Show I In Fashions Fashion's s Haunts I The fine lining counter Is hound bound to be a a. popular gathering g place for or who are arc or would be he Linings arc are assuming an importance In the time new fashions to lo which the thc they have leave long been heen beena a u stranger Time was ryas when linings were vei CI very humble affairs Indeed The They did not show shot for anything in the finished fin IsheLl rock frock amid to get set them fiem as In inexpensive inex inex- ex- ex pensive as possible was Vas time the nine aim o of both dressmaker and wearer alike But now we have ha changed all that It I was one om of or Sarah Grand Grands s heroines was it not who being the tho laughter daughter of a clergyman could not with propriety wear expensive clothes Her gowns owns were all of or the tho plain and severe t tJ type pe but bul time the feminine craving ln for beauty and richness was gratified In the linings lin In- lags ings of her r frocks lime he outside e was of necessity plain and sober of or colorIng coloring color- color Ing but the linings s were pre of or rich silks brocades that fairly gleamed and anti glinted glint glint- ed ell with color her lingerie w was of the finest nail real ical laces and ribbons galore were used lavishly la to its n adornment Nowadays r-owaLla 8 h ev every ry well- well dressed woman equals Sarah Grands Grand's creation Tile The linings of oC the thc gown arc are reco recognized recognised as at tho limo foundation foun atlon upon which It Is built and a worthy frock fiock must hive have a n worthy worth foundation The Increased vogue ogue of oC transparent transparent- or 01 lit ut tho the most semitransparent semitransparent-fab- fab fabric ric for drossy dressy y wear brings the linings s right rl into tho the limelight of or criticism Taffetas have havo been heen the standby of the tho dressmaker for Cor long despite tho the fact limit none but the Iho most mORt expensive gave Jave any wear war at alt all Bu Buying ln taffetas was ions largely Iy u u. matter lusher of ot luck You ou ou ml might ht get et u a good piece that would wear airl well or you ou might hl not Hn mid and somehow price did dill not sewn always to have hae its due effect upon the hc quality But the manufacturers have over over- overcome this difficult and now one can purchase certain bilks such as ns ork or- or k da that boar bear n a guarantee In their Is not silk vcr very ory name nume Tho The gown lined tined is IN but little thought of or and certain certain tain tale It Il Is that tint the tho dressmaker cr can turn turnout turnout better hangIng hang- hang hangIng hangIng out a n better bettel fitting and u a I than silken foundation Ing Ing- gown over a n over a n. cotton cottons one Where hll such seems some Mome clever an n there are ways of clipping expenses In other Items of or the frock uch fluch us rUf th the use ulle of H Instead of or expensive and aud brittle whalebones waking making a skirt bono tako lako time the place of or three or live five silk atilt ruffles to make lIk the In hens l in stand out outwell outwell well and the tho Insertion pf a princess haircloth facing on tin tim drop droll skirt All 11 of those o little points will whit make for much In the finished gown are trends towards economy and antt lessen I en the amount mount expended for or the frock Irish poplins are arc asserting themselves strongly aa M factors In the tho fashion situation situation situ situ- allon Some charming ones have hav recently re re- arrived on those shores In plaids of or time the most exquisite color combinations combinations combinations t that hn t have haie been seen een for a n. long tong time lIm the real Irish poplin Is a 0 loom hand-loom product and therefore so exp expensive that thal It takes lakes along a n lolI long purse to own oan a genuine piece ce there are homemade homo home m made ide on this side of or the Atlantic that t will bear comparison with tho ho Irish ones Cuban Coleen poplin Is the name rot for one which in n. n rich ivory 1 white shade makes slakes a i gown for Cor one ono of the tho be dressed best l-dresseLl l actresses on our stage stase The Iho corsage Is appropriately e enough ough of ot Irish crochet Posed over pleated accordion de do sole ono one notices that tine tho little blouse pouch in front over n a deep tilled tilted girdle is employed Mountmellick l embroidery appears on limo tho skirt this being a n form I Io o of handwork that takes about equal use o of d designs that are filled Hied In with Hh solid stitches and others that are merely mere mere- I ly I Indicated In outline ifill timid and th time the centers centers cen cen- covered with seeded dotted veined 01 or other lacy effects Tortoise shell is rapidly becoming quite prominent In many ninny was ways Besides Besides Be lle- sides s the familiar combs that we have havo hat had In sonic home shape or another almost always alwaYN with us there arc are charmingly charming quaint and odd olIt bangles aril bracelets Inlaid with gold fashioned from Crom the tho shell Umbrella handles of or the shaft long arll variety are arc heing shown In this pretty shell At a u Fifth avenue Jewelers Jeweler's theother tho the other da day there was shown quite quito an un assortment of oC those with clays of o gold sliver silver opal and turquoise matrix ai and amid other conceits of oC tho the Jewelers Jeweler's fancy anc Inlays of oC mother mOlher of o pearl too are arc favored although the tho long plain and unadorned shaH shaft Is hI in hi Ilse Itself pretty for Cor most of o us Tortoise shell buttons bullon Inlaid with anold an anold anold old monogram were ordered d for Cor an October October Oc October Oc- Oc tober bride A dozen small buttons Just about vest size and und a half dozen large ones each as ns bl big as a sliver silver dollar dollar dol dol- lar was wa the tha order Both the light and dark shell arc Ware In vogue for Cor hatpin tops and for hat buckles And by the wa way both of oC those item arc are beginning to assume huge proportions Ball all and amid pear shaped tots tos display themselves on anti and the round ones uro are full fully as ns largo large as Dol asa asa a a. small crabapple Tho The buckles arc mostly of or the lilt square order and oftentimes often oCten- times an arabesque In gold or silver sliver gill Is 11 added addeLl |