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Show Ie ui Ro Frida Vive PRI NA Útra Vez . Por Dan King Cairo MIN IT ¡Qué película más hermosa!, con la riqueza magnífica que sólo México puede dar, y la historia de una mujer que tocó al mundo con la punta de su - pincel. La productora/actriz Salma Hayek y la directora Julie Taymor presentan a Frida sacada de sus muchos auto retratos a la pantalla grande. - Allí, aprendemos acerca de la vida magnífica de una Frida Lives Again mujer (que era también la Actress Salma Hayek's interpretation of Frida Kahlo painting a porírait of her sister Chaisina [Ghlo. luchas con un cuerpo que mo estaba tan sediento por la vida como su espíritu. - Salma Hayek hace un ifiblo sobresaliente al entregar a Frida Kahlo a los espectadores norteam-ericanos. Aprendemos acer- de a esposa del muralista Mexi- cano Diego Rivera) y sus e. _ | 8y Des King Cairo of traditional Mexico, becoming irresistible to - men as well as women. 4 Was LL achd Hao via the tea les il cat ca del espíritu joven que The film was first introduced at the Venice Film Festi- a Frida en su | Mexico can give, and the story of a woman who touched val in Italy, where it was deemed a masterpiece. After persigue ' he world with the tip of her paintbrush. Julie Tay| Producer/actress Salma Hayek and director charming Europe, it was introduced to North America o juventud al asistir a la Escuela Preparatoria Nacional, donde encuentra | mor bring Frida from her many self-portraits to the big Self Portrait Beween the Borderline of Mexico 4 screen. There, we learn about the magnificent life of a woman | (who was also the wife of the Mexican muralist Diego ¡| Rivera) and her struggles with a body that was not as - thirsty for life as her spirit. Salma Hayek does an outstanding De in delivering - Frida Kahlo to North American viewers. We learn about 2 ÚN - varias heridas y el dolor quellegará a ser parte de 2 su espíritu asombroso. > La creatividad de Julie £ Unfortunately for Hayelos hard work, the film was not | a hit with Mexican critics. The main argument of Mexican critics, such as Guadalupe Loaeza from La Reforma press in Mexico City, is that Frida, as a member of the communist move- Tremor se merece una A+. Ella ata las pinturas automedicinales de Frida a los ojos de la audiencia, yeno de bueneso ángulos de cámara a una transición de pinturas que deslumbra a and the pain that will become part of her amazing a : Salma Hayek's portrayal of Frida. Salma Hayek frts with Frida's sense of style with después del accidente trágico que atravezó un pedazo de hierro en su pelvis y la ' her pelvis and back, leaving her with several injuries to Frida, such as Guillermo (Roger Rees) and Christina Kahlo (Mia Maestro) is huminous, and don't forget Entonces estamos enganchados para ver vivir un espíritu roto por la mitad espalda, dejandola con ' the tragic trolley accident that drove a piece of iron into : members to that of the actual people whom were close primera vez. =_ encounters Diego Rivera for the first time. Then we are hooked to sée a half-torn spirit live after Julie Tremor's creativity is an A+. She ties Frida's self¡ medicating paintings to the eyes of the audience, going ' from good camera angles to a dazzling transition from - paintings to the big screen. Furthermore, the resemblance of some of the cast a Diego Rivera por la o the young spirit that haunts Frida in her youth while attending The National Preparatory School, where she 1t. ..= _ ment in Mexico would “walk out of the room” tf she la pantalla grande. heard herself speak English. According to Loaeza, critics laughed when Hayek conveyed the words “wonderful enchiladas.” There were Además, la semejanza de algunos de los miembros o see . . FRIDA. . on page 12 vea . .VIVE...cn pagina 12 E a O | SUMARIO a a la gente VENSERSAA Y o |
