially does she lean Icon to silks 3 nU 11 A c 1 tit 5 M aon jn le than ever Somehow or other the mention n nI I ut of tho the one usually calls caliS' U up visions visions' of I tho the other and from time Ume ImmemorIal Ial lal silk and velvet ol have been asso- asso I i fated elated for costume and trimming ef- ef efI I feels ct lOne One of the prettiest designs ns that has I found Its way vay from Parisian Paris ateliers to this si side e of the ocean oceon is that illustrated illus illus- illustrated wherein a velvet Jacket tops a skirt of dull dun finished sodo serto silk This latter Is a novel weave somewhat approaching a faille francaise In appearance appearance ap ap- ap- ap but softer sorter In handling and of excellent wearing qualities The color scheme of the illustration shows the soft silk skirt In a pretty shade shado of brown one of ot the novel no tortoise tortoise- r. r It shell tints while the short little little lit lit- t tle tic coat Is in chiffon velvet of a n. deeper deep deep- J er tint lInt This little coat incidentally presents some somo novel no ideas for tor the dress 3 maker Deeply pleated in the tho shoulder shoulder der del seams which seams which are alC broadened out with a sewed sowed Into the seam the seam the fronts are arc disposed after a blouse pattern while whilo the back is shortened shortened short short- cne ened 1 and a triple box pleat with fan tan ends applied separately finished with pendant ornaments Tho The sleeve is in three quarter length with witha a well stiffened cult trimmed 1 with braid like Ulc the collar and garnished s with Irish crochet The Tho skirt of the brown sc sedo o silk Is cut In ht the extreme of ot the circular mode the excess fullness being deftly deftly deftly deft deft- ly pleated and stitched down own over 0 the tho J hips to be released once tho the curve of ot i ithe the hip is passed The correct line at atthe atthe the foot is maintained in the trimming trimming trimming trim trim- ming which consists of an doux entre-dou e-doux e of ot closely pleated silk edged eds-cd either side with a 1 bias band In hi the time stitching of ot which h cords are Introduced Introduced introduced Intro Intro- 1 with excellent re results Those cords are Just barely stiff enough to keep the skirt from sagging but so flexible are the they that they do not nOI assert assert assort as as- sert sort their stiffness by any ony means in ina ina a a. hoop skirt fashion or intimation Poplins Aro IU Highly Ii hl For quito quite a considerable period tho the haute noblesse of oC GI Great at Britain and yf ot France have been lIeen wearing costumes made from the woven hand-woven Irish poplin poplin poplin pop pop- lin whoso use Queen Alexandra ot of England has strenuously advocated At first their extreme cost I rondo made them prohibitive to all but the wealthy but with their increased vogue ue and the strong demand for tor them that thal has arisen arisen aris aris- en on less expensive methods of or production production production tion have been adopted so that now nowa a woman of average means ma may possess possess pos pos- sess a a. costume of or this charm charming Ins Ins- colleen colleen colleen col col- leen poplin A design from Agnes of or Paris well Illustrates ates the possibilities of or this delightful delightful de de- and anil durable silk The color is one of those indeterminate green green- browns that fashion favors so mightily for tor autumn and winter wear A conventional conventional con con- design In lace lace u u recent arrival al in fashionable circles circle is dyed to match the time colleen poplin all and 1 this forms a shallow yoke and antl sleeve trimming The bodice t M i r fashioned ash fash h- h toned upon blou blouse a and peplum lines s the skirt carried up ul In its central panel over ovel tJ the e and ond little bu ba quine tabs added below the belt with wilh a delightfully chic rc result The TIle Tie skirt lines are aro particularly particular good s the time graduated panel down the center front making for fOl an effect ot of slenderness slender slender- nets ness and thu the apron eIT effect ct In which tho the side panels are treated proving pro a welcome novelty ell no Suggesting c the time Mannish 1 Model kl Even in U the dressier types of or tailor tailor- made mad there is a struggle gle between the ver very fussy styles that suggest feminine feminIne feminine femin femin- ine frivolities and the plain and severe se severe severe se- se vere style that strongly hints at th the mannish ideas that are arc U the e foundation Continued omi Inge ge live Five f F. F 1 l 4 r muni in M A I PARISIAN TAILORED POSSIBILITIES Continued Front PH Page KV l' l liner cr of ot lie plain and severe fie t type pc of oC tailored I i test u nits One of or the best of or the military mode Is seen to tn advantage In Ina Ina I Ia a de design II by of Paris Parl one or of I those French tailors who are capable i of the cleverest cJe sort soil or of compromises in III conflicting mod OK The coal coat is In a adeep adeep adeep deep shade of ur sapphire blue 1 the thO satin faced kind while kind th the lie skirt shows show th the same name shade I with green brown and amid a black satin sann over o tripe The TIll coat coal follows 8 th the form Conn known a as M Continental military Th The I collar Is of the stock clove and tight around the throat the vc t of or braided white broadcloth IK IV to I lot mill ulli up to lo meet and lo to match this col col- lar The fronts are alC rolled tack LacK the better to display the fall fancy C waist coat trims trines th the coat and A t. t bl 1 silk Hk c buttons arc are embroidered with wilh an anea ea laurel wreath lo to add to lo their Beauty The fife I Is a novel ut ut the Iho front and s rowing sio a aSas alas alas las Sas scam scum at al the c center and unbroken r r rii mil ii belt bell t. t to hem hem- The rho sides ar are clr cir ular in cut CUI the tho fullness increased by lIy byus us ie eo addition o of a circular flounce ap- ap J Iod cl with a piping of lIf if black satin he he c sleeve c with the y Jr vere vt-re style being of oC an pas easy full full- irs at the top lop and nd finished with a alaid raid laid and velvet trimmed c cuff fT at the v C I g of or the time Pony Jacket That filM t fetching little pan pony jacket I h. h In Its Us original on yas as intended solely for COF- COF amort has reach reached cd such a pinnacle of nf avor or that thai one sees It in all classes cla classes s f f r m material and elaborated to lo a degree slat the he UI 01 original I g designer tier scarce even cven rc reamed mcd of or Perhaps Its Us most lye tye appearance Is in ha the guise of or a lal largely el the thc skirt sharing 1 i the extent of or elaboration on that Is if a upon the cat c al ng tiC points are alf expressed It in inthe inthe the that forms the tho subject o of Illus Illus- alon I 1 he material Is s one of those determinate cloth mixtures that pie pie- lines of or brown green and a deep p oll the latter color gray gra a pre pir- Till The little pony i io is II o 5 cleverly cut cui that whole as rus loose as tell m may mV y he be the tho fetching lints of or the waist are arc clearly defined This Is managed In a n series of panels of IP Irv j regular outlines that meet with self self- covered buttons bulton at the waist and so o emphasize that thal line Th The sleeve Ice is li a I top tapering prettily below th the tho elbow Into inlo a full length cuff curr at nt the wrist The skirl Is likewise l e paneled I and each och alternate pommel pannel Is strapped i in either cither perpendicular or horizontal lines line so to that th there Is IJ no effect of ot monotony In the design el n. n The correct len length lh for the comin coming seasons tt-eason's skirt Is displayed and thE It for th the old tine velveteen tt binding as a II finish Is 18 once morn more present |